Poetry Essays

Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, Sister Outsider celebrates an influential voice in 20th-century literature. In this charged collection of 15 essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope.

Deaf Republic opens in an occupied country in a time of political unrest. When soldiers breaking up a protest kill a deaf boy, Petya, the gunshot becomes the last thing the citizens hear—they all have gone deaf, and their dissent becomes coordinated by sign language. The story follows the private lives of townspeople encircled by public violence.

José Lezama Lima (1910–1976) was one of the most influential writers in Latin American Literature. Born in Havana, Cuba, he lived through turbulent times in his country’s history. He was mainly a poet but gained attention with the publication of his autobiographical novel Paradiso (1966), which the press characterized as decadent and pornographic due to its homoeroticism, but which was soon recognized as a major work of the 20th century. A Poetic Order of Excess collects Lezama Lima’s essays on poets of world literature such as Stéphane Mallarmé, Paul Valéry, and Luis de Góngora....

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy that resonates profoundly. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—Abdurraqib uses music and culture as a lens through which to view our world so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

More than 60 stories, poems, and essays are included in this wide-ranging collection by the extravagantly versatile Raymond Carver. Two of the stories - later revised for What We Talk About When We Talk About Love - are particularly notable in that between the first and the final versions, we see clearly the astounding process of Carver's literary development.

African American literature is the body of literature produced in the United States by writers of African descent. It begins with the works of such late 18th-century writers as Phillis Wheatley. Before the high point of enslaved people narratives, African-American literature was dominated by autobiographical spiritual narratives. The genre known as slave narratives in the 19th century were accounts by people who had generally escaped from slavery, about their journeys to freedom and ways they claimed their lives.

5/5 Stars Readers' Favorite Review Winner 2013 eFestival of Words Best Non-Fiction (General) Winner 2014 Kindle Book Award Non-Fiction Finalist 2013 eBook Cover Design Award Gold Star Winner 2013 San Francisco Book Festival Honorable Mention 2013 Global eBook Award Women Studies Non-Fiction Gold Medal Winner Not easy subjects -- childhood sexual abuse, love, loss, date rape, grief -- but real ones, told in pieces (thus the title). Broken Pieces is a work of non-fiction. Poetry, prose, and essays to let you into one woman's life -- a searingly raw examination of topics most people avoid. ...

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.

And We Came Outside and Saw the Stars Again takes its title from the last line of Dante's Inferno, when the poet and his guide emerge from hell to once again behold the beauty of the heavens. In that spirit, the stories, essays, and poems in this collection - from beloved authors including Jhumpa Lahiri, Mario Vargas Llosa, Eavan Boland, Daniel Alarcón, Jon Lee Anderson, Claire Messud, Ariel Dorfman, and many more - detail the harrowing experiences of life in the pandemic, while pointing toward a less isolated future.

On April 11, 1931, Virginia Woolf ended her entry in A Writer's Diary with the words "too much and not the mood." She was describing how tired she was of correcting her own writing, of the "cramming in and the cutting out" to please other readers, wondering if she had anything at all that was truly worth saying. The character of that sentiment, the attitude of it, inspired Durga Chew-Bose to write and collect her own work. The result is a lyrical and piercingly insightful collection of essays and her own brand of essay-meets-prose poetry about identity and culture.

No one can offer you a cut-and-dried definition of poetry, but its main feature – in contrast to prose – is its emphasis on form. Poetic form is a kind of structure, in which the words of the poem are set. This analogy isn’t perfect, but it’s more useful than you might imagine at first. Important examples of formal elements in poetry are metre, rhyme and the visual structure of the poem. Features like these work together to produce the situation in which ‘form enacts content’. This means that the form is just as important as the content in determining the meaning of the poem, ...

Shelley took his place within the vatic history of mythopoetic bards and bore the Visionary legacy. He offered a simple “spark” of poetry to his audience while promising a raging fire would burn if the poetry was nurtured correctly. However, Shelley realized that most people cannot accept the poet’s offering (for various reasons; ignoring, rejecting or misunderstanding) and they let that spark smolder into nothing. Shelley shouts into his written words, leaving his hard-earned knowledge of the human condition and his visionary plight for willing human ears. Shelley paints himself as ...

Ralph Waldo Emerson was an American essayist, lecturer, philosopher, abolitionist, and poet who led the transcendentalist movement of the mid-19th century. He was a prescient critic of the countervailing pressures of society, and his ideology was disseminated through dozens of published essays and more than 1,500 public lectures. Emerson gradually moved away from the religious and social beliefs of his contemporaries, formulating and expressing the philosophy of transcendentalism in his 1836 essay Nature.

Poems, essays, and prompts to sing a new world into being—Queer & BIPOC perspectives on poetry as an insurgent ritual for manifesting liberation and reclaiming power.

The Narrow Road to the Interior and Hojoki are two of the best-loved works of their kind; famous for their beautiful, delicate verse and subtle insight into the human condition. It has been said of The Narrow Road that 'it was as if the very soul of Japan had itself written it'. It takes the form of a travel diary, and traces the poet's journey from Edo (modern-day Tokyo) to the northern interior.

Zero at the Bone begins with Wiman's preoccupation with despair, and through fifty brief pieces, he unravels its seductive appeal. The book is studded with the poetry and prose of writers who inhabit Wiman's thoughts, and the voices of Wallace Stevens, Lucille Clifton, Emily Dickinson, and others join his own.

Charles Bukowski turns to the bottle in this revelatory collection of poetry and prose that includes some of the writer’s best and most lasting work. A self-proclaimed “dirty old man”, Bukowski used alcohol as muse and as fuel, a conflicted relationship responsible for some of his darkest moments, as well as some of his most joyful and inspired. In On Drinking, Bukowski expert Abel Debritto has collected the writer’s most profound, funny, and memorable work on his ups and downs with the hard stuff.

As the Enlightenment movement was gathering strength in the early 18th century, various challenges to established religious faith were launched. In response, a number of celebrated commentators produced defences of religion and morality, and among these was Alexander Pope, who was inspired to write "some pieces on Human Life and Manners." The result was a collection of poems in rhyming couplets, designated "Epistles", which were published in instalments.

Ross Gay’s The Book of Delights is a genre-defying collection of essays that record the small joys that occurred in one year, from birthday to birthday, and that we often overlook in our busy lives. His is a meditation on delight that takes a clear-eyed view of the complexities, even the terrors, in his life, including living in America as a Black man; the ecological and psychic violence of our consumer culture; the loss of those he loves.

This is a collection of poems and short essays that find among their lines the questioning of the self as it is reflected in the words and concepts they seek. It is a journey into the depths of the soul and the feelings that we express as humans in our language.