Television History

Darwin had his theory of evolution, and David Bianculli has his. Bianculli's theory has to do with the concept of quality television: what it is and, crucially, how it got that way. In tracing the evolutionary history of our progress toward a Platinum Age of Television - our age, the era of The Sopranos and Breaking Bad and Mad Men and The Wire and Homeland and Girls - he focuses on the development of the classic TV genres.

Hollywood in the 1950s was a period when the film industry both set conventions and broke norms and traditions—from Cinerama, Cinemascope and Vistavision to the epic film and lavish musical. It was a decade that saw the rise of the anti-hero; the smoldering, the hidden, and the unspoken; teenagers gone wild in the streets; the sacred and the profane; the revolution of the Method; the socially conscious; the implosion of the studios, the end of the production code; and the invasion of the ultimate body snatcher: the “small screen” television.

From her creation of the “Approval Matrix” in New York magazine in 2004 to her Pulitzer Prize–winning columns for The New Yorker, Emily Nussbaum has argued for a new way of looking at TV. In this collection, including two never-before-published essays, Nussbaum writes about her passion for television, beginning with Buffy the Vampire Slayer, the show that set her on a fresh intellectual path. She explores the rise of the female screw-up, how fans warp the shows they love, the messy power of sexual violence on TV, and the year that jokes helped elect a reality-television president.

What's the greatest TV show ever? That debate reaches an epic conclusion in TV (the Book). Sepinwall and Seitz have identified and ranked the 100 greatest scripted shows in American TV history. Using a complex, obsessively all-encompassing scoring system, they've created a pantheon of top TV shows, each accompanied by essays delving into what made these shows great.

Who invented reality television, the world’s most dangerous pop-culture genre? And why can’t we look away? In this revelatory, deeply reported account of the rise of “dirty documentary”—from its contentious roots in radio to the ascent of Donald Trump—Emily Nussbaum unearths the origin story of the genre that ate the world, as told through the lively voices of the people who built it. At once gimlet-eyed and empathetic, Cue the Sun! explores the morally charged, funny, and sometimes tragic consequences of the hunt for something real inside something fake.

No medium in history can match the power of television. No product has spread so far and so fast. Nothing has had so much influence. Nothing has impacted how the world sees itself like television. Television: Volume 1 brings together seven decades of stories on how this happened into one epic narrative. With unparalleled insider insight, it shares critical, practical, behind the scenes lessons from the business of TV. The Television series is a must for media executives, students, entrepreneurs, and fans.

No industry has been as influential at shaping the popular notion of what it means to be a witch quite as much as Hollywood. This book traces the fascinating history of witchcraft and witches in American film and television. From Joan the Woman and The Wizard of Oz to Carrie and Charmed, author and film scholar Heather Greene explores how these films helped influence the public image of the witch and profoundly influenced how women negotiate their power in a patriarchal society.

My husband and I are fighting for our lives in hospital after a terrible car accident. But despite my pain, all I can think about is what our families will find behind our front door. The scarf that has been all over the news, belonging to a dead young woman with honey-coloured hair. I have to speak to the police before my husband can. I’m drifting in and out of consciousness, but when I hear my wife talking to the police, accusing me of the murder of an innocent woman, a cold fear grips me. I know I’ve got a temper.

First scientists thought it was for balance, but the tail helps the kangaroo to be able to move the fore and hind legs together. Trivia helps to inform and educate people. Experts say trivia aids to keep the mind sharp and engaged, a plus for all occupations and people from all walks of life that require no amount of energy. Knowing Obscure Facts Is Good for Our Mental Health.

Music composed for television had, until recently, never been taken seriously by scholars or critics. Catchy TV themes, often for popular weekly series, were fondly remembered but not considered much more culturally significant than commercial jingles. Yet noted composers like John Williams, Henry Mancini, and Jerry Goldsmith learned and/or honed their craft in television before going on to major success in feature films.

Everyone has screwed up a few times, or had their work screwed up by others. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Bruce Vilanch has experienced, learned, forgotten, dismissed, and embraced in decades of working in show business, specifically the south forty acres known as comedy. It involves very famous people and people who were not very famous but should have been.

When beloved host Johnny Carson announced his retirement after 30 years on The Tonight Show, millions of Americans mourned. But inside the television industry, the news ignited a battle between two amazing talents - Jay Leno and David Letterman - who both yearned to occupy the departing legend's chair. For NBC, it would be a decision with millions of dollars at stake. Soon these two comedians with strikingly different styles, who had once shared a friendship as they worked the clubs together, would be engaged in a fierce competition for the prize.

A history of Saturday Night Live that finally reveals what really went on backstage, on the set, in the writers' offices, and on the town. Dozens of stars, writers, and guest hosts recall the backstage gossip, feuds, foibles, drugs, sex, struggles, and calamities of the show that changed television.

In this eloquent and persuasive book, Neil Postman examines the deep and broad effects of television culture on the manner in which we conduct our public affairs, and how "entertainment values" have corrupted the very way we think. As politics, news, religion, education, and commerce are given less and less expression in the form of the printed word, they are rapidly being reshaped to suit the requirements of television.

Blake Snyder's Save the Cat!, the world's top-selling story method for filmmakers and novelists, introduces The Last Book on Creating Binge-Worthy Content You'll Ever Need.

Instead of focusing on one service, like HBO, Pandora’s Box asks, “What did HBO do, besides give us The Sopranos?” The answer: It gave us a revolution. Biskind bites off a big chunk of entertainment history, following HBO from its birth into maturity, moving on to the basic cablers like FX and AMC, and ending up with the streamers and their wars, pitting Netflix against Amazon Prime Video, Max, and the killer pluses—Disney, Apple TV, and Paramount.

This audiobook tells the story of how Philo Farnsworth came up with the idea for electronic television at age 14, and later developed his idea into the technology for television that is still used today.

Television is probably something we nowadays take for granted. There is a TV in almost every home, a TV in almost every public building - basically, where there is a signal, there is a TV. Found in millions of homes, it is probably difficult to imagine that the first television was created less than a century ago. In such a short time, we managed to go from silent moving images to 3D lifelike images on a flat screen.

In a story that is both of its time and timeless, Evan I. Schwartz tells a tale of genius versus greed, innocence versus deceit, and independent brilliance versus corporate arrogance. Many men have laid claim to the title "father of television," but Philo T. Farnsworth is the true genius behind what may be the most influential invention of our time. Driven by his obsession to demonstrate his idea, by the age of 20 Farnsworth was operating his own laboratory above a garage in San Francisco and filing for patents. The resulting publicity caught the attention of RCA tycoon David Sarnoff, who became determined to control television in the same way he monopolized radio.

Since premiering in 2009, the groundbreaking television sitcom Modern Family has garnered tens of millions of devoted fans, earning 75 Emmy nominations and 22 Emmy Awards, including five in a row for Outstanding Comedy Series (one of only two sitcoms to ever achieve that feat). Professors have written about it. Psychologists have lectured on it. Leading publications, such as The New York Times and Washington Post, have explained their love for it.