Victorian Medicine

In The Butchering Art, the historian Lindsey Fitzharris reveals the shocking world of 19th-century surgery on the eve of profound transformation. She conjures up early operating theaters - no place for the squeamish - and surgeons, working before anesthesia, who were lauded for their speed and brute strength. They were baffled by the persistent infections that kept mortality rates stubbornly high. A young, melancholy Quaker surgeon named Joseph Lister would solve the deadly riddle and change the course of history.

Full of larger than life characters and cinematically written, The Cure for Women documents the birth of a sexist science still haunting us today as the fight for control of women’s bodies and lives continues.

This is a thrilling historical account of the worst cholera outbreak in Victorian London and a brilliant exploration of how Dr. John Snow's solution revolutionized the way we think about disease, cities, science, and the modern world.

Em Medicina dos horrores, a historiadora Lindsey Fitzharris narra como era o chocante mundo da cirurgia do século XIX, que estava às vésperas de uma profunda transformação. A autora evoca os primeiros anfiteatros de operações—lugares abafados onde os procedimentos eram feitos diante de plateias lotadas—e cirurgiões pioneiros, cujo ofício era saudado não pela precisão, mas pela velocidade e pela força bruta, uma vez que não havia anestesia. Não à toa, os mais célebres cirurgiões da época eram capazes de amputar uma perna em menos de trinta segundos.

In The Butchering Art, historian Lindsey Fitzharris re-creates a critical turning point in the history of medicine, when Joseph Lister transformed surgery from a brutal, harrowing practice to the safe, vaunted profession we know today.

Victorian operating theatres were known as 'gateways of death', Fitzharris reminds us, since half of those who underwent surgery didn't survive the experience. This was an era when a broken leg could lead to amputation, and surgeons were still known to ransack cemeteries to find cadavers.

The Cancer Problem offers the first medical, cultural, and social history of cancer in 19th-century Britain. It argues that it was in the 19th century that cancer acquired the unique emotional, symbolic, and politicized status it maintains today. Through an interrogation of the construction, deployment, and emotional consequences of the disease's incurability, this book reframes our conceptualization of the relationship between medicine and modern life and reshapes our understanding of chronic and incurable maladies, both past and present.

As a young medical student at Edinburgh, Sir Arthur Conan Doyle took classes with the remarkable Dr. Joseph Bell in forensic medicine. Dr. Bell exhibited many of the characteristics that Doyle would later synthesize into the personage of Sherlock Holmes: complete faith in human reason, meticulous powers of observation, and encyclopedic knowledge of the activities and methods of the criminal classes.

CSI Told You Lies is a surprisingly moving account of the real forensic pathologists at the frontline of Australia's major crime and disaster investigations. These are the men and women whose post-mortem examinations help the dead to speak. Along with the pathologists, Meshel Laurie, host of the Australian True Crime podcast, also speaks to the homicide detectives, defence barristers and victims' families in this groundbreaking study of the ripple effect of violent crime and largescale natural disaster.

Medicine in the early 1800s was a brutal business. Operations were performed without anaesthesia while conventional treatment relied on leeches, cupping and toxic potions. It was said of one surgeon, 'His surgical acquirements were very small, his operations generally very badly performed and accompanied with much bungling, if not worse.' It was lucky, for the doctor at least, that his deafness made him immune to his patients' dying groans. Into this milieu came John Elliotson, the dazzling new hope of the medical world.

Will her true love ever return? He loves her more than life itself, but he's forced to say goodbye.... Spencer Hayes has been in love with Ginny Cawley since he first laid eyes on her years ago. Now, he must leave her to make one last trip to the Caribbean before taking over his father's shipping company. However, an unexpected storm at sea leaves him not only reflecting on his time with Ginny but makes him realize he may never see her again. This novelette is inspired by Beneath the Inconstant Moon by ID Johnson and provides further insight into Spencer and Ginny's relationship.