A Passage to India
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Narrated by:
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Sam Dastor
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By:
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E. M. Forster
About this listen
Exclusively from Audible
Dr. Aziz is a young Muslim physician in the British Indian town of Chandrapore. One evening he comes across an English woman, Mrs. Moore, in the courtyard of a local mosque; she and her younger travelling companion Adela are disappointed by claustrophobic British colonial culture and wish to see something of the 'real' India. But when Aziz kindly offers to take them on a tour of the Marabar caves with his close friend Cyril Fielding, the trip results in a shocking accusation that throws Chandrapore into a fever of racial tension.
Set against the backdrop of the British Raj and the Indian independence movement in the 1920s it deals with the common racial tensions and prejudices between Indians and the British who ruled India.
Many of Forster's novels observed class difference and hypocrisy in early 20th-century British society including A Passage to India, the novel which brought him his greatest success. A secular humanist, Forster showed concern for social, political, and spiritual divisions in the world.
Time magazine included A Passage to India in its All-Time 100 Novels list and it was selected as one of the 100 great works of 20th century English literature by the Modern Library.
Directed by David Lean, a film adaptation was released in 1984 that won numerous awards including two Oscars.
Narrator Biography
A Cambridge graduate who trained at RADA under the direction of Sir Laurence Olivier, Sam Dastor has long featured on screen and stage. He is best known for The Life and Death of Peter Sellers (2004) and for twice portraying Gandhi in both Lord Mountbatten: The Last Viceroy (1986), and Jinnah (1998).
Sam Dastor has starred in many West End productions with roles such as Ariel in The Tempest, and Orlando in As You Like It. His most recent work has included starring on stage at the Wolsey Theatre in A Midsummer Night’s Dream (2016). He has narrated a large catalogue of audiobooks including V.S. Naipaul’s A House for Mr Biswas.
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Written at the request of Charles Dickens, North and South is a book about rebellion that poses fundamental questions about the nature of social authority and obedience. Gaskell expertly blends individual feeling with social concern and her heroine, Margaret Hale, is one of the most original creations of Victorian literature. When Margaret Hale's father leaves the Church in a crisis of conscience she is forced to leave her comfortable home in the tranquil countryside of Hampshire....
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Delightful
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Armadale
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- Narrated by: Nicholas Boulton, Rachel Atkins, David Rintoul, and others
- Length: 30 hrs and 2 mins
- Unabridged
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Wilkie Collins' follow-up to The Woman in White and No Name is an innovative take on mistaken identity, the nature of evil, and the dark underbelly of Victorian England. The story concerns two distant cousins, both named Allan Armadale, and the impact of a family tragedy, which makes one of them a target of the murderous Lydia Gwilt, a vicious and malevolent charmer determined to get her hands on the Armadale fortune. Will the real Allan Armadale be revealed, and will he survive the plot against his life?
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Listen again & again to unravel layers of mystery
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By: Wilkie Collins
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He Knew He Was Right
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- Narrated by: Nigel Patterson
- Length: 30 hrs and 32 mins
- Unabridged
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When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.
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Nigel Patterson as the narrator is great
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The Bostonians
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From Boston's social underworld emerges Verena Tarrant, a girl with extraordinary oratorical gifts, which she deploys in tawdry meeting-houses on behalf of "the sisterhood of women." She acquires two admirers of a very different stamp: Olive Chancellor, devotee of radical causes and marked out for tragedy; and Basil Ransom, a veteran of the Civil War who holds rigid views concerning society and women's place therein. Is the lovely, lighthearted Verena made for public movements or private passions?
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Fantastic reading!
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The Voyage Out
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The Voyage Out is Virginia Woolf's haunting tale about a naïve young woman's sea voyage from London to a small resort on the South American coast. In symbolic, lyrical, and intoxicating prose, her outward journey begins to mirror her internal voyage into adulthood as she searches for her personal identity, grapples with love, and learns how to face life intellectually and emotionally. Its wit and exquisiteness, and its profound depth and insight into humanity, will capture the imagination of the listener.
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Lovely
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Man and Wife
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- Unabridged
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Published 10 years after Collins’s most popular novel The Woman in White, Man and Wife centres on the confused and inequitable marriage laws of 19th-century Britain, reflecting the author’s own antipathy toward the institution. The plot follows the fortunes of a woman who, committed to marriage with one man, comes to believe that she may have inadvertently married his friend, according to the archaic laws of Scotland and Ireland.
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Intricate plot, good dialogue, desperately needed an editor
- By Seth on 07-25-21
By: Wilkie Collins
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Something New
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- Unabridged
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Here, we have a glorious ensemble of Woodhousian characters knocking elbows to foreheads in the elegant and grand Blandings Castle. Meet Freddy Threepwood, the vagrant son of doddering old Lord Emsworth of Blandings Castle. Freddy has recently become engaged to Aline Peters, the American heiress of an irascible father. The snag is that Freddy seems to have at one point become enamored of a struggling actress, Joan Valentine, and written some impetuous and imprudent letters to her.
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Same book as Something Fresh
- By customer on 03-07-15
By: P. G. Wodehouse
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Can You Forgive Her?
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- Unabridged
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Can You Forgive Her? is the first of the six in the Palliser series. Trollope inextricably binds together the issues of parliamentary election and marriage, of politics and privacy. The values and aspirations of the governing stratum of Victorian society are ruthlessly examined, and none remains unscathed. But above all Trollope focuses on the predicament of women. 'What should a woman do with her life?' asks Alice Vavasor of herself, and this theme is echoed by every other woman in the audiobook.
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Superb performance and sound
- By David on 05-21-10
By: Anthony Trollope
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The Idiot
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Young Prince Mishkin is that rare thing - a "completely beautiful human being". He is honest, humble, generous, and selfless, but unfortunately these traits mean he is often mistaken for an idiot. Upon his return to St. Petersburg, after being away at a Swiss sanatorium for the treatment of epilepsy, Prince Mishkin is taken under the wing of the wife of General Yepanchin, who arranges for him to live with the family of her money-obsessed friend Ganya.
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wow.
- By Michal Krawczyk on 04-25-17
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The Tenant of Wildfell Hall
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Probably the most shocking of the Brontës' novels, this novel had an instant and phenomenal success and is widely considered to be one of the first sustained feminist novels. A mysterious widow, Mrs. Helen Graham, arrives at Wildfell Hall, a nearby old mansion. A source of curiosity for the small community, the reticent Helen and her young son Arthur are slowly drawn into the social circles of the village.
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A good story ruined by the narrator
- By i. Ski on 04-17-14
By: Anne Brontë
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What listeners say about A Passage to India
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Alisa
- 05-30-12
Compelling Story and Reading
What made the experience of listening to A Passage to India the most enjoyable?
Quintessential modernist text--Forester deals artfully with British colonialism in India, managing to paint both the Indians and the English sympathetically. Most of the characters are full and dynamic. Anchoring the story in the friendship of Mrs. Moore (an elderly woman) and Dr. Aziz (a widower) begins the story's exploration of the power of relationships and the difficulty of forming and sustaining "intimate" relationships. A Passage to India is a moving story the lure of power and about the difficulty of knowing another.
What other book might you compare A Passage to India to and why?
Howard's End--just another excellent Forster text, dealing with some of the same issues of disconnectedness.
Which scene was your favorite?
When Aziz first met Mrs. Moore.
If you were to make a film of this book, what would be the tag line be?
A quest for identity set in the heat and beauty of India...
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3 people found this helpful
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- Johanna
- 06-15-15
Great story! Great narration!
I love E.M. Forster's writing style--clear, distinct, and powerful. He has an amazing way of writing about an extremely complex situation in an understandable way.
I found the narrator's character voices to be clear and easy to understand. This is a good recording.
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- Everard (Desert Islander)
- 08-24-16
An all time classic
I've returned to this book many times over the years, but to listen to Adam Dastor reading it has added another dimension of pleasure.
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- Home-Is-A-Retreat-Mom
- 01-13-15
Beautiful story of India
Enjoyed this book immensely! We listened to it together as a family as part of our son's Classical Conversations Challenge 2 curriculum...
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- Jason
- 08-02-21
Semi-Jarring
I understand that the book has certain words and that certain characters are Indian, but hearing an obviously white voice actor saying the n-word in an Indian accent lessened my enjoyment of the book significantly.
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- Stephen
- 05-26-14
A Passage to India
I recommend this production.
Story: This is a classic so I will not comment on style. I enjoyed this slice of history, Anglo-India prior to WWII. Although the actual story was merely a short period overall, it was an intersection drama; the intersection of peoples' life in time. For this two items, I enjoyed the story.
Production: The reader was excellent. I found his females and non-English males very convincing.
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- J.B.
- 10-15-22
The Horror of It All
I had finished reading Caste by Isabel Wilkerson and was determined to read a novel where the tragedy being told was centered on a caste system. I could not have chosen a better continuation of the study of the castes than A Passage to India, by E. M. Forster, (with a magnificent narration by Sam Dastor). The storyline, I must confess, was a bore, much because its characters were without redeeming natures, and the plot’s pace was dauntingly slow. Yet, a more probing tale of what was wrong with the British Raj would be unfindable.
To appreciate the book's teaching, one must also accept the human tragedy that is part of the storyline. It is discomfort and will haunt you. Abandonment in a cave, situated by cultural inhibitions and distorted perspectives. A misunderstanding of civilizations and disrespect for the other’s way of life all build up to develop into harm upon humankind by humankind. The value of the book, if one chooses to call it so, is harm upon the innocent and disrespect other humanitarian causes loss to both the upper and lower caste realms. Love thy neighbor even if she/he is unlike you. Stop denigrating.
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- Miranda
- 02-18-16
Slow, but full of nuance
Although this book is considered a classic, I find there are too many characters and details, and it is drawn out longer than necessary. The story was not as engaging as I had hoped. Those who appreciate slow and nuanced character development may appreciate it more than I did.
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3 people found this helpful
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- Phani Raj
- 09-01-18
A peek into complex human emotions..
. .during complex socio-political times of British India. This book blew my mind with its deep insight into the human mind. Narration was top notch and contributed significantly to the great impact this book created.
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1 person found this helpful
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- Michael
- 08-02-20
Was Great now Good
This was a fine novel and had some interesting characterization and prose (particularly later in the novel). Yet it was pretty slow and dated. It examines British imperialism, racism, and sexism in 1920's India and, written in 1924, it was timely and important (perhaps shocking) at that time. For me it has aged into a good novel, not a great novel. Although the novel examines imperialism, racism and sexism, there is very little expressed emotionality. Brits are often subtle when it comes to emotionality, but other Brit novels maintain the staid exterior while expressing the hidden power of the emotions. I did not really find that here.
The narration was mostly clear and when speaking as the narrator it was very nice, but some of the female characterization were exaggerated near to being annoying.
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