A Room of One's Own, based on a lecture given at Girton College Cambridge, is one of the great feminist polemics. Woolf's blazing polemic on female creativity, the role of the writer, and the silent fate of Shakespeare's imaginary sister remains a powerful reminder of a woman's need for financial independence and intellectual freedom.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. Sethe has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.

One of the best-loved of Nabokov's novels, Pnin features his funniest and most heart-rending character. Professor Timofey Pnin is a haplessly disoriented Russian emigre precariously employed on an American college campus in the 1950s. Pnin struggles to maintain his dignity through a series of comic and sad misunderstandings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator.

F. Scott Fitzgerald’s classic American novel of the Roaring Twenties is beloved by generations of readers and stands as his crowning work. This new audio edition, authorized by the Fitzgerald estate, is narrated by Oscar-nominated actor Jake Gyllenhaal (Brokeback Mountain). Gyllenhaal's performance is a faithful delivery in the voice of Nick Carraway, the Midwesterner turned New York bond salesman, who rents a small house next door to the mysterious millionaire Jay Gatsby....

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

The principal theme of this ambitious book is time, threading together three generations of the Pargiter family. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, his dying wife, and their seven children, and it ends in the 1930s with a brilliantly depicted party at which the Pargiters, young and old, pass in review. Important events - births, deaths, marriages, wars - occur in the wings; it is the commonplace moments that are captured here in a sequence of perfectly drawn scenes.

From 1918 to 1941, even as she penned masterpiece upon masterpiece, Virginia Woolf kept a diary. She poured into it her thoughts, feelings, concerns, objections, interests, and disappointments -resulting in 26 volumes that give unprecedented insight into the mind of a genius. Collected here are the passages most relevant to her work and writing.

Rachel Vinrace, Virginia Woolf's first heroine, is a motherless young woman who, at 24, embarks on a sea voyage with a party of other English folk to South America. Guileless, and with only a smattering of education, Rachel is taken under the wing of her aunt Helen, who wishes to teach Rachel "how to live." Arriving in Santa Marina, a village on the South American coast, Rachel and Helen are introduced to a group of English expatriates.

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

A poignant look at the disillusionment and angst of the post-World War I generation, The Sun Also Rises introduces two of Hemingway’s most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. In his first great literary masterpiece, Hemingway portrays an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions.

Werther, a sensitive young artist, finds himself in Wahlheim, a quiet, attractive village in Germany where he seeks solace from the turmoils of love. It is a young spring, and he hopes that arcadian solitude will prove a genial balm to his mind. But his romantic tendency rules otherwise, and he falls in love with Charlotte - Lotte - even though he knows she is affianced to another.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

On the glistening surface of Virginia Woolf’s groundbreaking novel is the Ramsay family, a seemingly stable group of characters, but a group that is ultimately subject to the same alterations and losses that come with the passing of time. Set at the Ramsays’ summerhouse over two September days, ten years apart, Woolf’s influential landmark of twentieth-century literature explores the hopes, frustrations, and small moments of grace and change that permeate everyday life.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

An English saga centered around one family at their summer house, the goings on of one and all, written elegantly and insightfully with each word and phrase wonderful for the listener.

From the fleeting beauty of a moth's final moments to reflections on the nature of art, identity, and the human experience, Woolf’s writing invites listeners into her world of introspection, subtle observations, and profound insights. In this collection, Woolf navigates themes of life, death, creativity, and the inner workings of the mind with an unparalleled sensitivity that remains timeless.

The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.

This is Virginia Woolf’s first collection of essays, published in 1925. In them, she attempts to see literature from the point of view of the ‘common reader’ - someone whom she, with Dr Johnson, distinguished from the critic and the scholar. She read, and wrote, as an outsider: a woman set to school in her father’s library, denied the educational privileges of her male siblings - and with no fixed view of what constitutes ‘English literature’. What she produced is an eccentric and unofficial literary and social history from the 14th to the 20th centuries.

Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The book follows them as they develop from childhood to maturity and follow different passions and ambitions; their voices are interspersed with interludes from the timeless and unifying chorus of nature.

Written in 1927, To the Lighthouse is Virginia Woolf's experimental and brilliant third novel. The narrative concerns the annual visits by the Ramsay family to their summer home in the Isle of Skye in Scotland between 1910 and 1920. Once again employing her unique stream-of-consciousness style of writing, Woolf creates a fascinating and complex novel where the point of view of the narration switches between the various Ramsay family members and their guests.

Mrs. Dalloway, perhaps Virginia Woolf’s greatest novel, vividly follows English socialite Clarissa Dalloway as she prepares for a party in post-World War I London. Four-time Oscar nominee Annette Bening (American Beauty, The Kids Are All Right) brings Woolf’s stream-of-consciousness style of storytelling to life, exploring the hidden springs of thought and action in one day of a woman’s life in a brilliant performance.

To the Lighthouse is one of Virginia Woolf's most autobiographical works, and since she was an active member of the Bloomsbury Set, it inevitably echoes the once revolutionary thoughts that were to shape our world. Set in the pivotal years spanning World War I, it describes a gathering of artists, intellectuals and children at the Ramsays' holiday home in the Scottish Isles. Guided through their parallel streams of consciousness, we are given a poignant sense of the isolation coexisting with togetherness, and of a permanence that can survive the seeming transience of life.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

The Voyage Out is Virginia Woolf's haunting tale about a naïve young woman's sea voyage from London to a small resort on the South American coast. In symbolic, lyrical, and intoxicating prose, her outward journey begins to mirror her internal voyage into adulthood as she searches for her personal identity, grapples with love, and learns how to face life intellectually and emotionally. Its wit and exquisiteness, and its profound depth and insight into humanity, will capture the imagination of the listener.