On his new album, Stark Raving Black, Lewis Black brings his singular style of profane and profound humor to the stage. Compelled by his passions and discontentedness with the absurdities of the world, he erupts in a hand-shaking, body-trembling, spewing of diatribe-laced dialectic comedy. Focusing on the personal and the political, Lewis guides his audience through a catalogue of the woes of the world, from the absurdities of aging (60 is not the new 40!) to the pitfalls of becoming a "mainstream" comedian to the insanity of Washington and Wall Street.

All-star comedian Lewis Black is funnier than ever in In God We Rust. Jump on for a rant-filled, cathartic ride through the issues of our baffling world, from inept politicians and the shortcomings of technology to the absurdity of social media. No topic is left unexplored in this landmark performance at the historic State Theatre in Minneapolis.

Recorded in the summer of 2004, Luther Burbank Performing Arts Center Blues documents Black hilariously going off on such phenomena as Janet Jackson's infamous appearance at the Super Bowl, the controversy over gay marriage, Arnold Schwarzenegger's ascent to the California governor's mansion, and the ongoing disaster of America's presence in Iraq.

As "America's Foremost Commentator On Everything", Black is a weekly political commentator on Comedy Central's The Daily Show With Jon Stewart and has starred in four top-rated comedy specials for the network.

So, what was Lewis Black like when he was younger? Did he have a positive outlook on life in the '80's and grow disenchanted as he got older? Hardly. This historic record from America's foremost commentator on everything, gives a telling, hilarious insight into Lewis Black's earlier years in standup. Before The Daily Show, before the Grammys, before the massive fame.

You've seen him on The Daily Show with Jon Stewart offering up his trademark angry observational humor on everything from politics to pop culture. You've seen his energetic stand-up performances on HBO, Comedy Central, and in venues across the globe. Now Lewis Black's volcanic eruptions can be found in Nothing's Sacred, a collection of rants against stupidity and authority, which oftentimes go hand in hand.

What do we believe? And in God's name why? Lewis Black has the answers. Or at least his answers. He survived Hebrew school and a bar mitzvah (barely), was a 60's college student who saw the parallels between religious rapture and drug-induced visions (even if none of his friends did), explored the self-actualization movement of the 70's (and the self-indulgence it engendered), and turned a cynical eye toward politicians who don the cloak of religious rectitude to cover up their own hypocrisy.

If one George Carlin audio is funny, then two are funnier and three must be funniest, right? That's our thinking behind this new collection. t's a HighBridge library of laugh-out-loud, award-winning recordings featuring George himself performing many of his best bits.

Since his first performance at the legendary New York nightclub “Catch a Rising Star” as a 21-year-old college student in fall of 1975, Jerry Seinfeld has written his own material and saved everything. “Whenever I came up with a funny bit, whether it happened on a stage, in a conversation, or working it out on my preferred canvas, the big yellow legal pad, I kept it in one of those old school accordion folders,” Seinfeld writes. “So I have everything I thought was worth saving from 45 years of hacking away at this for all I was worth.”

Comic Kathleen Madigan delivers new material derived from time spent with her Irish Catholic Midwest family, eating random pills out of her mother's purse, touring Afghanistan, her unparalleled love of John Denver, and more.