Eric Gamalinda
AUTHOR

Eric Gamalinda

Literature & Fiction
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Eric Gamalinda's work has been described as "luminous" (Arthur Sze) and "wonderful and vibrant" (Michael Burkard). "Gamalinda is a marvelous poet," wrote D. Nurkse, poet laureate of Brooklyn. "His wistful, fierce, enthralled voice seems to speak the true language, the sotto voce language we can't hear in our world of binary and mutually destructive opposites." Of his latest novel, The Descartes Highlands, Amy Tan recently tweeted: "Darkly complex, exquisitely written. Wow!" Recognition for his work includes a New York State Council on the Arts grant for film and media [2014], the Cultural Center of the Philippines Independent Film and Video Awards [2004], the Asian American Literary Award and the Alice James Books New York/New England Selection for Zero Gravity [poems, 2000], the New York Foundation for the Arts [fiction, 1998], the Philippine Centennial Literary Prize for My Sad Republic [novel, 1998], the Philippine National Book Award twice for Planet Waves [novel, 1990] and My Sad Republic [2000], and the Asiaweek Short Story Competition [1985]. He has also won the Philippines' top literary prize, the Palanca Memorial Awards, several times for poetry, fiction, non-fiction and playwriting. He was a featured poet in The Dodge Festival's Poets Among Us program in 1996. In 2009, The Descartes Highlands was shortlisted for the Man Asian Prize. In 2010, his three-act play, Resurrection, was staged off-Broadway at the Clurman Theater on 42nd Street by Diverse City Inc. Eric Gamalinda has been in residence at Civitella Ranieri [Italy], Association d'Art de La Napoule [France], Chateau de Lavigny Residence pour Ecrivains [Switzerland], Fundacion Valparaiso [Spain], The Rockefeller Foundation in Bellagio [Italy], Hawthornden Castle International Retreat for Writers [Scotland], and The Corporation of Yaddo, The MacDowell Colony, The Helene Wurlitzer Foundation of New Mexico, The Virginia Center for the Creative Arts, and Ledig House International Writers Colony [USA]. In 2013, he returned to Fundacion Valparaiso for a second residency, where he began work on his next novel. He was publications director of the Asian American Writers Workshop until 1997, Distinguished Visiting Writer at the University of Hawaii in Manoa in 1999, and Visiting Scholar at New York University's Asia Pacific American Studies Program in 2002-2003. He currently teaches at Columbia University's Center for the Study of Ethnicity and Race. Publications Novels The Descartes Highlands [Akashic Books, New York, 2014] My Sad Republic [University of the Philippines Press, 2000/to be reissued 2015] Empire of Memory [Anvil Publishers, Manila, 1992/reissued 2014] Confessions of a Volcano [Anvil Publishers, Manila, 1990/reissued 2014] Planet Waves [New Day, Manila, 1989/to be reissued 2015] Short fiction People Are Strange [Black Lawrence Press, New York, 2012] Peripheral Vision [New Day, 1992/to be reissued 2015] Poetry Amigo Warfare [Cherry Grove Collections, Cincinnati OH, 2007] Zero Gravity [Alice James Books, Farmington ME, 1999] Lyrics from a Dead Language [Anvil Publishers, Manila, 1991] Anthology Flippin': Filipinos on America [Asian American Writers Workshop, New York, 1996] Other publications Eric Gamalinda's stories have been published in Harper's Magazine and anthologized in Manila Noir [Akashic Books]; Charlie Chan is Dead 2: At Home in the World [Penguin]; The Thirdest World [factory school]; Bold Words: A Century of Asian American Writing [Rutgers University Press]; Juncture: New Experimental Writing [Soft Skull]; In My Life: Encounters with the Beatles [Fromm International]; and Balikbayan: Racconti filippini contemporanei [Feltrinelli, Milan]. His poems have been anthologized in Language for a New Century [W.W. Norton]; Structure & Surprise [Teachers & Writers Collaborative]; Stranger at Home [Interpoezia/Numina Press]; Saints of Hysteria [Soft Skull Press]; Poetry Daily [Sourcebooks Inc.]; Sweet Jesus [The Anthology Press]; Returning a Borrowed Tongue [Coffee House Press]; Brown River, White Ocean [Rutgers University Press]; and Lo Ultimo de Filipinas: Antologia Poetica [Huerga y Fierro, Madrid]. His essays have been anthologized in Vestiges of War: The Philippine American War and the Aftermath of an Imperial Dream [New York University Press, 2003] and Pinoy Poetics [Meritage Press, CA, 2004]. Eric Gamalinda is represented worldwide by Straus Literary Agency: www.strausliterary.com. For more information, contact jonah@strausliterary.com
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