Gabino Iglesias
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Gabino Iglesias

Literature & Fiction | Mystery, Thriller & Suspense
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Gabino Iglesias is a writer, journalist, professor, and literary critic living in Austin, TX. He is the author of ZERO SAINTS and COYOTE SONGS and the editor of BOTH SIDES and HALLDARK HOLIDAYS. His work has been nominated twice to the Bram Stoker Award as well as the Locus Award and won the Wonderland Book Award for Best Novel in 2019. His nonfiction has appeared in the New York Times, the Los Angeles Times, Electric Literature, and LitReactor. His reviews appear regularly in places like NPR, Publishers Weekly, the San Francisco Chronicle, Criminal Element, Mystery Tribune, Vol. 1 Brooklyn, the Los Angeles Review of Books, and other venues. He's been a juror for the Shirley Jackson Awards twice and has judged the PANK Big Book Contest, the Splatterpunk Awards, the Newfound Prose Prize, and the 2021 FIU Student Literary Awards, among others. He has offered keynotes at various institutions and events, including the Lighthouse Book Project, ARRTCon, the inaugural POP_UP Academic Conference on Popular Culture, and the Revolve Creative Conference. In 2021, he received the Horror Writer’s Association Diversity Grant. Iglesias has worked as a mentor with the San Francisco Creative Writing Institute and the Periplus Collective. He is a member of the Horror Writers Association, the Mystery Writers of America, and the National Book Critics Circle. He teaches creative writing at Southern New Hampshire University's online MFA program. You can find him on Twitter at @Gabino_Iglesias.
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House of Bone and Rain

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Featured Article: The top 100 horror books of all time


This list encompasses the full spectrum of what horror can be—campfire-worthy tales, stomach-churning gore, and incisive social commentary. The classics are accounted for, but it also spotlights more recent titles, because that’s the nature of the genre—it is as perennial as it is ever-evolving, conjuring whatever frights most haunt our collective consciousness. Each title does have one thing in common: It makes for devilishly good listening. So cut the lights and press play—if you dare.

Featured Article The top 100 horror books of all time

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