Wilkie Collins
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Wilkie Collins

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William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright, and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866), and The Moonstone (1868), considered the first modern English detective novel. Born into the family of painter William Collins in London, he lived with his family in Italy and France as a child and learned French and Italian. He worked as a clerk for a tea merchant. After his first novel Antonina was published in 1850, he met Charles Dickens, who became a close friend, mentor and collaborator. Some of Collins' works were first published in Dickens' journals All the Year Round and Household Words and the two collaborated on dramatic and fictional works. Collins published his best known works in the 1860s, achieved financial stability and an international reputation. During this time he began suffering from gout took opium for pain and developed an addiction. During the 1870s and '80s the quality of his writing declined along with his health. Collins was critical of the institution of marriage and never married; he split his time between Caroline Graves except for a 2 year separation, and his common law wife Martha Rudd with whom he had 3 children. Bio from Wikipedia, the free encyclopedia. Photo by Elliott & Fry [Public domain], via Wikimedia Commons.
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Love Beyond the Grave - Short Stories

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The Woman in White

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The Woman in White by Wilkie Collins is widely considered one of the first mystery novels. This Victorian classic follows drawing teacher Walter Hartright as he becomes entangled in a web of identity, insanity, and intrigue surrounding two lookalike women. The Woman in White was a groundbreaking work, and its influence can be seen in countless mystery and detective stories.

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Featured Article: The top 100 classics of all time


Before we whipped out our old high school syllabi and dug deep into our libraries to start selecting contenders for this list, we first had to answer the question, "How do we define a classic?" The answer isn’t as straightforward as you might guess, though there’s a lot to be said for the old adage, "You know it when you see it" (or, in this case, hear it). Of course, most critically, each of our picks had to be fabulous in audio. So dust off your aspirational listening list—we have some amazing additions you don’t want to miss.

Featured Article The top 100 classics of all time

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