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As a member of Big in Japan, The Slits and, most famously, Siouxsie and The Banshees and The Creatures, 'Budgie' became one of the era-defining drummers in the much-mythologised post punk scene of the late 1970s and early 1980s. A man and musician whose creativity and singular style came to define the goth-pop 1980s as much as any other individual, Budgie's life is both fabulously glamorous and a tawdry cautionary tale. For the first time the story of this most exalted and mysterious of bands has been told by one who survived inside the belly of the beast.

Slaves to Fashion is a cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art world. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

Madame Grès : qui se cache derrière la célèbre créatrice au turban, icône de la mode pendant plus d'un demi-siècle ? Mondialement reconnue pour ses drapés antiques, elle pare Marlène Dietrich, Barbra Streisand ou Silvana Mangano de robes somptueuses, et s'entoure d'artistes comme Jean Cocteau ou Tamara de Lempicka. Ses clientes et amies comptent parmi les femmes au coeur du pouvoir : Jackie Kennedy, Liliane Bettencourt, Marella Agnelli, la princesse Grace de Monaco... Travailleuse passionnée, le "sphinx" dirige avec panache la Maison Grès, 1 rue de la Paix, qu'elle a créée en 1934.

Warfare is an unflinching look at one platoon's experience that frustrated me immensely. Read more at: https://scottsself-indulgentmovieblog.blogspot.com/.

Alex chats to Tom Langlands and Lesley Buchan Donald about their ambitious projects to get the Perthshire public creating, writing and performing. We hear the story of how they found each other and forged their creative partnership, engaging and energising the community to help them deliver their stunning theatre shows, and giving a platform to all ages and abilities to share their creative outpourings. Lesley discusses using the power of creativity as a therapy for Parkinson's and as a welcome alternative to her prior, stressed out vet's existence.

Stanford White was a louche man-about-town and a canny cultural entrepreneur―the creator of landmark buildings that elevated American architecture to new heights. Augustus Saint-Gaudens was the son of an immigrant shoemaker, a moody introvert, and a committed procrastinator whose painstaking work brought emotional depth to American sculpture. They met when Stan was walking down the street and heard Gus whistling Mozart in his studio.

Carol Connors has lived her dream and she shares her remarkable success story in her wild ride memoir Elvis, Rocky & Me. As an entertainer Carol has done it all with her singer/songwriter talents recognized with two Oscar, five Emmy, one Grammy and two Golden Globe nominations, along with a wall in her home proudly decorated with the gold and platinum records she’s received.

Join renowned artist Scott Christian Sava in a humorous, inspiring journey that guides artists of all levels to embrace failure, overcome self-doubt, and rediscover the joy of creating art.

Today it's routine to take photos from an airplane window, use a camera underwater, or watch a movie or view an X-ray. But the photographic innovations more than a century ago that made such things possible were experimental, revelatory, and sometimes dangerous. In Flashes of Brilliance, New York Times photo editor Anika Burgess engagingly blends art, science, and social history to reveal the most dramatic developments in photography from its birth in the 1830s to the early twentieth century.

In Artists, Siblings, Visionaries, acclaimed biographer Judith Mackrell turns her attention to British brother and sister artists Gwen and Augustus John. In many ways they were polar opposites. But as this vivid and insightful account of their lives shows, they were also remarkably alike, sharing a striving for escape, a commitment to their work and a profound if sometimes exasperating kinship throughout the course of their adult lives.

A cultural storm swept through the 1960s—Pop Art, Bob Dylan, psychedelia, underground movies—and at its center sat a bemused young artist with silver hair: Andy Warhol. Andy knew everybody (from the cultural commissioner of New York to drug-driven drag queens) and everybody knew Andy.

The movies were flying blind in 1980. “New Hollywood” was over and the era of auteur-driven, personal films that had defined moviemaking since the late ‘60s came to a symbolic end with Heaven’s Gate (1980), replaced by a new world of multiplex blockbusters supported by massive marketing campaigns. But beyond the high-school comedies and hardbody action films came a new wave of cinematic excitement—an era defined by Ferris Bueller's Day Off, Purple Rain, When Harry Met Sally, E.T., and Top Gun, each of which are now classics for a new generation of nostalgic movie lovers.

In The Grave Robber, Tim Carpenter, former FBI Lead Investigator on the Art Crime Team, recounts one of the most extraordinary and unsettling cases in the history of art theft. Over the course of five decades, a lone graverobber accumulated an illicit trove of over 42,000 artifacts from cultures across the globe, including Native American, Haitian, Chinese, and others. The stolen items included nearly 500 ancestral remains, carefully looted from sacred burial sites and cultural heritage locations.

Turn your creative passion into sustainable income with just five hours a week in this road map from the founder of side-hustle-turned-multimillion-dollar-business Gingiber.

This extraordinarily wide-ranging work represents a new departure for contemporary literary theory. Author of Beginnings and the controversial Orientalism, Edward Said demonstrates that modern critical discourse has been impressively strengthened by the writings of Jacques Derrida and Michel Foucault, for example, and by such influences as Marxism, structuralism, linguistics, and psychoanalysis.

Each chapter unpacks a particular name for the Holy Spirit and examines its significance, using examples from a variety of artistic mediums—music, poetry, visual art, film, and even landscape architecture. Far from being just a theoretical exploration, the book seeks to be a catalyst for renewal in theology and the arts, aiming to inspire new avenues of thought and engagement within classrooms, churches, and beyond.

Bigger Than Fashion is about the relentless rise of streetwear; it’s a captivating story of how a fiercely guarded counterculture, full of iconoclasts and hustlers, was disregarded until it skyrocketed into a massively influential lifestyle and fashion movement worth billions of dollars. Streetwear was built on the fusion of subcultures, unflinching DIY ethos, and a fiery sense of community that attracted everyone from skaters and hip-hop heads to punks and graffiti artists.

Faeries have captured the collective imagination throughout time and across cultures. Unexplained occurrences, natural phenomena, and so much more have been attributed to these beautiful, mysterious, and often mischievous creatures. Sometimes these fairies can be helpful and kindly, like the brownies of Britain, the menehune of Hawai‘i, and the domovoi of Russia. But just as often, they are seen as a threat, as we characterize a natural phenomenon into an often capricious and frequently frightening creature.

In less than a decade, the prodigious painter Jean-Michel Basquiat went from a teenage graffiti artist to an international art star at the peak of the heady, excessive 1980s art boom. A legend in his own lifetime, Basquiat was a fixture of the downtown scene, full of rock music, couture fashion, outrageous art, and heady drugs. Along the way, Basquiat was involved with several of the time's most infamous personalities, from Keith Haring and Andy Warhol to his brief romantic fling with Madonna.

Culture is like a language. Art, architecture, history and philosophy are its grammar. And, like a language, anyone can learn it. In 2022, Sheehan Quirke took to Twitter (now X) as The Cultural Tutor with the aim of making culture accessible for everyone. He wrote about poetry, paintings, building design, and counter-intuitive but fascinating facts about history and geography. It wasn’t the sort of content you usually find on a newsfeed. Taught in forty-nine short lessons, Sheehan takes listeners on a delightful and fascinating journey through culture.