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From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe.

A mysterious book with a legacy spanning from the beginning of the twentieth century to the present day unites three women in this unforgettable novel from New York Times bestselling author Chanel Cleeton.

In San Francisco in 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman. To pursue her passion for writing, she is willing to defy societal norms. At the age of seventeen, she begins to publish pulp fiction using a man’s pen name. When these fictional worlds can no longer satisfy her sense of adventure, she turns to journalism, convincing an editor at The Daily Examiner to hire her.

Vida is a curandera, a local healer, who has been called to the resort to attend to a crisis. A young guest lies unconscious due to negligent resort childcare. Vida wants nothing to do with it, as she has her own unborn child to think about. Laura is a mid-level manager at the Grand Paloma Resort and the person who called Vida for help. She’s made it this far through sheer hard work. Her brainchild, which pairs platinum guests with a resort employee to attend to their every need, has been wildly successful. If only her younger sister, Leticia, could get with the program.

On her wedding day in San Juan, Puerto Rico in 1968, Rafaela Acuña y Daubón has mild misgivings, but she marries Peter Brennan Jr. anyway, in a blaze of romantic optimism. She has no way of knowing how dramatically her life will change when she uproots her young family to start over in the American Midwest, unleashing a fleet of disappointments. Against the backdrop of her mother’s isolation in St. Louis, Missouri in the 1980s, Rafaela’s daughter, Ruth, longs only to belong. Eager to fit in, Ruth lets go of her language, habits, and childhood memories of Puerto Rico.

In vivid, compelling prose, debut author Veronica Chapa spins an epic tale of magic, sisterhood, survival, and Mexican resilience. This is the first novel to reimagine and reinterpret Malinalli’s story with the empathy, humanity, and awe she’s always deserved.

As the youngest and most rebellious daughter of the overly protective Luna family, Gabriela Luna Valdés claws after her freedom in any way she can. This time, her hunger for adventure has led her aboard a windswept ship bearing for her homeland, away from a mob of fumbling British suitors. But Gabby can’t escape her father’s expectation that she settle down to find a proper husband—a compromise she’s unwilling to make.

In the suburbs of Rio de Janeiro, one summer in the 1970s, a family—a husband and wife, their daughter, and their crippled teenage son Camilo—take in an orphan named Cosme. The boys unexpectedly fall in love, but an act of violence shatters their intimate world and changes their lives forever. Decades later, when Camilo returns to his hometown, he is haunted by his first love and the long shadow of Brazil's military dictatorship.

From the author of There Is a Rio Grande in Heaven, a piercing debut novel following two families in alternative timelines of the Salvadoran civil war—a stunning exploration of the mechanisms of fate, the gravity of the past, and the endurance of love.

Lilian Estrada seemingly has it all: an ob-gyn star on the rise, a master at balancing work with whirlwind romances and part of a family of fiercely loyal and exceptional women, all bound together by an extraordinary secret. The Estrada women each possess a unique power, and Lily shines with the rare gift to manipulate memories. Yet not even her mystical abilities can shield her from a harrowing event at the hospital, one that sends her powers—and her confidence—spiraling out of control.

Chronicled in four parts, shifting restlessly between the author's childhood memories, the sudden disappearance of his brother, and the inevitable loss of his ailing mother, Late to the Search Party explores what it means to be a family of one—to be orphaned, whether by fate or by circumstance. In language that is both grounded and ethereal, Dawson tallies the losses and looks at what remains: the frustration and anger, the bewilderment and sadness—and the affection and humor that makes itself felt in spite of everything.

Cambridge, 2018. La relación de Ana y Luis está en crisis, a pesar de sus muchas similitudes, entre ellas, sus madres que huyeron de El Salvador durante la guerra. En su búsqueda de respuestas, y en contra de su mejor juicio, Ana utiliza El Defractor, un dispositivo experimental que permite a los usuarios echar un vistazo a versiones alternativas de sus vidas. Lo que ve, los lleva a ella y a Luis por La Habana y San Salvador en búsqueda de las historias familiares que están desesperados por conocer y ansiosos por saber si lo que podría haber sido arreglaría lo que es.

A vibrant debut story collection—poignant, unflinching, and immersive—masterfully moving between sharp wit and profound tenderness, Guatemalan Rhapsody offers a kaleidoscopic portrait of an ever-changing country, the people who claim it as home, and those who no longer do. Ranging from a custodian at an underfunded college to a medicine man living in a temple dedicated to San Simon, the patron saint of alcohol and cigarettes, the characters in these stories find themselves at defining moments in their lives, where sacrifices may be required of them, by them, or for them.

They call her many things. Witch, Nagual Warrior, lady, Pantera. And after defeating the Obsidian Butterfly, Leonora carries a new title: Godslayer. Peace in Mexico City is fragile. Rebellion brews in the North, and when the people’s safety is at risk, Pantera must once again become the demure viceregent Leonora to stop a war before it begins. But her friends are scattered, Tezca is gone, and one wrong move could seal her fate. Caution is her ally, for the real Prince of Asturias—her former betrothed—has arrived at court, reigniting rumors: Leonora and Pantera are one.

It is 1978, and Nieve finds herself caught between the tides of her parents' turbulent relationship and a country in turmoil. To try to control her situation, she begins to record the intimate and harsh details of her life in her diary. Becoming her sole means of expression, the diary is her only constant and her only friend.

Within the shores of Isla Bestia, guests from around the world discover a utopia of ever-changing performances, sumptuous feasts and beautiful monsters. Many enter, but few ever leave—the wine is simply too sweet, the music too fine and the revelry endless. Sofía, a freedwoman from a nearby colonized island, cares little for this revelry. Born an enslaved mestiza on a tobacco plantation, she has neither wealth nor title, only a scholarly pragmatism and a hunger for answers. She travels to el Carnaval de Bestias in search of her twin brother, who disappeared five years ago.

Jo De La Cruz should be on top of the world. As one of spin’s hottest instructors, her workouts stream into thousands of living rooms, her waiting list is harder to access than Area 51, and even her hair has its own social media page. But Jo’s struggling from a decade in the spotlight—which is when she meets the annoyingly handsome journalist who claims her job is merely yelling at people from a bike. Converting a hater is a challenge Jo can’t resist. Only nothing about Silas Anders matches her expectations

The poems in Jailbreak of Sparrows reveal the ways in which the ordinary becomes monumental: family portraits, politically charged reports, and tributes to the unsung. Espada’s focus ranges from the bombardment of his family’s hometown in Puerto Rico amid an anti-colonial uprising to the murder of a Mexican man by police in California, from the poet’s adolescent brawl on a basketball court over martyred baseball hero Roberto Clemente to his unorthodox methods of representing undocumented migrants as a tenant lawyer.