Jennifer Cooke

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Nevin and Gloria both have successful careers, as well as two adorable kids and a picture-book cottage by the sea. But at forty, Nevin is experiencing some discontent. He’s a successful author, but his latest plot is not for a book. Conspiring with his old friend Felix, he sets a plan in motion that will allow him to escape his marriage—but put all the blame on Gloria. He should have thought it through a little more, though. Everyone has their own agenda, and everything is about to go very wrong. Because there’s no such thing as a perfect marriage—or a perfect crime…

Five years ago, Olivia Sutherland was wrongfully convicted of plotting to murder. Now she's finally free, Olivia has three goals. Repair her relationship with her daughter. Clear her name. And bring down her husband—the man who framed her. Just how far is she willing to go to get what she wants? And how far will her husband go to stop her? Because his lies run deeper than Olivia could ever have imagined—and this time it’s not her freedom that’s in jeopardy, but her life.

Mariana Andros is a brilliant but troubled group therapist who becomes fixated on The Maidens when one member, a friend of Mariana’s niece Zoe, is found murdered in Cambridge. Mariana, who was once herself a student at the university, quickly suspects that behind the idyllic beauty of the spires and turrets, and beneath the ancient traditions, lies something sinister. And she becomes convinced that, despite his alibi, Edward Fosca is guilty of the murder. But why would the professor target one of his students?