Anonymous

Against the larger-than-life backdrop of England's conflict with Napoleon, young Anne Garland is courted by three suitors: the trumpet-major John Loveday, his sailor-brother Bob, and Festus Derriman of the yeomanry cavalry. For Hardy, the loves and sorrows of ordinary characters are as much the material of history as any record of emperors and generals.

With all of the pluck and charm of its eponymous young hero, Rachel McAdams (The Notebook, Spotlight, Midnight in Paris) delivers a spectacular reading of Montgomery's beloved bildungsroman. In moments both funny and bittersweet, McAdams' voice is imbued with the spark that has made Anne a much-loved symbol of individualism and cheer for over a century.

William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions - shock, sadness, fear - that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die.