Sam D.
- 17
- reviews
- 157
- helpful votes
- 69
- ratings
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How to Make a Horror Movie and Survive
- A Novel
- By: Craig DiLouie
- Narrated by: Garrett Michael Brown
- Length: 11 hrs and 20 mins
- Unabridged
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Max Maurey should be on top of the world. He's a famous horror director. Actors love him. Hollywood needs him. He's making money hand over fist. But it's the 80s, and he's directing cheap slashers for audiences who only crave more blood, not real art. Not real horror. And Max's slimy producer refuses to fund any of his new ideas. But when Max discovers an old camera that filmed a very real Hollywood horror, he knows that he has to use this camera for his next movie. The only problem is that it came with a cryptic warning and sometimes wails.
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Sooooooo pretentious and boring!
- By CB on 10-01-24
- How to Make a Horror Movie and Survive
- A Novel
- By: Craig DiLouie
- Narrated by: Garrett Michael Brown
Schlockola
Reviewed: 02-27-25
Unfortunately the book is as dreadful as the horror movies it parodies, both in story and writing. Starts fun, then becomes a dreadful slog. Could’ve been an OK comic book.
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The Pillars of the Earth
- By: Ken Follett
- Narrated by: John Lee
- Length: 40 hrs and 56 mins
- Unabridged
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The Pillars of the Earth tells the story of Philip, prior of Kingsbridge, a devout and resourceful monk driven to build the greatest Gothic cathedral the world has known...of Tom, the mason who becomes his architect - a man divided in his soul...of the beautiful, elusive Lady Aliena, haunted by a secret shame...and of a struggle between good and evil that will turn church against state, and brother against brother.
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Epic story to be read by all!
- By Gina on 07-25-09
- The Pillars of the Earth
- By: Ken Follett
- Narrated by: John Lee
Favorite book of all time
Reviewed: 11-17-23
I had devoured this incredible book many times, but had never heard it read aloud. As the reader with his moving interpretation of each character led me deep into this ancient world, I closed my eyes and was often moved to tears. I highly recommend taking a pilgrimage to Kingsbridge and The Pillars of the Earth!
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American Prometheus
- The Triumph and Tragedy of J. Robert Oppenheimer
- By: Kai Bird, Martin J. Sherwin
- Narrated by: Jeff Cummings
- Length: 26 hrs and 30 mins
- Unabridged
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J. Robert Oppenheimer was one of the iconic figures of the 20th century, a brilliant physicist who led the effort to build the atomic bomb but later confronted the moral consequences of scientific progress. When he proposed international controls over atomic materials, opposed the development of the hydrogen bomb, and criticized plans for a nuclear war, his ideas were anathema to powerful advocates of a massive nuclear buildup during the anti-Communist hysteria of the early 1950s.
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An American Tragedy
- By Edith on 12-13-07
- American Prometheus
- The Triumph and Tragedy of J. Robert Oppenheimer
- By: Kai Bird, Martin J. Sherwin
- Narrated by: Jeff Cummings
Terrible audio editing
Reviewed: 07-17-23
Jeff Cummings' narration style and voice are fine - he's a good storyteller. However, the audio editing on this recording is atrocious! Zero effort has been made to match levels or EQ of the frequent pick-ups that sound like they were recorded on a phone. This particularly poor production quality is a gross disservice to a masterfully written book.
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Truths I Never Told You
- By: Kelly Rimmer
- Narrated by: Sarah Mollo-Christensen, Piper Goodeve, Jean Ann Douglass
- Length: 11 hrs and 42 mins
- Unabridged
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From the best-selling author of The Things We Cannot Say, Before I Let You Go, and the upcoming The Warsaw Orphan, comes a poignant post-WWII novel that explores the expectations society places on women set within an engrossing family mystery that may unravel everything once believed to be true.
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Another great story by Kelly Rimmer
- By Lisa N. on 08-15-20
- Truths I Never Told You
- By: Kelly Rimmer
- Narrated by: Sarah Mollo-Christensen, Piper Goodeve, Jean Ann Douglass
Tedious, predictable, full of filler.
Reviewed: 05-09-23
The cluelessness of the central characters strains credulity as the reader is forced to slog through endless filler in the form of petty family squabbling. Rimmer teases mystery, righteousness, and feminism here, but fails to deliver in any meaningful way. What an annoying read.
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Stephen Sondheim and the Reinvention of the American Musical
- By: Robert L. McLaughlin
- Narrated by: David Stifel
- Length: 10 hrs and 38 mins
- Unabridged
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From West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean.
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Written by an academic in academic slang
- By Todd on 03-22-20
An ambitious dissertation that does not convince.
Reviewed: 07-23-21
I'd thought that an erudite treatise on Sondheim's oeuvre might cheer me. Revisiting the music certainly did. Listening to a stack of brilliant original cast recordings is a reason for joy, and listening to familiar ones with a deeper appreciation of context, even more so. But McLaughlin contorts meaning to find connecting threads that strain credibility. Sometimes there is simply no "there" there, genius can exist on a purely emotional level, and it can be argued that a finite limit exists to the number of times one can hear the word "epistemological" in an essay.
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1 person found this helpful
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Understanding the Inventions That Changed the World
- By: W. Bernard Carlson, The Great Courses
- Narrated by: W. Bernard Carlson
- Length: 17 hrs and 25 mins
- Original Recording
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Now, you can learn the remarkable stories surrounding monumental inventions - and how consequential these inventions were to history. Taught by Professor W. Bernard Carlson of the University of Virginia, who is an expert on the role of innovation in history, these 36 enlightening lectures give you a broad survey of material history, from the ancient pottery wheel to the Internet and social media. Along with recounting the famous inventions you might expect, this course explores a number of surprising innovations, including beer, pagodas, and the operating room.
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Great content but poor editing on the delivery
- By Michael on 12-22-18
Basic survey of technology, Muddled presentation.
Reviewed: 07-23-21
Carlson's rudimentary script contains no earth-shattering revelations. This is a basic history of technology, condensed at a twelfth-grade level. It would be fine for light listening, if it weren't for the narrator's constant stumbling over his words, restarts, and embarrassing mispronunciations too numerous to mention. I assume this is a re-purpose of a video presentation, but as an audio-only product, it is inexcusable to leave so many verbal mistakes unedited. If I'd paid college tuition for this course I'd complain to the dean, but I got this Audible version as a bargain (of sorts). Sadly this is not the first time I've been underwhelmed by a Great Courses title.
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The Overstory
- By: Richard Powers
- Narrated by: Suzanne Toren
- Length: 22 hrs and 58 mins
- Unabridged
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The Overstory unfolds in concentric rings of interlocking fable that range from antebellum New York to the late 20th-century Timber Wars of the Pacific Northwest and beyond. An air force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits 100 years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back into life by creatures of air and light.
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eye opening
- By Michael Stansberry on 05-23-18
- The Overstory
- By: Richard Powers
- Narrated by: Suzanne Toren
Ambitious structure doesn't live up to its promise
Reviewed: 03-19-21
While Powers makes a cogent argument for embracing a long view of nature and a parasitic view of humans, his penchant for grandiosity diminishes the book's mission to make me care. That said, it does offer big ideas to ponder, and no matter how one might try to will the words, all language is puny when trying to describe a stand of redwoods.
A note on the performance: the choice of having one reader-actor perform an ethnically diverse cast of characters, as opposed to merely reading the book in her narrator's voice, is a risk. Aspects of this performance were borderline offensive and certainly colored my perception of the book, which I think has its own issues with stereotypes.
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The Radium Girls
- The Dark Story of America’s Shining Women
- By: Kate Moore
- Narrated by: Angela Brazil
- Length: 15 hrs and 52 mins
- Unabridged
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The year was 1917. As a war raged across the world, young American women flocked to work, painting watches, clocks, and military dials with a special luminous substance made from radium. It was a fun job, lucrative and glamorous - the girls themselves shone brightly in the dark, covered head to toe in the dust from the paint. They were the radium girls. As the years passed, the women began to suffer from mysterious and crippling illnesses.
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A simple way to improve the robotic narration
- By B. C. French on 06-07-17
- The Radium Girls
- The Dark Story of America’s Shining Women
- By: Kate Moore
- Narrated by: Angela Brazil
Hire an editor, then re-record this.
Reviewed: 03-01-18
What would have made The Radium Girls better?
I anticipated the release of this book, and had really hoped to like it. The true story of these women is fascinating and tragic, but Moore cannot decide whether she is a reporter or a dime store Jane Austen. The writing is at times prosaic, and at others, incongruously romantic. Too often, sentences simply go off the rails (see below).
What could Kate Moore have done to make this a more enjoyable book for you?
Edit! Here are some examples of Moore's sentence structure, as interpreted by Brazil's reading:"As a mechanic, Theo Cuzer was not wealthy and nor was his family.""It was perhaps, then, when they tried to think of Hazel and put her first, the biggest blessing of all, when, on Tuesday December 9th, 1924, she finally passed away."
How could the performance have been better?
Angela Brazil OV-er-pro-NOUN-CeSS e-VER-y-thingGG. For me, this reader ruins the storytelling with her bizarre emphasis and inflections with that seem to counter the text. By making every consonant so very criSPP, the delivery is anything but conversational.
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1 person found this helpful

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Johnny Carson
- By: Henry Bushkin
- Narrated by: Dick Hill
- Length: 10 hrs and 51 mins
- Unabridged
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From 1962 until 1992, Johnny Carson hosted The Tonight Show and permeated the American consciousness. In the ’70s and ’80s he was the country’s highest-paid entertainer and its most enigmatic. He was notoriously inscrutable, as mercurial (and sometimes cruel) off-camera as he was charming and hilarious onstage. During the apex of his reign, Carson’s longtime lawyer and best friend was Henry Bushkin, who now shows us Johnny Carson with a breathtaking clarity and depth that nobody else could.
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Not for the uninitiated
- By Pi on 10-21-13
- Johnny Carson
- By: Henry Bushkin
- Narrated by: Dick Hill
Mean-spirited takedown of an American icon.
Reviewed: 03-28-17
What would have made Johnny Carson better?
This should not be marketed as a biography. It's more of an expose' designed to destroy a legend. Henry Bushkin has some SERIOUS issues with his once-friend Johnny Carson, and he's going to try to get even for eleven long hours. It's tedious, humorless, and sad as he paints Carson as a cold, vindictive manipulator.
How did the narrator detract from the book?
Yes, Dick Hill was obnoxiously bombastic, which might be a reasonable match for Bushkin's braggadocio, but Hill's characterization made this a less than enjoyable listen.
Any additional comments?
I did learn a lot about the power structure of the American television industry of the 1970-1990s, but always from Bushkin's extremely negative point of view.
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Moon Shot
- The Inside Story of Man's Greatest Adventure
- By: Dan Parry
- Narrated by: John Chancer
- Length: 10 hrs and 56 mins
- Unabridged
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‘It didn’t matter that they were now three miles beyond their target site, that communications were dropping out and that they were running low on fuel. All that mattered to Neil as he searched for a safe spot to land was that boulders littered the surface below. “Thirty seconds,” called mission control. In truth, the flight controllers were now no more than spectators, just like everybody else. No more needed to be said. It was down to Armstrong
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Wow.
- By Shellbin on 02-04-12
- Moon Shot
- The Inside Story of Man's Greatest Adventure
- By: Dan Parry
- Narrated by: John Chancer
A compact and dramatic history of Apollo 11.
Reviewed: 03-28-17
Any additional comments?
Not nearly as complete as Andrew Chaikin's A Man on the Moon, but this is a fine primer, in story form, about how astronauts landed on the moon in 1969. If you are already well-versed into the history of the American space program, you won't find anything new here.
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