
1974
A Personal History
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Narrated by:
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Francine Prose
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By:
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Francine Prose
About this listen
“In this remarkable memoir, the qualities that have long distinguished Francine Prose’s fiction and criticism—uncompromising intelligence, a gratifying aversion to sentiment, the citrus bite of irony—give rigor and, finally, an unexpected poignancy to an emotional, artistic, and political coming-of-age tale set in the 1970s—the decade, as she memorably puts it, when American youth realized that the changes that seemed possible in the ’60s weren’t going to happen. A fascinating and ultimately wrenching book.”—Daniel Mendelsohn, author of The Lost: A Search for Six of Six Million
The first memoir from critically acclaimed, bestselling author Francine Prose, about the close relationship she developed with activist Anthony Russo, one of the men who leaked the Pentagon Papers—and the year when our country changed.
During her twenties, Francine Prose lived in San Francisco, where she began an intense and strange relationship with Tony Russo, who had been indicted and tried for working with Daniel Ellsberg to leak the Pentagon papers. The narrative is framed around the nights she spent with Russo driving manically around San Francisco, listening to his stories—and the disturbing and dramatic end of that relationship in New York.
What happens to them mirrors the events and preoccupations of that historical moment: the Vietnam war, drugs, women's liberation, the Patty Hearst kidnapping. At once heartfelt and ironic, funny and sad, personal and political, 1974 provides an insightful look at how Francine Prose became a writer and artist during a time when the country, too, was shaping its identity.
©2024 Francine Prose (P)2024 HarperCollins PublishersListeners also enjoyed...
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- By Sarah C. on 06-07-22
By: Jeremy DeSilva
A Lost Era with Lost People
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It’s a book about memory, about change and continuity in the self, so the narrative actually weaves in and out of 1974, to prior and later years. Stylistically, the frequent use of repetition to open a series of sentences effectively dramatizes the efforts of the author-narrator at piecing together a past self from the present perspective, and finding meaning in it. Whether framed as assertions, speculations, or reflections, these refrains are like a hypnotic drumbeat, or heartbeat, running through the book in a way that reminds me of Joe Brainard’s beautiful autobiography, “I Remember” — which is apt, considering that Brainard’s book came out in 1970-75, the very time period when this book is set. Listening to the voice of the author herself narrating this personal history powerfully amplifies that feeling. The effect is like a spirit medium conjuring up a past self—channeling that past self, relationships, experiences, sensations, and thoughts—through the perspective of the present, alternately tinged with regret, insight, curiosity, compassion. And indeed, at various points in the book, the author-narrator mentions the various mystical practices that she and others turned to at the time, like I-Ching divination and tarot cards. The book communicates this search for meaning and reassurance in a world where the ground seemed to be constantly shifting like sand.
PS One of my favorite parts of the book is how she recounts Tony’s description of his boss in Saigon, “Dr Strangelove”. (Chapter: “We got back in the car”)
Powerful personal history
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Droning about unremarkable events
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I kept waiting for the book to improve or pick up. It never does. Further, the author reads it herself, she is very monotone. BORING!
Kept waiting for it to improve
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