
20th-Century American Fiction
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Narrated by:
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Arnold Weinstein
About this listen
Hemingway. Fitzgerald. Faulkner. These and other giants of literature are immediately recognizable to anyone who loves to read fiction and even to many who don't.
Now, thanks to these 32 lectures, you can develop fresh insight into some of the greatest American authors of the 20th century. Professor Weinstein sheds light not only on the sheer magnificence of these writers' literary achievements but also explores their uniquely American character as well. Despite their remarkable variety, each author represents an outlook and a body of work that could only have emerged in the United States. As such, the aim of these lectures is to analyze and appreciate some of the major works of American fiction, using as a focal point the idea of freedom of speech.
The works you'll investigate here include Winesburg, Ohio (among the most poignant descriptions of life at the beginning of the century); Light in August (which depicts the ravages of racism in the American South); Their Eyes Were Watching God (the first – and perhaps the best – account of growing up black and female in America); Slaughterhouse-Five (a poignant and wacky take of mass destruction and aliens); Sula (an experimental novel that makes rubble out of the conventions of black and white culture); and White Noise (which depicts our encounter with the technological madhouse in which we live).
These American fictions, seen together, tell a composite story about coping, about fashioning both a story and a life. Much is dark in these stories, but the honesty and integrity of these writers makes us realize that reading is as much a lifeline as it is entertainment or education.
PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio.
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How have films like Ben-Hur, Spartacus, Gladiator, or even a satire like Monty Python’s Life of Brian created our popular perceptions of ancient Roman history? In what ways have they led us astray? And why, despite the occasional box-office flop, do movies set in ancient Rome still have the power to captivate us, and to turn each of us into theater-going history buffs? In these 12 lectures, an award-winning historian gives you a front-row look at the great movies that have shaped ancient Rome’s role in popular culture and memory.
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A Great Audio Course
- By Mark on 02-02-20
By: Gregory S. Aldrete, and others
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Elements of Jazz: From Cakewalks to Fusion
- By: Bill Messenger, The Great Courses
- Narrated by: Bill Messenger
- Length: 5 hrs and 59 mins
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Jazz is a uniquely American art form, one of America's great contributions to not only musical culture, but world culture, with each generation of musicians applying new levels of creativity that take the music in unexpected directions that defy definition, category, and stagnation. Now you can learn the basics and history of this intoxicating genre in an eight-lecture series that is as free-flowing and original as the art form itself.
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A Disappointingly Distorted, Myopic View Of Jazz
- By Parallax View on 08-18-13
By: Bill Messenger, and others
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The Ethics of Aristotle
- By: The Great Courses, Father Joseph Koterski S.J.
- Narrated by: Father Joseph Koterski S.J.
- Length: 6 hrs and 9 mins
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In this 12-lecture meditation on Aristotle's Nicomachean Ethics, you'll uncover the clarity and ethical wisdom of one of humanity's greatest minds. Father Koterski shows how and why this great philosopher can help you deepen and improve your own thinking on questions of morality and leading the best life. The aim of these lectures is to provide you with a clear and thoughtful introduction to Aristotle as a moral philosopher.
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Father Joseph is awesome!
- By DeeDeen on 04-08-17
By: The Great Courses, and others
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The Modern Scholar
- Shakespeare: The Seven Major Tragedies
- By: Professor Harold Bloom
- Narrated by: Professor Harold Bloom
- Length: 8 hrs and 10 mins
- Unabridged
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Shakespeare's seven great tragedies contain unmistakable elements that set them apart from any other plays ever written. In Romeo and Juliet, Shakespeare embodied in the character of Juliet the world's most impressive representation ever of a woman in love. With Julius Caesar, the great playwright produced a drama of astonishing and perpetual relevance.
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Lowest WPM Ever
- By Ronald on 11-16-11
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Scientific Secrets for a Powerful Memory
- By: Peter M. Vishton, The Great Courses
- Narrated by: Peter M. Vishton
- Length: 2 hrs and 55 mins
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Memory is, without a doubt, the most powerful (and practical) tool of everyday life. By linking both your past and your future, memory gives you the power to plan, to reason, to perceive, and to understand. Yet while all of us have an amazing capacity for memory, there are plenty of times when it seems to fail us. Why does this happen? And how can you fix it? In Scientific Secrets for a Powerful Memory, you’ll explore the real research on how memory functions - and then apply these findings to help you make better use of the memory abilities you have.
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good, but there are better books on these topics
- By Scott H on 06-03-19
By: Peter M. Vishton, and others
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The Italians before Italy: Conflict and Competition in the Mediterranean
- By: Kenneth R. Bartlett, The Great Courses
- Narrated by: Kenneth R. Bartlett
- Length: 12 hrs and 8 mins
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Take a riveting tour of the Italian peninsula, from the glittering canals of Venice to the lavish papal apartments and ancient ruins of Rome. In these 24 lectures, Professor Bartlett traces the development of the Italian city-states of the Middle Ages and the Renaissance, showing how the modern nation of Italy was forged out of the rivalries, allegiances, and traditions of a vibrant and diverse people.
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A useful survey, just what I wanted
- By Adeliese Baumann on 11-07-16
By: Kenneth R. Bartlett, and others
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Food: A Cultural Culinary History
- By: Ken Albala, The Great Courses
- Narrated by: Ken Albala
- Length: 18 hrs and 22 mins
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Eating is an indispensable human activity. As a result, whether we realize it or not, the drive to obtain food has been a major catalyst across all of history, from prehistoric times to the present. Epicure Jean-Anthelme Brillat-Savarin said it best: "Gastronomy governs the whole life of man."
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One of my top 3 favorite courses!
- By Jessica on 12-28-13
By: Ken Albala, and others
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Understanding the Mysteries of Human Behavior
- By: Mark Leary, The Great Courses
- Narrated by: Mark Leary
- Length: 12 hrs and 11 mins
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Every day of your life is spent surrounded by mysteries that involve what appear to be rather ordinary human behaviors. What makes you happy? Where did your personality come from? Why do you have trouble controlling certain behaviors? Why do you behave differently as an adult than you did as an adolescent?Since the start of recorded history, and probably even before, people have been interested in answering questions about why we behave the way we do.
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I wanted to like this course
- By Diane Tincher on 08-06-18
By: Mark Leary, and others
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The Other Side of History: Daily Life in the Ancient World
- By: Robert Garland, The Great Courses
- Narrated by: Robert Garland
- Length: 24 hrs and 28 mins
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Look beyond the abstract dates and figures, kings and queens, and battles and wars that make up so many historical accounts. Over the course of 48 richly detailed lectures, Professor Garland covers the breadth and depth of human history from the perspective of the so-called ordinary people, from its earliest beginnings through the Middle Ages.
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Tantalizing time trip
- By Mark on 08-21-13
By: Robert Garland, and others
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The Theory of Evolution: A History of Controversy
- By: Edward J. Larson, The Great Courses
- Narrated by: Edward J. Larson
- Length: 6 hrs and 10 mins
- Original Recording
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Charles Darwin's theory of organic evolution-the idea that life on earth is the product of purely natural causes, not the hand of God-set off shock waves that continue to reverberate through Western society, and especially the United States. What makes evolution such a profoundly provocative concept, so convincing to most scientists, yet so socially and politically divisive? These 12 eye-opening lectures are an examination of the varied elements that so often make this science the object of strong sentiments and heated debate.
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Little mistakes here and there
- By Daniel on 06-21-16
By: Edward J. Larson, and others
Great way to find new reads
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Remarkable performance by Weinstein
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Disappointing
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Weinstein is an artist
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Great Experience
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I didn’t care much for this course, though, largely because I don’t care much for 20th century American literature. This, of course, is not Weinstein’s fault.
But he did emphasize that part of the century and those authors I care least for, and he neglects that part and those authors I liked better. I would’ve appreciated authors from the earlier part of the century, like Wharton or Cather. Toward the end, I would’ve preferred Updike or Bellow.
But I get it. Weinstein wanted to get Burroughs and Coover in among the Hemingways and Faulkners. Fine. But that just supports my point. They are more sensational - a little more sex and wildness.
The modernism of the 20th century has seen a deconstruction of our society and values in the wake of the wars and the tyranny we experienced. And that’s understandable, too, if literature required it. But my beef, also, is these books reflect a decline in the quality of literature, too.
Weinstein makes the point that these books are pressing ahead to make a whole of us, to connect us., to weave together the fabric of us. I don’t agree at all. They play, in my view, a further fracturing role. Compared to Camus’ The Plague or even Beckett’s Waiting for Godot, they’re inferior literature, and they leave me with little hope.
So, I must pull a star off my usual five stars for Weinstein. Having said that, I still can’t blame anyone for choosing this or any of his courses.
Weinstein is Brilliant, But…
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Where does 20th-Century American Fiction rank among all the audiobooks you’ve listened to so far?
I have listened to many wonderful audiobooks, and this is the best I have heard.Any additional comments?
Thank you for adding the great courses to Audible. I can't imagine that any of the others will hold a candle to this one however. This series of lectures is insightful, profound, challenging and ultimately uplifting. The last one is more profound than any sermon I've ever heard. I previously read some of these books (like Light in August available as audiobook) and never understood them as I do now. Its understandable for the non english major but not dumbed down. There was so much in it, so much food for thought, I listened to several lectures multiple times.No longer wasted on the young!
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If so, or if you just love lit and don't care if you'd taken it in college or not, this is a perfect chance to listen to over 16 hours of a soft-spoken, lively and enthusiastic Ivy League (Brown) professor Arnold Weinstein covering American literature in the 20th century. From the charm of small-town American life (with the secrets) of Sherwood Anderson; to the loss of innocence and the love of booze portrayed by Fitzgerald and Hemingway; the racism in the American South explored by Faulkner; God, religion and the religious (particularly in the South) in the short stories of Flannery O'Connor; the explosion of drugs in William Burroughs' novels; the mass destruction of war and extra-terrestrials in Slaughterhouse Five by Vonnegut; the Nixon administration and execution mocked by Coover; the prevalence of technology in DeLillo's White Noise; as well as the exploration of feminism and race by the wonderful authors, Zora Neale Hurston and Toni Morrison. Each of these novels and authors provides a fictional, provocative account of the issues of its/his/her day.
If you haven't read a lot of these materials, do not let that dissuade you. I hadn't either, but Professor Weinstein inspired me to read many of them and his teaching method doesn't require you to have read them to enjoy and learn from the course.
I highly recommend all of Professor Weinstein's lit courses. In my opinion, just a lecture or so out of the course's 32 lectures over 16 1/2 hours is worthy of a credit.
America comes to Life in 20th Century Fiction
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Prof. Weinstein offers some vibrant new ways into reading some familiar, and some not so well-known pieces of American literature. I'd buy any course he taught.
A Truly Enriching Experience
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What disappointed you about 20th-Century American Fiction?
I expected a more general treatment of 20th century American fiction. In addition to Hemingway, Faulkner and Fitzgerald the following authors are covered: Sherwood Anderson, Zora Herston, Kurt Vonnegut, Flannery O'Connor, William Burroughs, Robert Coover, Toni Morrison, and Don Delilo. There is no mention of well known authors such as Wharton, Hersey, McCarthy, Roth, Ellison, Wright, Dos Passos, Malamud, Doctorow to name a few. Is Robert Coover more significant than these authors? I've talked to several English majors and they don't even know who he is. It turns out he's on the same faculty (Brown University) as the lecturer.The limited coverage of the course is accentuated because the lecturer covers essentially only one book per author. And the one book per author is not necessarily the most well known book of that author. For example, for Fitzgerald "Tender is the Night" is analyzed and not "The Great Gatsby" and for Morrison "Sula" instead of "Beloved".
There is also an emphasis on extreme experimental novelists as opposed to the broad spectrum of American authors in the 20th century.
To the lecturer's credit he does say in his first lecture that the course is not a survey course. But the course should have been described as such. So the course title could have been modified to indicate that e.g. Sample of Experimental 20th Century American Literature.
If the course had been better described I would not have given it such a poor grade. But just as in an exam, if you don't answer the question you get a poor grade.
What do you think your next listen will be?
Lectures on Broadway musicalsWhat about Professor Arnold Weinstein’s performance did you like?
He displayed an in depth understanding of the books that he covered. He was also enthusiastic describing and analyzing them.What reaction did this book spark in you? Anger, sadness, disappointment?
Disappointment because I expected a broader treatment of 20th century American fiction.Now what I expected
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