
A Damsel in Distress
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Narrated by:
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Frederick Davidson
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By:
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P. G. Wodehouse
About this listen
"Reggie was a troubled spirit these days. He was in love, and he had developed a bad slice with his mid-iron. He was practically a soul in torment."
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tracks out of order
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Performance
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Performance
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Story
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Love it, but please mark as Abridged!
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Overall
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Performance
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Story
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Charming criminal caper
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By: Caroline Graham
Love the story
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Early Wodehouse
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Very Entertaining!
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Would you say that listening to this book was time well-spent? Why or why not?
No. The narrator mis-read too many sentences and mis-pronounced too many words.What other book might you compare A Damsel in Distress to and why?
This novel seems to be a precursor to the Blandings Castle series by the same author.How could the performance have been better?
I would have preferred that the narrator keep the funny voices to the dialog. Reading the entire book with a fake upper-class accent is not only unnecessary it is intensely irritating. It sounds like a bad Tim Curry impersonation.Apart from which, the narrator seems incapable of reading more than a few words ahead. Given the unpredictable nature of Wodehouse's long sentences, this failing produces many inappropriate pauses and meaningless fragmentary phrases. I don't know what to suggest to remedy this - learn to read, perhaps?
Did A Damsel in Distress inspire you to do anything?
Throw a boot at the stereo.Any additional comments?
Grrrr!Funny voices, misread lines
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The British Accent took a bit of getting used to, but once acclimated it was great. I will be listening to this one again and again.
Driving trouble
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Wodehouse! What more do you need?
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Take Damsel in Distress. Aristocratic English girl falls for penniless American stranger. Defying her family, she slips off to London to meet him. Unexpectedly encountering her older brother in the street, girl ducks into a cab. At the moment this cab belongs to an American who falls in love with her on the spot...and who the family now believe, based on the older brother's outraged report, is the penniless young American. But I digress. To go any further would ruin the plot, and in Wodehouse plots--twisting, turning, surprising and always comic--are of the essence.
Beyond crazy plots and characters, Wodehouse is fun to listen to because he's such a good writer. It's pleasurable to follow the shape of his sentences, especially with a superb reader like Frederick Davidson who gets every drop of irony, sarcasm or comedy out of just about every line.
The Master at Work...Again
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A Sweep Stikes? (Great Narration!)
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Distant background noise
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Splendid all around
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