The Coming of Bill
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Narrated by:
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Frederick Davidson
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By:
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P. G. Wodehouse
About this listen
The nearest Wodehouse ever came to a serious story,
The Coming of Bill is a fascinating blend of social commentary and light comedy.
Kirk, an impecunious artist of perfect physique, and Ruth, a spoilt heiress, were blissfully happy through their early days of marriage and the birth of their first son. But when Kirk returns from a trip to Columbia to find Ruth under the thumb of her Aunt Laura, an advocate of eugenics, parenting philosophies divide them. It takes a series of comic mishaps, featuring a galaxy of vintage Wodehouse characters, to retrieve the family’s happiness from the overbearing aunt.
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Story
Howards End is a beautifully subtle tale of two very different families brought together by an unusual event. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of "telegrams and anger". When the elder Mrs. Wilcox dies and her family discovers she has left their country home - Howards End - to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve.
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Fantastic Narration in Delightful Story
- By Wren on 05-05-18
By: E. M. Forster
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Anna of the Five Towns
- By: Arnold Bennett
- Narrated by: Peter Joyce
- Length: 9 hrs and 56 mins
- Unabridged
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Set in stifled, industrial Staffordshire in the late 19th century, against a strong evangelical background, Anna of the Five Towns tells of the courting of hard businessman Ephraim Tellright's daughter by prosperous and accomplished Henry Mynors. As her father's fortune grows, so does Anna understanding. She realises her legacy and responsibility for the possible ruination of her father's tenants, Titus Price and his son, Willie, who also loves her.
By: Arnold Bennett
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The Idiot
- By: Fyodor Dostoevsky
- Narrated by: Jefferson Mays
- Length: 27 hrs and 56 mins
- Unabridged
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In The Idiot, Prince Myshkin possesses a childlike innocence and trusting nature that leave him vulnerable to abuse by those around him. Returning to St. Petersburg to collect an inheritance, Myshkin realizes he is a stranger in a society obsessed with wealth, manipulation and power.
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Avoid Constance Garnett
- By Anthony on 04-09-17
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Miss Buncle's Book
- By: D. E. Stevenson
- Narrated by: Patricia Gallimore
- Length: 9 hrs and 53 mins
- Unabridged
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The scene of this entertaining story is laid in a charming English village. The plot centres round Miss Barbara Buncle, a maiden lady who was obliged to write a book because – as she naively explained – her dividends were so poor. Unfortunately, Miss Buncle had no imagination, so she wrote about her friends – quite kindly and truthfully, of course, for she was a benevolent and veracious soul.
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A complete pleasure
- By Sara on 01-16-14
By: D. E. Stevenson
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The Custom of the Country
- By: Edith Wharton
- Narrated by: Grace Conlin
- Length: 14 hrs and 29 mins
- Unabridged
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One of Edith Wharton's most acclaimed works, The Custom of the Country is a blistering indictment of materialism, power, and misplaced values. Its heroine, Undine Spragg, is one of the most ruthless characters in all of literature, as selfishly unscrupulous as she is fiercely beautiful. As she climbs the class ladder through a series of marriages and affairs, she shows little concern for who she has to step on.
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Narrator kills the book
- By Mississippi Malka on 05-24-10
By: Edith Wharton
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Dombey and Son
- By: Charles Dickens
- Narrated by: Frederick Davidson
- Length: 36 hrs and 59 mins
- Unabridged
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In this carefully crafted novel, Dickens reveals the complexity of London society in the enterprising 1840s as he takes the listener into the business firm and home of one of its most representative patriarchs, Paul Dombey.
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Perfect pair
- By Philip on 03-25-08
By: Charles Dickens
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Alison Larkin Presents: The Secret Adversary, Murder on the Links, and The Mysterious Affair at Styles
- By: Agatha Christie
- Narrated by: Alison Larkin, James Warwick
- Length: 24 hrs and 14 mins
- Unabridged
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Three critically acclaimed recordings are joined together in this dazzling Agatha Christie Triple Bill, read by award-winning narrators Alison Larkin and James Warwick, star of the Partners in Crime TV series on Masterpiece Theater.
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Pitch perfect narration of Agatha Christie!
- By Mary Katherine Worth on 10-18-19
By: Agatha Christie
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The Secret Adversary & N or M?
- Two Bestselling Agatha Christie Novels in One Great Audiobook
- By: Agatha Christie
- Narrated by: Hugh Fraser
- Length: 13 hrs and 21 mins
- Unabridged
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From the brilliant pen of Agatha Christie comes two novels featuring the beloved sleuthing duo: In the The Secret Adversary, Tommy and Tuppence decide to embark on a daring business scheme: Young Adventurers Ltd. But they get more than they bargained for when their first assignment for the sinister Mr. Whittington draws them into a diabolical conspiracy. Set during the dark days of World War II, Agatha Christie’s N or M? puts two most unlikely espionage agents, Tommy and Tuppence Beresford, on the trail of a pair of Nazi spies who have murdered Britain’s top agent.
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Hugh Fraser is great!
- By Cheryl McInerney on 09-06-22
By: Agatha Christie
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The Glimpses of the Moon
- By: Edith Wharton
- Narrated by: Anna Fields
- Length: 8 hrs and 55 mins
- Unabridged
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Set in the 1920s, The Glimpses of the Moon details the romantic misadventures of Nick Lansing and Susy Branch, a couple with the right connections but not much in the way of funds. They devise a shrewd bargain: they'll marry and spend a year or so sponging off their wealthy friends, honeymooning in their mansions and villas.
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Couldn't stop listening
- By Michael Breed on 12-09-09
By: Edith Wharton
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The Razor's Edge
- By: W. Somerset Maugham
- Narrated by: Michael Page
- Length: 11 hrs and 7 mins
- Unabridged
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The Great War changed everything and everyone, and Larry Darrell is no exception. Though his physical wounds from the war heal, his spirit is changed almost beyond recognition. He leaves his betrothed, the beautiful and devoted Isabel; studies philosophy and religion in Paris; lives as a monk, and witnesses the exotic hardships of Spanish life. All of life that he can find - from an Indian Ashrama to labor in a coal mine - becomes Larry's spiritual experiment as he spurns the comfort and privilege of the Roaring 20s.
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An Classic of Love and the Desire for Meaning
- By Eric on 01-06-17
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Jude The Obscure
- By: Thomas Hardy
- Narrated by: Stephen Thorne
- Length: 15 hrs and 21 mins
- Unabridged
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This is the story of a young country workman obsessed by his ambition to become an Oxford student, interwoven with his fraught relationships with two women.
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Staggering
- By Tad Davis on 02-16-10
By: Thomas Hardy
What listeners say about The Coming of Bill
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Katherine
- 09-18-22
Racist Trope
This book repeatedly uses the term “Great White Hope” which came to prominence after the great Jack Johnson (black) began dominating boxing in the early 1900s. It is hard to listen to this story with the ~100 racist references to a term generated because of the success of a black man in what had been a white man’s sport. I recognize this was the norm at the time of publication, 1920. To be clear, the story is not about race at all.
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2 people found this helpful
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- Open Container
- 09-13-18
Great story and narration.
I love almost everything by Wodehouse I'v ever read, and Frederick Davidson is the perfect narrator for his comic romps, especially those set in the US. Davidson effortlessly switches between a posh Brit accent and a Bowery judder. Really beautiful.
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3 people found this helpful
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- John
- 06-18-12
Don't Pluck This Lemon in the Garden of Literature
Not, that is, if you've reveled in the adventures of Jeeves and Wooster, the schemes of Ukridge and the insanity of Blandings Castle. Not, in other words, if you're looking for more of the same fast-paced, incisively-written, ludicrous hilarity these works dish our with such a lavish hand.
Things start out in the normal way. We have a fine portrait of the kind of character who always ends up snootered by the better sort in Wodehouse's world: a female writer of theosophical tracts, a confirmed spinster who is somehow an expert on raising children and a rabid eugenicist armed with all the latest, up-to-date, sterilized thinking and gadgetry that go with that particular branch of lunacy. Holding herself so high above the common run of human kind (especially men, whom she views almost purely in the light of breeding stock) that she disdains to accept any blame when she runs over a pedestrian with her car, the seasoned Wodehouse reader will snuggle a few inches deeper into the old arm chair and await with relish the inevitable downfall.
It comes, but in the most unsatisfactory (for the Wodehouse devotee) way--only after strained family relations (usually such a gold mine of humor for Wodehouse) sudden deaths, an unhappy marriage, expeditions to the South American jungle, another tragic death by fever, a headlong plunge into financial ruin, an all-too-real portrait of marital separation and a well-meant kidnapping. Kidnapping is a theme Wodehouse has a lot of fun with from time to time--see The Little Nugget, Piccadilly Jim or The Mating Season where Jeeves lures Aunt Agatha's son, young Thos, away from his school to play chess with Cora Star, the film actress. Here it's the desperate last move of a desperate father. At times it almost seems like Wodehouse should be writing under a pseudonym: Rosie M. Banks.
It all turns out, of course, Love triumphs. But the way there isn't the usual Wodehousian romp.
There must be a back-story to this book, a reason why it can't make up it's mind to be a comedy or a tragedy, a serious examination of human life or a farce. The publication date, 1920, lands it squarely in the Jeeves-and-Wooster zone, (My Man Jeeves, 1919 and The Inimitable Jeeves, 1923), the first glimmerings of Blandings Castle (Something Fresh, 1915 and A Damsel in Distress, 1919) and the teeing-off of the great golf sagas (The Clicking of Cuthbert, 1922). As Wodehouse entered his early 40's he truly hit his stride, embarking on those story lines that would make his books essential to those of us who like their literature bright and light. Maybe someone bet him he couldn't write something serious. Maybe he had the sudden urge to be taken seriously (when Cary Grant was seized with this misguided urge he made films like Penny Serenade and An Affair to Remember). Perhaps Wodehouse was simply still looking for his groove.
"I believe there are two ways of writing novels" Wodehouse once said. "One is mine, making a sort of musical comedy without music and ignoring real life altogether; the other is going right deep down into life and not caring a damn …" Fortunately for all of us, more often than not P. G. Wodehouse cared a damn.
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6 people found this helpful