Miss Busby helped Major Heathcliff Lennox solve a series of murders at Bloxford in the Cotswolds. Now, she finds herself drawn into a new murder, but this time, it's just her, and she must rely on her sharp mind and sharper wits to catch a Cotswolds killer, along with a handsome police inspector and a reporter who's keen to make her mark.

Juno Browne is a self-appointed domestic goddess. From cleaning to dog-walking to caring for the elderly, she flits around the picturesque village of Ashburton in her trusty van ready to turn her hand to anything. Despite warnings to the contrary, she ventures into the shady world of antiques dealing when she takes on a new client, Old Nick, who has a reputation for conducting business by the back door.

Sea Isle was supposed to be the fresh start Dr. Emilia McRoy dreamed of. Far from the busy emergency room across the Atlantic in Seattle, she hoped to settle down and begin this new chapter as a small-town doctor to the quirky residents who immediately welcomed her. When she stumbles across a dead body, she starts to think that she may not be as Scot free of the drama and intrigue as she initially thought.

When a failed entrepreneur is temporarily left in charge of his aunt's huge gothic home, he knows he must be able to make a profit from it somehow. Murder, he decides, is the only way to do it. For Madingley Grange is the perfect venue for a 1930s murder-mystery weekend, and Simon Hannaford – with the reluctant help of his long-suffering sister – soon hatches a plan for money-spinning mayhem. From the conservatory to the claret cellar, the clues are carefully sprinkled. But when the guests arrive, it is obvious that the game won't be going as planned.

Judith Potts is 77 years old and blissfully happy. She lives on her own in a faded mansion just outside Marlow, there’s no man in her life to tell her what to do or how much whisky to drink, and to keep herself busy she sets crosswords for The Times newspaper. One evening, while out swimming in the Thames, Judith witnesses a brutal murder. The local police don’t believe her story, so she decides to investigate for herself and is soon joined in her quest by Suzie, a salt-of-the-earth dog-walker, and Becks, the prim and proper wife of the local vicar.

1915, London: Working in the dusty bookshop that her Aunt Violet mysteriously inherited, Hannah Merrill is accustomed to finding twists in every tale. But discovering her beloved best friend Lily-Anne – with a paperknife through her heart – in the middle of the bookshop, is not a plotline she saw coming. The case is anything but textbook. With the discovery of a coded German message, and Hannah’s instinct that Lily-Anne’s husband is keeping secrets, she determines to get to the bottom of it. She can’t do it alone though.

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

Cottages, English roses and rolling hills: that's Earlsraven. When Nathalie unexpectedly inherits her aunt's cosy inn "Black Feather", she also falls heir to her secret double life and discovers that sleuthing runs in the family. This compilation contains episodes 1-3: THE ART OF LYING There are only two possibilities: either dear old Miss Beresford from Earlsraven is suffering from dementia or there's something fishy going on at her house! But when she discovers a dead body in her garden, Nathalie and her cook Louise start to investigate.

London, 1922. Between gallivanting in his Rolls-Royce and darkening the doorways of London's hotspots, Lord Reginald "Rex" Bankes-Fernsby has almost succeeded in banishing the battlefield nightmares that plague his sleep. Pity he can't say the same about that nagging lack of direction in his life. If only he were like his best friend Freddie—self-assured, suave, and up to his ears in secrets. But when Freddie is murdered, Rex doubts the verdict. Was Freddie really cut down while up to no good, or was he killed in the line of duty?

Seasoned obituary writer Eve Mallow has a new assignment: to tell the life story of famed musician Bernard Fitzpatrick. A chance to spend a few days in the sweet little village of Saxford St. Peter, walking the country lanes with her beloved dachshund, Gus, and meeting new people sounds like a dream. But it turns out that Bernard’s life was much less interesting than his death. On the day she arrives, news breaks that the charismatic cellist was the victim of a grisly murder. Could this quaint English village be hiding a dark secret?

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.