In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.

Icelanders believe in elves. Why does that make you laugh?, asks Nancy Marie Brown, in this wonderfully quirky exploration of our interaction with nature. Looking for answers in history, science, religion, and art—from ancient times to today—Brown finds that each discipline defines what is real and unreal, natural and supernatural, demonstrated and theoretical, alive and inert. Each has its own way of perceiving and valuing the world around us. And each discipline defines what an Icelander might call an elf.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

It is a hot summer in rural Ireland. A child is taken by her father to live with relatives on a farm, not knowing when or if she will be brought home again. In the Kinsellas' house, she finds an affection and warmth she has not known and slowly, in their care, begins to blossom. But there is something unspoken in this new household—where everything is so well tended to—and this summer must soon come to an end.

Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack.

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store.

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

Narrated through the eyes of the intimates of Suleyman the Magnificent, the sixteenth-century sultan of the Ottoman Empire, The Lion House animates with stunning immediacy the fears and stratagems of those around him: the Greek slave who becomes his Grand Vizier, the Venetian jewel dealer who acts as his go-between, the Russian consort who becomes his wife. Christopher de Bellaigue tells not just the story of rival superpowers, nor of one of the most consequential lives in human history, but of what it means to live in a time when a few men get to decide the fate of the world.

A landslide has closed the Korowai Pass on New Zealand’s South Island, cutting off the town of Thorndike and leaving a sizable farm abandoned. The disaster presents an opportunity for Birnam Wood, an undeclared, unregulated, sometimes-criminal, sometimes-philanthropic guerrilla gardening collective that plants crops wherever no one will notice. For years, the group has struggled to break even. To occupy the farm at Thorndike would mean a shot at solvency at last. But the enigmatic American billionaire Robert Lemoine also has an interest in the place.

In 1654, the Thunderclap—an enormous explosion at a gunpowder store—devasted the city of Delft, killing hundreds of people, including the extraordinary painter Carel Fabritius, and injuring thousands more. Framing the story around the life of Fabritius, Cumming illuminates this extraordinary moment in art history while also writing about her own father, a painter. Like Dutch art, the story gradually links country, city, town, street, house, interior—all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread.

Claire Keegan continues her outstanding work with this new collection of quietly wrenching stories of despair and desire in modern-day Ireland. A writer awarded a stay to work in Heinrich Böll's old cottage has her peace interrupted by an unwelcome intruder whose ulterior motives emerge as the night progresses. A priest waits at the altar to perform a marriage—and battles his memories of a love affair that led him to question all to which he has dedicated his life. And a man seeks solace at the bottom of a bottle as he mourns both his empty life and his lost love.

In The Comfort of Crows, Margaret Renkl presents a literary devotional: fifty-two chapters that follow the creatures and plants in her backyard over the course of a year. As we move through the seasons—from a crow spied on New Year’s Day, its resourcefulness and sense of community setting a theme for the year, to the lingering bluebirds of December, revisiting the nest box they used in spring—what develops is a portrait of joy and grief: joy in the ongoing pleasures of the natural world, and grief over winters that end too soon and songbirds that grow fewer and fewer.

Valeria Cossati never suspected how unhappy she had become with the shabby gentility of her bourgeois life—until she begins to jot down her thoughts and feelings in a little black book she keeps hidden in a closet. This new secret activity leads her to scrutinize herself and her life more closely, and she soon realizes that her individuality is being stifled by her devotion and sense of duty toward her husband, daughter, and son.

Sometime religious outsider and social disaster, sometime celebrity preacher and establishment darling, John Donne was incapable of being just one thing. In his myriad lives he was a scholar of law, a sea adventurer, a priest, an MP—and perhaps the greatest love poet in the history of the English language. Along the way he converted from Catholicism to Protestantism, was imprisoned for marrying a sixteen-year old girl without her father’s consent, struggled to feed a family of ten children, and was often ill and in pain.

As a young girl, Hannah Stowe was raised at the tide’s edge on the Pembrokeshire coast of Wales, falling asleep to the sweep of the lighthouse beam. Now in her midtwenties, working as a marine biologist and sailor, Stowe draws on her professional experiences sailing tens of thousands of miles in the North Sea, North Atlantic, Mediterranean, Celtic Sea, and the Caribbean to explore the human relationship with wild waters. Why is it, she asks, that she and so many others have been drawn to life at sea—and what might the water around us be able to teach us?

The Amur River is almost unknown. Yet it is the 10th longest river in the world, rising in the Mongolian mountains and flowing through Siberia to the Pacific. For 1,100 miles, it forms the tense border between Russia and China. Simmering with the memory of land-grabs and unequal treaties, this is the most densely fortified frontier on Earth.

American-born Paul Theroux had lived in England for 11 years when he realized he'd explored dozens of exotic locations without discovering anything about his adopted home. So, with a knapsack on his back, he set out to explore by walking and by short train trips. The result is a witty, observant and often acerbic look at an ever eccentric assortments of Brits in all shapes and sizes.

Come on Shore and We Will Kill and Eat You All is the story of the cultural collision between Westerners and the Maoris of New Zealand, told partly as a history of the complex and bloody period of contact between Europeans and the Maoris in the late 18th and early 19th centuries, and partly as the story of Christina Thompson's marriage to a Maori man.

Elaine Sciolino came to Paris as a young foreign correspondent and was seduced by a river. In The Seine, she tells the story of that river from its source on a remote plateau of Burgundy to the wide estuary where its waters meet the sea, and the cities, tributaries, islands, ports, and bridges in between.

In this exquisitely written book, Robert Macfarlane sets off from his Cambridge, England, home to follow the ancient tracks, holloways, drove roads, and sea paths that crisscross both the British landscape and its waters and territories beyond. The result is an immersive, enthralling exploration of the ghosts and voices that haunt old paths, of the stories our tracks keep and tell, and of pilgrimage and ritual. Told in Macfarlane’s distinctive voice, The Old Ways folds together natural history, cartography, geology, archaeology, and literature.

This essay by Thoreau first published in 1849, argues that individuals should not permit governments to overrule their consciences. It goes on to say that individuals have a duty to avoid allowing the government to make them the agents of injustice. The quote: "That government is best which governs least," sometimes attributed to Thomas Jefferson or Thomas Paine, actually was first found in this essay. Thoreaus' thoughts were motivated by his disgust with slavery and the Mexican-American War but they are still relevant and resonate today.

Are there any genuinely wild places left in Britain and Ireland? Or have we tarmacked, farmed and built ourselves out of wildness? In his vital, bewitching, inspiring classic, Robert Macfarlane sets out in search of the wildness that remains.

In the wake of WWII, a grieving fisherman submits a poem to a local newspaper: a rallying cry for hope, purpose...and rocks. When the poem spreads farther than he ever intended, Robert Bliss's humble words change the tide of a nation. Boxes of rocks inundate the tiny coastal Maine town, and he sets his calloused hands to work, but the building halts when tragedy strikes. Decades later, Annie Bliss is summoned back to Ansel-by-the-Sea when she learns her Great-Uncle Robert, the man who became her refuge during the hardest summer of her youth, is now the one in need of help.

Kendra Atleework grew up in Swall Meadows, in the Owens Valley of the Eastern Sierra Nevada, where annual rainfall averages five inches and in drought years measures closer to zero. Kendra's family raised their children to thrive in this harsh landscape, forever at the mercy of wildfires, blizzards, and gale-force winds. Most of all, the Atleework children were raised on unconditional love and delight in the natural world. But it came at a price.

Entertainment Weekly calls acclaimed author and essayist J. Maarten Troost a "funny, candid, and down-to-earth travel companion". Both witty and poignant, Headhunters on My Doorstep follows Troost as he retraces Robert Louis Stevenson’s path through the South Pacific. Somewhere between AA meetings in Tahiti and discovering how the Island of Merrymaking got its name, Troost reconnects with himself, his family, and the beauty of life.

The recently rediscovered short story 'The Lost One', perfect for fans of Daphne du Maurier, Santa Montefiore and Anya Seton. First published in Woman's Journal in 1960, and set against the backdrop of unfenced country and dark winding valleys at night, the aptly named 'The Lost One' features The Wind off the Small Isles heroine Perdita West, who brings her characteristic pluck and courage to this classic Mary Stewart tale of suspense and intrigue....

A quixotic journey through London's past, Mudlark plumbs the banks of the Thames to reveal the stories hidden behind the archaeological remnants of an ancient city. Long heralded as a city treasure herself, expert "mudlarker" Lara Maiklem is uniquely trained in the art of seeking. Tirelessly trekking across miles of the Thames' muddy shores, where others only see the detritus of city life, Maiklem unearths evidence of England's captivating, if sometimes murky, history - with some objects dating back to 43 AD, when London was but an outpost of the Roman Empire.

The touching story of a young, mortally ill priest who spends his last days working among the Kwakiutl Indians of British Columbia.

Originally published in 1985, Outposts is Simon Winchester's journey to find the vanishing empire, "on which the sun never sets". In the course of a three-year, 100,000 mile journey - from the chill of the Antarctic to the blue seas of the Caribbean, from the South of Spain and the tip of China to the utterly remote specks in the middle of gale-swept oceans - he discovered such romance and depravity, opulence and despair that he was inspired to write what may be the last contemporary account of the British empire.

Here is the exciting culmination of Ali Smith's celebrated Seasonal Quartet, a series of stand-alone novels, separate but interconnected (as the seasons are), wide-ranging in timescale and light-footed through histories.