-
A Man in Love
- My Struggle, Book 2
- Narrated by: Edoardo Ballerini
- Length: 21 hrs and 4 mins
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Publisher's summary
In the second installment of Karl Ove Knausgaard's monumental six-volume masterpiece, the character Karl Ove Knausgaard moves to Stockholm, where, having left his wife, he leads a solitary existence. He strikes up a deep friendship with another exiled Norwegian, a Nietzschean intellectual and boxing fanatic named Geir. He also tracks down Linda, whom he met at a writers' workshop a few years earlier and who fascinated him deeply.
My Struggle, book two, is at heart a love story - the story of Karl Ove falling in love with his second wife. But the novel also tells other stories: of becoming a father, of the turbulence of family life, of outrageously unsuccessful attempts at a family vacation, of the emotional strain of birthday parties for children, and of the daily frustrations, rhythms, and distractions of city life keeping him from (and filling) his novel. It is a brilliant work that emphatically delivers on the unlikely promise that hundreds of minutes later, listeners will be left breathlessly demanding more.
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Mystery with humor and insight
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Putney
- A Novel
- By: Sofka Zinovieff
- Narrated by: Michelle Ford
- Length: 11 hrs and 49 mins
- Unabridged
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In the spirit of Zoë Heller’s Notes on a Scandal and Tom Perrotta’s Mrs. Fletcher, an explosive and thought-provoking novel about the far-reaching repercussions of an illicit relationship between a young girl and a man 20 years her senior. Masterfully told from three diverse viewpoints - victim, perpetrator, and witness - Putney is a subtle and enormously powerful novel about consent, agency, and what we tell ourselves to justify what we do, and what others do to us.
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One of the greatest stories of all time!
- By Valarie on 06-17-20
By: Sofka Zinovieff
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Light Years
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- Narrated by: Mark Boyett
- Length: 10 hrs and 18 mins
- Unabridged
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This exquisite, resonant novel by PEN/Faulkner winner James Salter is a brilliant portrait of a marriage by a contemporary American master. It is the story of Nedra and Viri, whose favored life is centered around dinners, ingenious games with their children, enviable friends, and near-perfect days passed skating on a frozen river or sunning on the beach.
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Unfathomable Font of Blue: Life's Serial Goodbyes
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For Lucy Riddick, Venice has always been the dream destination, the ideal place to lose herself. And now she needs to do just that. The secret she's been keeping has finally caught up with her and Lucy needs to disappear - fast. But what if, when she sets foot in Venice, Lucy finds the one thing she has been running from?
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Fun and Absorbing
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Six-year-old Gretl Schmidt is on a train bound for Auschwitz. Jakób Kowalski is planting a bomb on the tracks. As World War II draws to a close, Jakób fights with the Polish resistance against the crushing forces of Germany and Russia. They mean to destroy a German troop transport, but Gretl's unscheduled train reaches the bomb first. Gretl is the only survivor.
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Excellent story covering the middle of the 20th C.
- By john on 04-12-16
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Gold Dust
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Three women linked by their blood, their dreams...and their sins. From Leningrad in the '70s to America and London in the present day, Kimberley Freeman's new novel follows the lives of two sisters, Lena and Natalia, and their cousin, Sofi, as they move away from Russia and all they have known. Despite promising to always take care of each other, a pact to meet every winter is shattered as their lives change and long-held resentments begin to surface. Can that resentment turn to hatred? To murder?
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It's just not the same without Caroline Lee
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Children Playing Before a Statue of Hercules (Unabridged Selections)
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Children Playing Before a Statue of Hercules is a collection of short stories, some classic, others impending, selected and introduced by David Sedaris.
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Great stories but only 5 of 17 are included
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Frances is a cool-headed and darkly observant young woman vaguely pursuing a career in writing while studying in Dublin. Her best friend and comrade-in-arms is the beautiful and endlessly self-possessed Bobbi. At a local poetry performance one night, Frances and Bobbi catch the eye of Melissa, a well-known photographer, and as the girls are then gradually drawn into Melissa's world, Frances is reluctantly impressed by the older woman's sophisticated home and tall, handsome husband, Nick.
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Interesting point of view; glad I listened!
- By Amazon Customer on 08-23-17
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The Wife
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The moment Joan Castleman decides to leave her husband, they are 35,000 feet above the ocean on a flight to Helsinki. Joan's husband, Joseph, is one of America's preeminent novelists, about to receive a prestigious international award, and Joan, who has spent 40 years subjugating her own literary talents to fan the flames of his career, has finally decided to stop.
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A bit of a downer
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Insomniac City
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Bill Hayes came to New York City in 2009 with a one-way ticket and only the vaguest idea of how he would get by. But, at 48 years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city's incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera.
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Touching and Intimate Portrait
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Stories
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The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal.
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Something for Everyone
- By Nicole on 05-24-17
By: Neil Gaiman - author/editor, and others
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What listeners say about A Man in Love
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Dogustation
- 05-31-16
i just cant get enough
the narrators voice is like candy to my ears and the story flows along beautifully like a stream. karl ove writes the simple in such a beautiful way
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1 person found this helpful
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- Suramericana
- 12-12-17
The best book I listen in the last 10 years
Karl Ove talks about normal life. Struggles with family, kids, relationships in a way that does not make me tire and that I miss it when the book is over. Wow!!! Thanks Karl is so difficult to find writers like you.
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- Gershon
- 02-05-16
could not stop listening to every word spoken.
the story is powerful and painfully honest, the narration is superb, the entire experience is unforgettable journey
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1 person found this helpful
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- enya keshet
- 09-27-18
A life
Ever so realistic, honest and flowing. I will keep listening to this series of Knausgaard's books.
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- Anonymous123
- 09-26-15
absolutely flawless
it will be impossible to separate the performance of this work from the work itself in the best possible way
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2 people found this helpful
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- Anonymous User
- 05-10-18
A great runner up
This story was not as gripping as the first, but comparably powerful as a sequel. The narrator does a great job of using slightly different tones to denote different characters, and changes his pace and intonation within the novel to evoke a greater mood.
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- Anonymous User
- 07-01-20
Do you like annoying neighbor stories?
This was a slog to get through. The first book ⚡️🎸rocked⚡️🎸 this one was a more tedious depiction of life with an annoying Russian neighbor and excruciating stories about his kids.
At the end he sees a hedgehog and there is a neat passage about a train plowing through a snowy woods tho.
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- Ben
- 06-20-24
Beautiful writing about a very human human.
It leaves you with a mix of feelings, like any good novel should. I abhor much of his character, and understand him at the same time. It is the complexity of a human, and the endless griding struggle of existance, and the vaguaries of life, and I am quite enjoying this experience, amd will certainly continue onward into his writings. Also, he's got me sold on wishing to move to Sweden.
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- Darwin8u
- 11-10-15
White man's ego reviewing white man’s ennui?
"The fact that paintings and, to some extent, photographs were so important for me had something to do with this. They contained no words, no concepts, and when I looked at them what I experienced, what made them so important, was also non conceptual. There was something stupid in this, an area that was completely devoid of intelligence, which I had difficulty acknowledgng or accepting, yet which perhaps was the most important single element of what I wanted to do."
-- Karl Ove Knausgård, My Struggle Book 2
Sometimes writing a review of a book is just about marking the space, staking the ground, scratching the wall with hard chalk. I swim back and forth about how I feel about Knausgaard. Hell, I swim back and forth about whether I want to spell his last name Knausgaard or Knausgård. Right now I don't feel strongly either way. Completely ambivalent. Sometimes, I think Karl Ove's art is his huge capacity for being pretentious and narcissistic, but (just to be fair) I also think the same thing about most artists. There is something about the personality of an artist that IS by their nature selfish, demanding, exhibitionist: crying for notice, for acclaim, for some distant other to meet their gaze, catch their pitch, experience their trip. I think of the story of Picasso's daughter showing him her beautiful new shoes, and he takes them and paints them and makes her cry.
And I mean all this ego art as a good thing. I guess what, for me, sets Karl Ove apart from other fiction artists/authors is he exposes (or at least wants us to THINK he exposes) a lot more about his life in his art. His self is stylized, but not hidden. He isn't hiding his ego behind another character. He makes his ego a character. He isn't trying to hide his flaws (and boy sometimes there seems to be buckets of flaws) or those of his family (see Linda) or friends. He uses those weaknesses like a painter uses shadow or a carpenter uses sandpaper.
His prose seems to jump between three styles:
1: Hyper-detailed narrative about his life. This isn't a straight narrative. He will jump back and forth in time. He starts with three kids, backs up to before he meets Linda, progresses through courting, marriage, babies, and during this journey forward will occasionally run back in time as he recalls events or situations that add to his current narrative. Anyway, this style is the bulk of the book and allows for very descriptive accounts of fights with his wife, struggles with family members, trips, walks, meals, etc. It is like he took his journal/diary and just tossed it in and expanded it.
2. Excursions into philosophy. In the middle of an event in his life, Karl Ove will suddenly digress and spend 3-10 pages discoursing on literature, painting, angels, life, death, children.
3. Excursions into nature/city. Not only does he take walks, but any movement might lead Karl Ove into a journey into a sunset, swarm of birds, buildings, beach, clouds. He is painting with words, trying to capture in words what a Turner or one of his photographer friends might capture with a lens.
4. Discussions with friends (mainly his close friend Gier). These parts accomplish the same things as 2, but as a dialogue with counterpoints instead of a straight inner monologue.
So, here I sit 1/3 (or two books) into 'My Struggle' and not yet tired of it. My feelings for these books ebb (Franzen at his worst) and flow (Proust at his best) depending on the prose and my own mood. At times, when I'm feeling great and the book seems to be on fleek, it all ends up being a groove I was meant to slide down (++), but there are times when the prose seem to be working fine, but I'm just not feeling it (+-) or when the prose kinds stinks, but I seem not to mind very much (-+). Thankfully, there have been very few instances where me and the novel seem to be mired at the same time (--). I might have lost faith (at times) in Knausgård as a person, but not in what he has written (yet), and not yet in his role as an artist.
"Over recent years I had increasingly lost faith in literature. I read and thought this was something someone has made up. Perhaps it was because we were totally inundated with fiction and stories...The only genres I saw value in, which still conferred meaning, were diaries and essays, the types of literature that did not deal with narrative, that were not about anything, but just consisted of a voice, the voice of your own personality, a life, a face, a gaze you could meet. What is a work of art if not the gaze of another person? Not directed above us, nor beneath us, but at the same height as our own gaze. Art cannot be experienced collectively, nothing can, art is something you are alone with. You meet its gaze alone."
-- Karl Ove Knausgård, My Struggle Book 2
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16 people found this helpful
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- ecoacademic
- 01-18-18
Properly good
Try listening to it in one sitting, in the dark, with no human contact, ul feel like a different person👮
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