Like sharks to blood in the water, the mob arrived in Hollywood greedy and ready to tear away huge chunks of cash. Opportunistic mobsters saw labor unions as the means for muscling into the movie industry and extorting millions of dollars from studio bosses. Control the unions to which projectionists, art directors, cinematographers, electricians, scene designers, stagehands, extras belong, and you control the whole industry.

Eddie Mannix and Howard Strickling are virtually unknown outside of Hollywood and little-remembered even there, but as General Manager and Head of Publicity for Metro-Goldwyn-Mayer Studios, they lorded over all the stars in Hollywood’s golden age from the 1920s through the 1940s—including legends like Garbo, Dietrich, Gable and Garland. When MGM stars found themselves in trouble, it was Eddie and Howard who took care of them—solved their problems, hid their crimes, and kept their secrets. They were “the Fixers.”

Christina Crawford's book was an immediate bestseller, addressing the infrequently discussed topic of child abuse. When Paramount Pictures released the film, starring Faye Dunaway as Crawford, it was critically panned, and remains one of the most legendary critical bombs in film history. The lavish, big-screen adaptation drew unexpected laughter in the scenes depicting life in the Crawford household. Rarely have such good intentions been met with such ridicule.

The behind-the-scenes story of the quintessential film noir and cult classic, Billy Wilder’s Double Indemnity—its true crime origins and crucial impact on film history—is told for the first time in this riveting narrative published for the film's 80th anniversary. Authors Alain Silver and James Ursini tell the complete history of Double Indemnity in their latest and most provocative work on film noir: From the Moment They Met It Was Murder.

From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.

Alfred Hitchcock was fixated—not just on the dark, twisty stories that became his hallmark, but also by the blond actresses who starred in many of his iconic movies. The director of North by Northwest, Rear Window, and other classic films didn’t much care if they wore wigs, got their hair coloring out of a bottle, or were the rarest human specimen—a natural blonde—as long as they shone with a golden veneer on camera. The lengths he went to in order to showcase (and often manipulate) these women would become the stuff of movie legend.

Billy Wilder’s Sunset Boulevard, a classic film noir and also a damning dissection of the Hollywood dream factory, evokes the glamour and ruin of the stars who subsist on that dream. It’s also one long in-joke about the movie industry and those who made it great - and who were, in turn, destroyed by it. One of the most critically admired films of the 20th century, Sunset Boulevard is also famous as silent-star Gloria Swanson’s comeback picture.

On September 16, 1922, the bodies of Reverend Edward Hall and Eleanor Mills were found beneath a crabapple tree on an abandoned farm outside of New Brunswick, New Jersey. The killer had arranged the bodies in a pose conveying intimacy.

On the eve the 20th century, in Thomas Edison’s laboratory, one of the earliest attempts at a sound film depicted two men dancing together as a third plays the violin. It’s only a few minutes long, but this cornerstone of early cinema captures a queer moment on film. It would not be the last. Hollywood Pride is a tale spanning from “pansy craze” of the 1930s to the New Queer Cinema of the 1990s, all the way up to today.

Drawing on essential new material derived from decades-long investigations, Detective Mike Rothmiller and Douglas Thompson shatter the secrets and lies with a revelatory and dramatic true-life thriller focusing on JFK and Robert F. Kennedy, both before and after they bought the White House.

Grace Metalious, born and raised in Manchester, New Hampshire, came from humble beginnings. A former mill worker, mother of three, and school principal’s wife, she would shock the nation in 1956 with the publication of Peyton Place, her first novel about a murder in a small town. Quickly becoming the best-selling book of its time, the sexually charged book spawned sequels, two Hollywood movies, and a long-running television series on ABC starring Mia Farrow and Ryan O’Neal.

By 1920, the movies had suddenly become America's new favorite pastime and one of the nation's largest industries. Never before had a medium possessed such power to influence; yet Hollywood's glittering ascendancy was threatened by a string of headline-grabbing tragedies - including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now.

To the world, Linda DeSilva's marriage to Robert Edelman was perfect. He was her college boyfriend turned wealthy and successful husband, and the father of her children. But what friends and family didn't know was that the Texas real estate tycoon who set her up with a luxurious life in Dallas was also her abuser. When she asked him for a divorce, the violence against her only escalated, until the shocking moment she learned her husband had hired an assassin to take her life.

In a career that has spanned more than 60 years, Robert Wagner has witnessed the twilight of the Golden Age of Hollywood and the rise of television, becoming a beloved star in both media. During that time he became acquainted, both professionally and socially, with the remarkable women who were the greatest screen personalities of their day. I Loved Her in the Movies is his intimate and revealing account of the charisma of these women on film, why they became stars, and more.

Acid-throwing brides, axe-murdering maids, mysterious deaths at Greystone mansion, and the real story of what happened the night a superstar publicist was gunned down on Sunset Boulevard; just a few of the many stories in this "Rip-roaring" story featuring the first 100 years of grand times and grand crimes in the world's glamour capital of Beverly Hills.

During the height of Hollywood’s golden age, one man lorded over the city’s lurid underbelly of forbidden sin and celebrity scandal like no other: Fred Otash. An ex-Marine turned L.A.P.D. vice cop, Otash became the most sought-after private detective and fixer to the stars by specializing in the dark arts that would soon dominate the entertainment industry. The Fixer delves into the extraordinary life of Hollywood’s most infamous private detective and “fixer” to the stars, revealing newly discovered shocking revelations from his never-before-seen investigative files.

By 1920, the movies had suddenly become America's new favorite pastime and one of the nation's largest industries. Never before had a medium possessed such power to influence; yet Hollywood's glittering ascendancy was threatened by a string of headline-grabbing tragedies - including the murder of William Desmond Taylor, the popular president of the Motion Picture Directors Association, a legendary crime that has remained unsolved until now.

Acid-throwing brides, axe-murdering maids, mysterious deaths at Greystone mansion, and the real story of what happened the night a superstar publicist was gunned down on Sunset Boulevard; just a few of the many stories in this "Rip-roaring" story featuring the first 100 years of grand times and grand crimes in the world's glamour capital of Beverly Hills.

Like sharks to blood in the water, the mob arrived in Hollywood greedy and ready to tear away huge chunks of cash. Opportunistic mobsters saw labor unions as the means for muscling into the movie industry and extorting millions of dollars from studio bosses. Control the unions to which projectionists, art directors, cinematographers, electricians, scene designers, stagehands, extras belong, and you control the whole industry.

Joan Crawford's remarkable forty-five-year motion picture career is one of the industry's longest. Signing her first contract in 1925, she was crowned an MGM star four years later and by the mid-1930s was the most popular actress in America. In the early 1940s, Crawford's risky decision to move to Warner Bros. was rewarded with an Oscar for Mildred Pierce. This triumph launched a series of film noir classics. She teamed with rival Bette Davis in Whatever Happened to Baby Jane?, proving that Crawford, whose career had begun by defining big-screen glamor, had matured into a dramatic actress.

The year 1969: The hippie scene is vibrant in Provincetown, Massachusetts. Long-haired teenagers roam the streets, strumming guitars and preaching about peace and love...and Tony Costa is at the center of it all. To a certain group of smitten young women, he is known as Sire—the leader of their counterculture movement, the charming man who speaks eloquently and hands out hallucinogenic drugs like candy. But beneath his benign persona lies a twisted and uncontrollable rage that threatens to break loose at any moment. Tony Costa is the most dangerous man on Cape Cod.

On September 16, 1922, the bodies of Reverend Edward Hall and Eleanor Mills were found beneath a crabapple tree on an abandoned farm outside of New Brunswick, New Jersey. The killer had arranged the bodies in a pose conveying intimacy.

When Nathan Carman, a young man with a complicated past, is miraculously rescued from a lifeboat bobbing in the unforgiving North Atlantic, questions swirl about the fate of his mother, who is presumed to have drowned when their fishing boat sank. Nathan is in remarkably good shape for being lost at sea for a week, and his account of what exactly happened out there on the waves raises questions from family members and law enforcement.

Christina Crawford's book was an immediate bestseller, addressing the infrequently discussed topic of child abuse. When Paramount Pictures released the film, starring Faye Dunaway as Crawford, it was critically panned, and remains one of the most legendary critical bombs in film history. The lavish, big-screen adaptation drew unexpected laughter in the scenes depicting life in the Crawford household. Rarely have such good intentions been met with such ridicule.

From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.

The behind-the-scenes story of the quintessential film noir and cult classic, Billy Wilder’s Double Indemnity—its true crime origins and crucial impact on film history—is told for the first time in this riveting narrative published for the film's 80th anniversary. Authors Alain Silver and James Ursini tell the complete history of Double Indemnity in their latest and most provocative work on film noir: From the Moment They Met It Was Murder.

Dark City expands with new chapters and a fresh collection of restored photos that illustrate the mythic landscape of the imagination. It's a place where the men and women who created film noir often find themselves dangling from the same sinister heights as the silver-screen avatars to whom they gave life.

From grand follies to misunderstood masterpieces, disastrous sequels to catastrophic literary adaptations, Box Office Poison tells a hugely entertaining alternative history of Hollywood, through a century of its most notable flops. What can these films tell us about the Hollywood system, the public’s appetite–or lack of it–and the circumstances that saw such flops actually made? Away from the canon, this is the definitive take on these ill-fated, but essential celluloid failures.

In 1939, 50 million Americans went to the movies every week, Louis B. Mayer was the highest-paid man in the country, and Hollywood produced 530 feature films a year. One decade and five thousand movies later, the studios were faltering....

Film noir was the dark side of the movies’ happily-ever-after mythology. Sinister and sexy, it forged a new icon: the tough, independent dame. Determined, desirable, dangerous when cornered, she could handle trouble—or deal out some of her own. If you thought these women were something special onscreen, wait until you meet the genuine articles. In Dark City Dames, acclaimed film historian Eddie Muller takes listeners into the world of six women who made a lasting impression in this cinematic terrain.