Hollywood: The Oral History Audiobook By Jeanine Basinger, Sam Wasson cover art

Hollywood: The Oral History

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Hollywood: The Oral History

By: Jeanine Basinger, Sam Wasson
Narrated by: Timothy Andrés Pabon, Marni Penning
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About this listen

The real story of Hollywood as told by such luminaries as Steven Spielberg, Frank Capra, Katharine Hepburn, Meryl Streep, Harold Lloyd, and nearly four hundred others, assembled from the American Film Institute’s treasure trove of interviews, reveals a fresh history of the American movie industry from its beginnings to today.

From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly three thousand interviews, involving four hundred voices from the industry, Hollywood: The Oral History, lets a listener “listen in” on candid remarks from the biggest names in front of the camera—Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd—to the biggest behind it—Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the lesser known individuals that shaped what was heard and seen on screen: musicians, costumers, art directors, cinematographers, writers, sound men, editors, make-up artists, and even script timers, messengers, and publicists. The result is like a conversation among the gods and goddesses of film: lively, funny, insightful, historically accurate and, for the first time, authentically honest in its portrait of Hollywood. It’s the insider’s story.

Legendary film scholar Jeanine Basinger and New York Times bestselling author Sam Wasson, both acclaimed storytellers in their own right, have undertaken the monumental task of digesting these tens of thousands of hours of talk and weaving it into a definitive portrait of workaday Hollywood.

Supplemental enhancement PDF accompanies the audiobook.

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

©2022 Jeanine Basinger and Sam Wasson (P)2022 HarperCollins Publishers
Historical History & Criticism Celebrity Funny Film History
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What listeners say about Hollywood: The Oral History

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The deep dive into Hollywood’s pool of talent

It is a dream come true that such a volume would be written or, rather, meticulously pieced together. The editors did a masterful job creating a century-long conversation. It is unfortunate that with some major stars, negatives outweighed the positives. Did I learn that Judy Garland could take one look at a script and have it memorized? That she could hear director’s notes and incorporate them all impeccably into the next scene? What made her one of the brightest stars? This book won’t tell you. Rather, the focus is on her being late and a few around her questioning whether and to what degree she may have been mentally ill. Mayer is entirely let off the hook.

That’s one example and perhaps the most egregious. Astaire and Rogers are well praised. The same with more contemporary actors. Ultimately, it’s an oral biography of Hollywood focusing more on the titans of the industry and how it evolved dramatically over time. But you will hear from and about many celebrities. I must say, the narration by just one woman and one man was superb. They each adjusted their voices to resemble those from whom the words originally flowed. You get just a flavor of Lucille Ball or Clark Gable—not impersonations but enough of an impression to keep the story sounding like it was indeed a compilation of hundreds of eye witnesses. The two are masterful storytellers: bringing emotional truth to every voice, aware of pacing, tone, and inflection. I hope they have or will narrate many other books. My last point is one often noted in reviews of celebrity biographies and memoirs: the dreaded mispronunciation of names. There was a cavalcade in this case, overwhelmingly by the male narrator. Here are most if not all of them:

David Niven pronounced it like Nigh-ven, rhyming with thrivin’

‘Marleen’ Dietrich not Mar-lay-nah

Warren ‘Beety’

Otto Preminger and John Schlesinger said with hard Gs

Zootrope in two syllables

Mario Pew-zoh rather than pooh-zoh

Cannes in two syllables, rhyming with Alannis

Many of those are common errors and the talents of these narrators made forgiving them very easy. In case it isn’t clear, I highly recommend this book!

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10 people found this helpful

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Excellent reportage, but no point of view.

Excellent reportage, but no point of view. The use of voices brings the words of important players, long dead, to life.

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Wow!

I’ve read a ton of books about the movies. But I learned more about filmmaking and its history from this book than any other.

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Picky, Picky!

I don't know how, in a 29 hour audiobok, in which thousands of different names are mentioned, a narrator is supposed to figure out how every name is pronounced. What resource would you use to determine such info? Missing some names is OK. Come on people! You got 29 hours of interesting, well performed book for only one credit.. Give it a rest. How much fun are you to live with?

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15 people found this helpful

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Confounding

What should have been entertaining and informative was instead a confounding listening experience made so by the arguably necessary announcement of each person’s name with every quote. No flow, and ultimately impossible to enjoy. Individual attributions are seemingly impossible obstacle for an audiobook to overcome.

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VicenTAY Minnelli really?

Great book about great directors and the like! Unfortunately the audio version could have used a great director as the male narrator mispronounces so many famous legends names!Example: Vicente Minnelli is Vincent not VinceTAY, what is more Minnelli didn’t sound like Nintendo”s Mario! He was born in Chicago! Only one of many narration blunders!
Great book regardless!

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Tedious

The first third was great, despite the narrator mispronoucing many names. Don't they have an editor who listens to the audio before it's released? The book became so tedious inches last third, I couldn't finish it.

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An important documentary work, limited by its general purpose

As a student and teacher of film history, this book is quite valuable and important. As a piece of entertainment, it might not hold enough excitement for a casually interested reader.

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6 people found this helpful

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Many mispronounced names

I thought the narrators did a great job to bring this material to life, The performance is marred by mispronounced names, such as Charles Loft-ton and Vin-cent-tay Minelli. Somehow, Edmund Goulding becomes "Edie".

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Fine history, but...

Hollywood: The Oral History provides a valuable service by bringing forward the attitudes of people who worked in American film during the glory years, prior to the 1950s when things went south. It provides a fine picture of how many of the people working there thought and felt about the system and its product. What the reader/listener thinks about these things is not the book's concern. Nor should it be. The performance, however, is marred by the persistent mispronunciation of many of the people's names. It may seem a small thing, but it is disrespectful. Lastly, the title should refer to "An Oral History," not "The." Still, as this is about the golden years of Hollywood for which hyperbole was a primary food source, the title's exaggeration of its books importance should be expected.

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