Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.

Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.

Mickey Haller is a Lincoln Lawyer, a criminal defense attorney who operates out of the backseat of his Lincoln Town Car, traveling between the far-flung courthouses of Los Angeles to defend clients of every kind. Bikers, con artists, drunk drivers, drug dealers - they're all on Mickey Haller's client list. For him, the law is rarely about guilt or innocence; it's about negotiation and manipulation. Sometimes it's even about justice.

Paris Minton is a man who would just as soon walk away from trouble as stand up to it. But in 1950s Los Angeles, sometimes trouble just comes and gets you. When one of L.A.'s wealthiest women hires Paris and his friend Fearless Jones to find a missing nephew, Paris steps into the a complex and terrifying corner of the black bourgeoisie, and wonders whom he should fear more - the people he's looking for or the people he's working for.

His name is etched on the door of his Manhattan office: LEONID McGILL , PRIVATE INVESTIGATOR. It's a name that takes a little explaining, but he's used to it. Ex-boxer, hard drinker, in a business that trades mostly in cash and favors: McGill's an old-school P.I. working a city that's gotten fancy all around him. Fancy or not, he has always managed to get by - keep a roof over the head of his wife and kids, and still manage a little fun on the side - mostly because he's never been above taking a shady job for a quick buck.

Living in an abandoned apartment building in South-Central L.A., Socrates is one step away from the streets. He bags groceries at the supermarket, collects bottles and cans to recycle for pennies, and feels himself slipping toward invisibility - that is, until he meets 11-year-old Darryl, whose already committed murder and is perilously close to slipping into a life filled with only violence and bloodshed. Socrates' determination to fight for and save Darryl lights his own pathway to self-forgiveness.

A masterful, moving novel about age, memory, and family from one of the literary icons of our time. Ptolemy Grey is 91 years old and has been all but forgotten - by his family, his friends, even himself - as he sinks into a lonely dementia. His grand-nephew, Ptolemy's only connection to the outside world, was recently killed in a drive-by shooting, and Ptolemy is too suspicious of anyone else to allow them into his life. Until he meets Robyn, his niece's 17-year-old lodger and the only one willing to take care of an old man at his grandnephew's funeral.

Mosley presents distinct characters as they struggle to move through the world in each of these stories - heroes who are awkward, nerdy, self-defeating, self-involved, and, on the whole, odd. He overturns the stereotypes that corral black male characters and paints a subtle, powerful portrait of each of these unique individuals.

Martin Just wakes up one morning after what feels like, and might actually be, a centuries-long sleep with two new innate pieces of knowledge: Humanity is a virus destined to destroy all existence. And he is the Cure. Martin begins slipping into an alternate consciousness, with new physical strengths, to violently defend his family—the only Black family in their neighborhood in the Hollywood Hills of Los Angeles—against pure evil.

In this scorching, mournful, often explicit, and never less than moving literary novel by the famed creator of the Easy Rawlins series, Debbie Dare, a black porn queen, has to come to terms with her sordid life in the adult entertainment industry after her tomcatting husband dies in a hot tub. Electrocuted. With another woman in there with him. Debbie decides she just isn't going to "do it anymore". But executing her exit strategy from the porn world is a wrenching and far from simple process.

This masterpiece by celebrated New York Times bestselling author Walter Mosley is the mysterious story of a young Black man who agrees to an unusual bargain to save the home that has belonged to his family for generations.

Academy Award nominee Samuel L. Jackson ( Pulp Fiction, Star Wars films), fresh off the success of his uproarious, Audie-nominated performance of the mock children’s book Go the F**k to Sleep, delivers a swaggering, darkly-humored rendering of Chester Himes’ classic first novel.

Babe is a charismatic and widely loved man, a gambler with a gift for gab that often gets him out of tricky situations. He’s also a dreamer, something he shares with his patient and loving wife, Rosie. They both yearn for financial stability and see the land they own as insurance for future generations. But when Babe and a few comrades enlist in a scheme that improbably falls apart, he endangers the little security the family has. On the verge of losing everything, what’s a family man to do? If you’re a gambler like Babe, you double down and risk it all for one big score.

In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project's drug dealer at point-blank range. The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride's funny, moving novel and his first since his National Book Award-winning The Good Lord Bird.

Titus Crown is the first Black sheriff in the history of Charon County, Virginia. In recent decades, quiet Charon has had only two murders. But after years of working as an FBI agent, Titus knows better than anyone that while his hometown might seem like a land of moonshine, cornbread, and honeysuckle, secrets always fester under the surface. Then a year to the day after Titus’s election, a school teacher is killed by a former student and the student is fatally shot by Titus’s deputies. As Titus investigates the shootings, he unearths terrible crimes.

Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.

On the road in a “borrowed” '36 Ford, nineteen-year-old Ezekiel "Easy" Rawlins and his companion, Raymond "Mouse" Alexander, are on a perilous odyssey that takes them from Houston to a mysterious bayou world of voodoo, sex, revenge, and death. Their destination is desolate Pariah, Texas—Mouse's home once, and still home to his hated stepfather.

Detective Easy Rawlins has settled into the happy rhythm of his new life when a dark siren from his past returns and threatens to destroy the peace he's fought for, in the latest installment from "master of craft and narrative" Walter Mosley in a legendary series (National Book Foundation).

Paris Minton is a man who would just as soon walk away from trouble as stand up to it. But in 1950s Los Angeles, sometimes trouble just comes and gets you. When one of L.A.'s wealthiest women hires Paris and his friend Fearless Jones to find a missing nephew, Paris steps into the a complex and terrifying corner of the black bourgeoisie, and wonders whom he should fear more - the people he's looking for or the people he's working for.

Joe King Oliver was one of the NYPD's finest investigators until he was framed for sexual assault by unknown enemies within the force. A decade has passed since his release from Rikers, and he now runs a private detective agency with the help of his teenage daughter. Physically and emotionally broken by the brutality he suffered while behind bars, King leads a solitary life, his work and his daughter the only lights. When he receives a letter from his accuser confessing that she was paid to frame him years ago, King decides to find out who wanted him gone and why.