Destroyed by Vesuvius in 79 CE, the ruins of Pompeii offer the best evidence we have of life in the Roman Empire. But the eruptions are only part of the story. In The Fires of Vesuvius, acclaimed historian Mary Beard makes sense of the remains. She explores what kind of town it was - more like Calcutta or the Costa del Sol? - and what it can tell us about "ordinary" life there. From sex to politics, food to religion, slavery to literacy, Beard offers us the big picture even as she takes us close enough to the past to smell the bad breath....

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Margery Allingham, already a successful crime writer, was living quietly in the Essex village of Tolleshunt D’Arcy ("Auburn") when the Second World War broke out. Her house became an Air Raid Wardens’ post and a First Aid centre, and Allingham herself became responsible for 275 East London evacuees in a rural community of just over 600.

Why did Agatha Christie spend her career pretending that she was "just" an ordinary housewife, when clearly she wasn't? Lucy Worsley's biography is not just of a massively, internationally successful writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman. With access to rarely seen personal letters and papers, Lucy Worsley's biography is both authoritative and entertaining and makes us realize what an extraordinary pioneer Agatha Christie was—truly a woman who wrote the twentieth century.

The chances of Cornish gentlewoman Maria Branwell even meeting the poor Irish curate Patrick Brontë in Regency England, let alone falling passionately in love, were remote. Yet Maria and Patrick did meet, making a life together in the heartland of the industrial revolution. An unlikely romance and novel wedding were soon followed by the birth of six children. They included Charlotte, Emily and Anne Brontë, the most gifted literary siblings the world has ever known. Yet Maria has remained an enigma, while the fame of her family spread across the world.

Growing up on idyllic St. Thomas in the early 1800s, Rachel dreams of life in faraway Paris. Rachel's mother, a pillar of their small refugee community of Jews who escaped the Inquisition, has never forgiven her daughter for being a difficult girl who refuses to live by the rules. Growing up, Rachel's salvation is their maid Adelle's belief in her strengths and her deep, lifelong friendship with Jestine, Adelle's daughter. But Rachel's life is not her own.

On the shores of Lake Tanganyika, Gombe is a community where the principal residents are chimpanzees. Through Jane Goodall's eyes we watch young Figan's rise to power and old Mike's crushing defeat. We learn how one mother rears her children to succeed, and another dooms hers to failure. We witness horrifying murders, touching moments of affection, joyous births, and wrenching deaths. As Goodall compellingly tells the story of this intimately intertwined community, we are shown human emotions stripped to their essence. In the mirror of chimpanzee life, we see ourselves reflected.

In The Whole Five Feet, Christopher Beha turns to the great books for answers after undergoing a series of personal and family crises and learning that his grandmother had used the Harvard Classics to educate herself during the Great Depression. The result is a smart, big-hearted, and inspirational mix of memoir and intellectual excursion that "deftly illustrates how books can save one's life" (Helen Schulman).

Since her first appearance on screen in Mary Poppins, Julie Andrews has played a series of memorable roles that have endeared her to generations. But she has never told the story of her life before fame. Until now.

On Sarah A. Chrisman's 29th birthday, her husband, Gabriel, presented her with a corset. The material and the design were breathtakingly beautiful, but her mind immediately filled with unwelcome views. Although she had been in love with the Victorian era all her life, she had specifically asked her husband not to buy her a corset - ever. She'd heard how corsets affected the female body and what they represented, and she wanted none of it.

Beginning in Cork, Ireland, the novel recounts Perry’s journey from daughter to son in order to enter medical school and provide for family, but Perry soon embraced the newfound freedom of living life as a man. From brilliant medical student in Edinburgh and London to eligible bachelor and quick-tempered physician in Cape Town, Dr. Perry thrived.

On January 21, 1804, Anne Sharpe arrives at Godmersham Park in Kent to take up the position of governess. At thirty-one years old, she has no previous experience of either teaching or fine country houses. Her mother has died, and she has nowhere else to go. Anne is left with no choice. For her new charge—twelve-year-old Fanny Austen—Anne’s arrival is all novelty and excitement.

Picking up where his best-selling memoir left off, having been saved by emergency surgery after nearly dying on a mountaintop in Chile, Alda finds himself not only glad to be alive but searching for a way to squeeze the most juice out of his new life. Looking for a sense of meaning that would make this extra time count, he listens in on things he's heard himself saying in private and in public at critical points in his life.

Charlotte Brontë's life contained all the drama and tragedy of the great Gothic novels it inspired. Like Jane Eyre, she was raised motherless on remote Yorkshire moors and sent away to a brutally strict boarding school at a young age. Charlotte grew up and watched helplessly as, one by one, her five beloved siblings sickened and died; by the end of her short life, she was the only child of the Brontë clan remaining.

Hardy's work challenged sexual and religious conventions in a way that few other authors of the time dared. Though his modesty and kindness allowed some to underestimate him, or even to pity him, they did not prevent him from taking on the central themes of human experience: time, memory, loss, love, fear, grief, anger, death. This engrossing biography identifies the inner demons and the outer mores that drove Hardy and presents a complex portrait of one of the greatest figures in English literature.