"Friday January 2nd. I felt rotten today. It’s my mother's fault for singing "My Way" at two o clock in the morning at the top of the stairs. Just my luck to have a mother like her. There is a chance my parents could be alcoholics. Next year I could be in a children's home..." Meet Adrian Mole, a hapless teenager providing an unabashed, pimples-and-all glimpse into adolescent life. Writing candidly about his parents' marital troubles, the dog, and his life as a tortured poet and misunderstood intellectual, Adrian's painfully honest diary is a hilarious and compelling listen.

It's a rainy, uneventful evening in the Oddfellows' Arms until a man bursts into the pub, clearly unstable, and ranting about a body in Fennings' Mill. The police investigate and stumble upon a body-the face smeared with theatrical make-up and a false mustache pasted neatly over the lip. Once the national news descends, Inspector Faddiman calls in Inspector Littlejohn to help him uncover the dark, hidden secrets in this quiet, provincial town. Soon it becomes clear that a lot of people can't, and won't tell the truth.

A young meteorologist checking a mountain top weather station in Kinlochleven discovers the body of a missing man entombed in ice. Cameron Brodie, a Glasgow detective, sets out on a hazardous journey to the isolated and ice-bound village. He has his own reasons for wanting to investigate a murder case so far from his beat. Brodie must face up to the ghosts of his past and to a killer determined to bury forever the chilling secret that his investigation threatens to expose.

Jimmy Tock comes into the world on the very night his grandfather leaves it. As a violent storm rages outside the hospital, Rudy Tock spends long hours walking the corridors between the expectant fathers' waiting room and his dying father's bedside. It's a strange vigil made all the stranger when, at the very height of the storm's fury, Josef Tock suddenly sits up in bed and speaks coherently for the frist and last time since his stroke. What he says before he dies is that there will be five dark days in the life of his grandson.

Celebrating her forty-fifth birthday at her local pub, popular podcaster Alix Summer crosses paths with an unassuming woman called Josie Fair. Josie, it turns out, is also celebrating her forty-fifth birthday. They are, in fact, birthday twins. A few days later, Alix and Josie bump into each other again, this time outside Alix’s children’s school. Josie has been listening to Alix’s podcasts and thinks she might be an interesting subject for her series. She is, she tells Alix, on the cusp of great changes in her life.

Ruth Cole is a complex, often self-contradictory character — a "difficult" woman. Her story is told in three parts, each focusing on a crucial time in her life. When we first meet her, Ruth is only four. The second window into Ruth's life opens when she is an unmarried woman whose personal life is not nearly as successful as her literary career. The novel closes in the autumn of 1995, when Ruth is a 41-year-old widow and mother — and about to fall in love for the first time.

What makes life perfect? Insurance mathematician Henri Koskinen knows the answer because he calculates everything down to the last decimal. And then, Henri is faced with the incalculable. After suddenly losing his job, Henri inherits an adventure park from his brother - its troubling financial problems included. The worst of these issues appear to originate from big loans taken from criminal quarters and dangerous men are keen to get their money back. But what Henri really can't compute is love. He meets Laura, an artist with a joie de vivre and erratic lifestyle that bewilders him.

During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role.

Sixteen years ago, Lizzie Armitage woke to find her newborn baby gone. Just days later, Lizzie was dead. Her sister Paula swore she would do everything she could to find the child. If she hadn’t promised to keep Lizzie's pregnancy secret, maybe the baby wouldn’t have disappeared. And maybe Lizzie would still be alive. But, in nearly a decade, Paula’s never found any trace. Until now...

Seventeen-year-old Lenni Pettersson lives on the Terminal Ward at the Glasgow Princess Royal Hospital. Though the teenager has been told she’s dying, she still has plenty of living to do. Joining the hospital’s arts and crafts class, she meets the magnificent Margot, an 83-year-old, purple-pajama-wearing, fruitcake-eating rebel, who transforms Lenni in ways she never imagined. As their friendship blooms, a world of stories opens for these unlikely companions who, between them, have been alive for one hundred years.

Julian Jessop, an eccentric, lonely artist and septuagenarian believes that most people aren’t really honest with each other. But what if they were? And so he writes—in a plain, green journal—the truth about his own life and leaves it in his local café. It’s run by the incredibly tidy and efficient Monica, who furtively adds her own entry and leaves the book in the wine bar across the street. Before long, the others who find the green notebook add the truths about their own deepest selves - and soon find each other In Real Life at Monica’s Café.

Biddy Weir is a quirky girl. Abandoned by her mother as a baby, and with a father who's not quite equipped for the challenges of modern parenting, Biddy lives in her own little world, happy to pass her time painting by the sea and watching the birds go by. That is, until she meets Alison Flemming. Because there are a few things about Biddy that aren't normal, you see. And Alison isn't afraid to point them out to the world. All of a sudden, Biddy's quiet life is thrown into turmoil. If only there was someone to convince her that, actually, everyone's a little bit weird....

In weekly phone calls to his daughter in Australia, widower Hubert Birdpaints a picture of the perfect retirement, packed with fun, friendship, and fulfillment. But it's a lie. In reality, Hubert's days are all the same, dragging on without him seeing a single soul. Until he receives some good news - good news that in one way turns out to be the worst news ever, news that will force him out again, into a world he has long since turned his back on.

When a home aide arrives to assist a rambunctious family at a crossroads, simmering tensions boil over in this “witty, exuberant debut” (People) that is an “absolute delight from start to finish” (Sarah Haywood, New York Times best-selling author) perfect for fans of Where’d You Go, Bernadette and Evvie Drake Starts Over.

From one of Britain's most celebrated writers of color, Girl, Woman, Other is a magnificent portrayal of the intersections of identity and a moving and hopeful story of an interconnected group of black British women. Winner of the 2019 Booker Prize and short-listed for the Gordon Burn Prize, Girl, Woman, Other paints a vivid portrait of the state of post-Brexit Britain, as well as looking back to the legacy of Britain's colonial history in Africa and the Caribbean.

"Friday January 2nd. I felt rotten today. It’s my mother's fault for singing "My Way" at two o clock in the morning at the top of the stairs. Just my luck to have a mother like her. There is a chance my parents could be alcoholics. Next year I could be in a children's home..." Meet Adrian Mole, a hapless teenager providing an unabashed, pimples-and-all glimpse into adolescent life. Writing candidly about his parents' marital troubles, the dog, and his life as a tortured poet and misunderstood intellectual, Adrian's painfully honest diary is a hilarious and compelling listen.

Queenie is only 14 and has been deserted by her mother. Set in Liverpool and Wales at the outbreak of World War II, this story explores themes of female friendship and betrayal from the perspective of a group of women of widely different ages.

On a balmy midsummer's evening in 1923, a young woman - foreign, dishevelled and heavily pregnant - is found unconscious just off the railway tracks in the tiny logging community of Woody Creek. The town midwife, Gertrude Foote, is roused from her bed when the woman is brought to her door. Try as she might, Gertrude is unable to save her, but the baby lives.

After inheriting her mother’s fortune-telling business as a young woman, Imelda Burova has spent her life on the Brighton pier practicing her trade. She and her trusty pack of Tarot cards have seen the lovers and the liars, the angels and the devils, the dreamers and the fools. Now, after a lifetime of keeping other people’s secrets, Madam Burova is ready to have a little piece of life for herself. But she still has one last thing to do—to fulfill a promise made in the 1970s, when she and her girlfriends were carefree, with their whole lives still before them.

The seat of the Trelawney family for over 700 years, Trelawney Castle was once the jewel of the Cornish coast. Each successive Earl spent with abandon, turning the house and grounds into a sprawling, extravagant palimpsest of wings, turrets, and follies. But as the centuries passed the Earls of Trelawney, their ambition dulled by generations of pampered living, failed to develop other skills.

Biddy Weir is a quirky girl. Abandoned by her mother as a baby, and with a father who's not quite equipped for the challenges of modern parenting, Biddy lives in her own little world, happy to pass her time painting by the sea and watching the birds go by. That is, until she meets Alison Flemming. Because there are a few things about Biddy that aren't normal, you see. And Alison isn't afraid to point them out to the world. All of a sudden, Biddy's quiet life is thrown into turmoil. If only there was someone to convince her that, actually, everyone's a little bit weird....

From the royal wedding to boring airplane companions, Samuel Beckett to Margaret Thatcher, "senior moments" to life as a waitress, Maeve's Times gives us wonderful insight into a changing Ireland as it celebrates the work of one of our best-loved writers in all its diversity - revealing her characteristic directness, laugh-out-loud humor, and unswerving gaze into the true heart of a matter.

It's the end of the roaring twenties, and the exuberant and Honourable Phryne Fisher is dancing and gaming with gay abandon. But she becomes bored with London and the endless round of parties. In search of excitement, she sets her sights on a spot of detective work in Melbourne, Australia. And so mystery and the beautiful Russian dancer, Sasha de Lisse, appear in her life. From then on it's all cocaine and communism until her adventure reaches its steamy end in the Turkish baths of Little Lonsdale Street.

Meet Tom. Or Dr O’Grady, as he used to be called. When you pass him on the street, most people don’t even give him a second glance. You see, Tom isn’t living his best life. Burdened by grief, he’s only got his loyal dog, Bette Davis, for company and a rucksack containing his whole world. Then there’s Ruth and her son, DJ, who no longer have a place to call home. But Ruth believes that you can change the world by helping one person at a time - and Tom needs her help. There are a thousand ways to find your home - you just need to be brave enough to look for them.

After eight years together, Lil Bailey thought she’d already found ‘the one’ - that is, until he dumped her for a blonde 20-something colleague. So she does what any self-respecting singleton would do: swipes right, puts on her best bra and finds herself on a first date with a handsome mountaineer called Max. What’s the worst that can happen? Well it’s pretty bad actually. First Max ghosts her and then, after weeing on a stick (but mostly her hands), a few weeks later Lil discovers she’s pregnant.