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Narrated by:
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Katrina Rosati Kross
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By:
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Edith Wharton
About this listen
When the man of the house disappears, it can't be because of a ghost - or can it? Leave it to Wharton to create the extraordinary out of the ordinary as she laces intrigue with doubt over fear and common sense.
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A masterful blend of Gothic drama and romance, Wilkie Collins' mystery novel is an exploration of illegitimacy and inheritance. Set in Cornwall, the plot foreshadows The Woman in White with its themes of doubtful identity and deception and involves a broad array of characters. The "secret" of the book's title is the true parentage of the book's heroine, Rosamond Treverton, which has been written down and kept in an unused room at Porthgenna Tower. This is where, 20 years later, much of the novel's action is set.
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Only complaint is I wish it were longer
- By alisammeredith on 03-15-22
By: Wilkie Collins
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The Man in Lower Ten (Tantor Edition)
- By: Mary Roberts Rinehart
- Narrated by: Rebecca Burns
- Length: 6 hrs and 23 mins
- Unabridged
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Rinehart's The Man in Lower Ten, the first American detective novel to make the best seller list, follows the investigation of the murder of a man in a sleeping car on a train. In this fast-paced thriller, the investigating detective builds up a network of clues that absolutely incriminate three entirely different people---only one of whom can be guilty.
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Love the Author, Not my Favorite
- By Deana David on 06-04-24
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Man and Wife
- By: Wilkie Collins
- Narrated by: Nicolas Boulton
- Length: 23 hrs
- Unabridged
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Published 10 years after Collins’s most popular novel The Woman in White, Man and Wife centres on the confused and inequitable marriage laws of 19th-century Britain, reflecting the author’s own antipathy toward the institution. The plot follows the fortunes of a woman who, committed to marriage with one man, comes to believe that she may have inadvertently married his friend, according to the archaic laws of Scotland and Ireland.
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Intricate plot, good dialogue, desperately needed an editor
- By Seth on 07-25-21
By: Wilkie Collins
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The Witness for the Prosecution and Other Stories
- By: Agatha Christie
- Narrated by: Hugh Fraser, Christopher Lee
- Length: 7 hrs and 39 mins
- Unabridged
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A murder trial takes a diabolical turn when the wife of the accused takes the stand.... A woman's sixth sense - and a loaded revolver - signal premonitions of doom.... A stranded motorist seeks refuge in a remote mansion and is greeted with a dire warning.... Detective Hercule Poirot faces his greatest challenge when his services are enlisted - by the victim - in a bizarre locked-room murder.
From the stunning title story (which inspired the classic film thriller) to the rarest gems in detective fiction, these eleven tales of baffling crime and brilliant deduction showcase Agatha Christie at her dazzling best.
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Did not enjoy listening to Christopher Lee.
- By ButterflyRose on 06-05-19
By: Agatha Christie
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Ghost Stories of an Antiquary
- By: M. R. James
- Narrated by: David Timson, Stephen Critchlow
- Length: 4 hrs and 42 mins
- Unabridged
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The powerful sense of evil – darkness, creepy hairy presences, cloaks, hoods, talons and tentacles – pervades these classic ghost stories by M.R. James. A Cambridge scholar himself, James explored what happens when academics dabble in things they don’t understand and unleash forces of which they know nothing.
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Great performances of the classic
- By Adeliese Baumann on 06-25-11
By: M. R. James
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The Mystery of the Blue Jar
- A Short Story
- By: Agatha Christie
- Narrated by: Christopher Lee
- Length: 43 mins
- Unabridged
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Every morning at the same hour on the golf course, Jack Hartington hears mysterious cries for help coming from a cottage. He speaks to the resident and learns that she has unsettling dreams of a woman with a blue Chinese vase. Believing that the cries for help are from the late Mrs. Turner, the former resident of the cottage, Jack hires a psychic investigator to spend a night in the house, a night which proves to have startling results.
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Quirky plot, it's not one of Christie's best
- By lattetown on 09-05-17
By: Agatha Christie
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Arsene Lupin, Gentleman Burglar
- By: Maurice Leblanc
- Narrated by: Walter Covell
- Length: 5 hrs and 31 mins
- Unabridged
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Maurice Leblanc, a writer of detective fiction during the same period as Sir Arthur Conan Doyle, created Arsene Lupin, a sort of French Robin Hood. An inventive genius, a master of disguise, and an accomplished actor, Lupin operates in the choice chateaux and salons. He scorns sham and with great disdain leaves his card in a baron's residence. The card reads, "Arsene Lupin, gentleman-burglar, will return when the furniture is genuine."
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An Old Favorite Made Better
- By Donna Marie on 08-09-07
By: Maurice Leblanc
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The Professor
- By: Charlotte Brontë
- Narrated by: James Wilby
- Length: 9 hrs and 27 mins
- Unabridged
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The Professor is Charlotte Brontë's first novel albeit the last to have been published. Edited and distributed by Arthur Bell Nicholls, two years after Brontë's death, it is based on her experiences of living as a language student in Brussels. The Professor follows the career and love affairs of William Crimsworth, a reserved but compassionate aristocrat who has been ostracised by his family and left penniless.
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Beautiful
- By ilene on 12-26-16
By: Charlotte Brontë
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The Best Ghost Stories Ever Told
- Best Stories Ever Told
- By: Stephen Brennan - editor
- Narrated by: J. M. Badger, Imelda Pot
- Length: 24 hrs and 58 mins
- Unabridged
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A big, brilliant, spooky collection of classic and contemporary ghost stories that will make you hesitate before turning off that light.
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A very mixed review
- By Michael Mayer on 08-05-15
What listeners say about Afterward
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Diane
- 10-15-12
Great Story, Appallingly Inept Abridgment
I love this wonderfully atmospheric ghost story by Edith Wharton. It's a good thing I was familiar with it before listening to this production, because the clumsy abridgment would make for a good deal of confusion to a listener new to the story. As far as I can tell, the abridgment (amputation, really) consists in the heavy-handed chopping out of an entire section of the story which, although perhaps not dramatically critical, provides the building of tension and necessary transition. There is no effort to help the reader understand how the protagonist goes from the beginnings of anxiety one afternoon to being in the middle of a publicized mystery a week later.
In case you still want to check out this great short story (Wharton is so good, she manages to survive this mutilation without too much ill effect), it won't spoil anything for me to tell you that during the omitted week there is increasing official involvement and publicity about the story's central enigma, together with some revelations about one of the main character's history. These revelations are explored later, so you don't really miss too much there, but the story may be a bit harder to follow
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