
The Glimpses of the Moon
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Narrated by:
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Kate Harper
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By:
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Edith Wharton
About this listen
However, as they honeymoon in friends' lavish houses, from a villa on Lake Como to a Venetian palace, jealous passions and troubled consciences cause the idyll to crumble.
©2009 BBC Audiobooks Ltd (P)2014 Audible, Inc.Listeners also enjoyed...
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- Unabridged
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It began in a women's club in London on a February afternoon. A discreet advertisement in The Times, addressed to "Those who Appreciate Wistaria and Sunshine..." lures four very different women away from the dismal British weather to San Salvatore, a castle high above a bay on the sunny Italian Riviera. There, the Mediterranean spirit stirs the souls of Mrs Arbuthnot, Mrs Wilkins, Lady Caroline Dester, and Mrs Fisher, and remarkable changes occur.
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Oh, Gosh! What a Delightful Surprise!
- By Gillian on 01-27-14
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The Glimpses of the Moon
- By: Edith Wharton
- Narrated by: Margaret Melosh
- Length: 8 hrs and 10 mins
- Unabridged
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The story of "The Glimpses of the Moon" is set in the early 1920s. Nick Lansing and Susy Branch are both scarcely getting by in the rich social circles they move in and they can't afford to get married. They make an agreement. They will get married and stay together for as long as they can but when they run out of money, they are free to divorce each other. The book continues Edith Wharton's inspection of New York society.
By: Edith Wharton
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A Warning to the Curious
- By: M. R. James
- Narrated by: David Suchet
- Length: 45 mins
- Unabridged
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The story of Paxton, an antiquarian and archaeologist who holidays in "Seaburgh" and inadvertently stumbles across one of the lost crowns of Anglia, which legendarily protect the country from invasion. Montague Rhodes James was a noted British mediaeval scholar and provost of King's College, Cambridge (1905–1918) and of Eton College (1918–1936). He is best remembered for his ghost stories which are widely regarded as among the finest in English literature.
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Outstanding story, outstanding performance!
- By Firstsnow on 11-05-20
By: M. R. James
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Sense & Sensibility
- By: Jane Austen
- Narrated by: Susannah Harker
- Length: 11 hrs and 55 mins
- Unabridged
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When two sisters, Elinor and Marianne, and their mother are left to the financial mercies of John Dashwood and his wife, they find themselves in drastically reduced circumstances.
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Excellent narration
- By Rebecca on 10-09-09
By: Jane Austen
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The Well of Loneliness
- By: Radclyffe Hall
- Narrated by: Ell Potter
- Length: 18 hrs and 56 mins
- Unabridged
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After publication in 1928, it was banned for obscenity before going on to become an international best seller. It tells the story of Stephen Gordon, an Englishwoman from an upper-class family who is ostracised for falling in love with another woman, Mary Llewellyn. Groundbreaking in its day, Radclyffe Hall’s novel ultimately makes a very clear plea in regards to homosexuality: 'Give us also the right to our existence'.
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More Ell Potter as narrator!
- By Dawn on 09-09-20
By: Radclyffe Hall
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The Rainbow
- By: D. H. Lawrence
- Narrated by: Maureen O'Brien
- Length: 20 hrs and 47 mins
- Unabridged
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Set in the rural midlands of England, The Rainbow revolves around three generations of Brangwens, a family deeply involved with the land and noted for their strength and vigour. When Tom Brangwen marries a Polish widow, Lydia Lensky, and adopts her daughter Anna as his own, he is unprepared for the conflict and passion that erupts between them. Their stories continue in Women in Love.
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Death and Rebirth, the Old and New.
- By Geoff Maddison on 08-09-12
By: D. H. Lawrence
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Under the Greenwood Tree
- By: Thomas Hardy
- Narrated by: Robert Hardy
- Length: 5 hrs and 37 mins
- Unabridged
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The four seasons of the Wessex year form the backdrop for the delightful romance of Dick Dewy and Fancy Day. The ups and downs of their courtship are set alongside the story of the rustics who form the church choir.
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Excellent narration
- By shopper on 01-19-25
By: Thomas Hardy
The theme and the characters are familar enough, and you can think of it as the light comedy version of the House of Mirth. However, there is very little meat in terms of character development and social critique, which were both so powerful in her more well-known work. It seems to me that Wharton’s sentiment has gotten in the way, and in wishing to give her characters a happy ending, she has lost her touch on this one. If you want a serious examination of marraige, money and society, you will be disappointed. If you want a lighthearted romantic comedy, you will find a very tame one, almost boring.
Cute story, but not a masterpiece
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A Wonderful Discovery For Wharton Fans
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Uplifting delightful novel
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A Bon Bon
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To be so rich as to be care free or just create it
Great love story
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It was a fun and interesting read.
Pleasant Read
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'The Age of Innocence' is one of my favorite novels, and I'm even pretty fond of 'The House of Mirth' right up until that miserable ending, so I was excited to get into this novel, which I've heard to be lauded as Wharton's masterpiece of the Roaring 20's. 'The Glimpses of the Moon' wasn't exactly disappointing. The characters are lively and sharply drawn, and this is pretty satisfying on a level that enjoys a good romance novel.
Besides the muppet voices, though, I think that my problem with this book is that I've seen this story way too many times. Girls were taking their futures into their own hands, but still letting their silly little hearts get in the way. Maybe in those days, it was fresh and exciting to suggest that a woman might enter into a sham marriage for business reasons, only to fall in love with her husband when it's seemingly too late. 90 years later, this is just about exactly the plot of movies like 'The Engagement' and 'The Wedding Date." Edith Wharton's version is at least more interesting, in that its' characters have more depth, and it wasn't so simple for me to figure out what choice I wanted the two protagonists to make in the end.
Speaking of the end, without giving away any spoilers, the last 30 seconds may have been my favorite part. Good ol' Edith Wharton really came a long way in the art of ending a story with a balance of subtle symbolism, realism and a that's-a-wrap-but-what-could-possibly-come-next? that keeps me, the reader, coming back for more.
Anyway, this book presents an interesting viewpoint that won't seem satisfying to today's feminists or yesterday's moralists: essentially, you CAN'T have it all, and trying to do so with your smarts will only complicate the matter.
Not my favorite performance
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A nice antidote to House of Mirth
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Perfection
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Loved this. What a writer.
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