Attention is not just receptive, but actively creative of the world we inhabit. How we attend makes all the difference to the world we experience. And nowadays in the West we generally attend in a rather unusual way: governed by the narrowly focused, target-driven left hemisphere of the brain.

After the staggering slaughter of back-to-back world wars, the West embraced the ideal of the "open society". The promise: By liberating ourselves from the old attachments to nation, clan, and religion that had fueled centuries of violence, we could build a prosperous world without borders, freed from dogmas and managed by experts. But the populism and nationalism that are upending politics in America and Europe are a sign that after three generations, the postwar consensus is breaking down.

Myth is our wild way of telling the truth, of sharing stories that have our living earth speaking through them. There is an old insistence that we each have a twin we know nothing about. A wild, curious twin that was thrown out the window the night we were born, taking much of our energy with them. This story is a quest to find and court our wild twin, for they have something important to tell us. If there was something we were here to do in our few, brief years, we can be sure that the wild twin is holding the key.

What does man seek in religion, and what should he seek in it? How does God reveal Himself in order to bring man to a knowledge of the Truth? How does suffering help this revelation to occur? These and other questions were discussed by Fr. Seraphim Rose, an Orthodox Christian monk from the mountains of northern California, during a lecture he gave at the University of California, Santa Cruz, in 1981. The contents of this lecture comprise the present book, which includes Fr. Seraphim’s answers to questions asked by the university students.

In The Truth and Beauty, Andrew Klavan explored how the work of great poets helps illuminate the truth of the gospels. Now, the award-winning screenwriter and crime novelist turns his attention to the dark side of human nature to discover how we might find joy and beauty in the world while still being clear-eyed about the evil found in it. The Kingdom of Cain looks at three murders in history—including the first murder, Cain's killing of his brother, Abel—and at the art created from imaginative engagement with those horrific events by artists ranging from Fyodor Dostoevsky to Alfred Hitchcock.