This collection of 22 short stories by the author of Daughter of Hounds and Alabaster firmly established Caitlín R. Kiernan as one of the preeminent voices in dark fantasy today. Through a cycle of interconnected narratives, Kiernan unflinchingly explores a surreal world where the fantastic and the mundane are never separated by more than the insubstantial thickness of a shadow.

A Is for Alien is award-winning author Caitlín R. Kiernan’s first collection devoted entirely to her science-fiction work. It includes the critically acclaimed novelette Riding the White Bull, along with seven other tales of a less-than-utopian future. Ranging from the wastelands and mountains of Mars to the streets of a late 21st-century Manhattan, from the moons of Europa and Saturn to an iceless Antarctica, these tales bring Kiernan’s trademark brand of the eco-gothic to bear on what it means to be human and the paths and decisions that may face mankind....

In Caitlín R. Kiernan’s The Ammonite Violin & Others, one of contemporary dark fantasy’s most bewitching and distinctive voices is back with another banquet of the weird and unexpected. Within this book, you’ll discover a dazzling suite of stories situated on the borderlands between the unspeakable and the erotic, the grotesque and the sublime.

In The Dinosaur Tourist, Caitlín R. Kiernan’s 15th collection of short fiction, 19 tales of the unexpected and the uncanny explore that treacherous gulf between what we suppose the world to be and what might actually be waiting out beyond the edges of our day-to-day experience. A mirror may be a window into another time. A cat may be our salvation. Your lover may be a fabulous being. And a hitchhiker may turn out to be anyone at all.

To Charles Fort, with Love is award-winning fantasist Caitlín R. Kiernan’s third collection of short fiction, a haunting parade of the terrible things which may lie beyond the boundaries of science, the minds which may exist beyond psychology, and the forbidden places which will never be located in any orthodox globe. A deceptively even dozen, this collection includes Kiernan’s celebrated stories “Onion” and “Andromeda Among the Stones”, as well as a number of more obscure pieces.

Here is a celebration of the bizarre and beautiful, and a marriage of unlikely worlds. From a reverence of the dead to the sacrifices the living make to unspeakable gods, from clockwork dreams to tales of merciless revenge, Kiernan blurs the artificial lines of genre, and shows us a world where there is no division between the light and dark.

In this remarkable collection the author has selected over two dozen of her best Lovecraftian tales ranging from 2000s “Valentia” to her more recent classic “A Mountain Walked” as well as including the complete Dandridge Cycle, as well as a new story, “M Is for Mars.” In short, this is a cornerstone volume for Kiernan fans and Mythos devotees alike.

A government special agent known only as the Signalman gets off a train on a stunningly hot morning in Winslow, Arizona. Later that day he meets a woman in a diner to exchange information about an event that happened a week earlier for which neither has an explanation but which haunts the Signalman. In a ranch house near the shore of the Salton Sea, a cult leader gathers up the weak and susceptible - the Children of the Next Level - and offers them something to believe in and a chance for transcendence. The future is coming, and they will help to usher it in.

Several years after the events of Threshold, Chance and Deacon have married. They're looking ahead to the future, trying to put the horrors of the past behind them. But new nightmares await them as a woman with a thirst for violence enters their lives. And something even worse has followed her.

Two Worlds and In Between: The Best of Caitlín R. Kiernan presents a stunning retrospective of the first 10 years of the author’s work. It is a compilation of more than 200,000 words of short fiction, including many of her most acclaimed stories as well as some of the author’s personal favorites; several previously uncollected, hard-to-find pieces; her sci-fi novella, The Dry Salvages; and a rare collaboration with Poppy Z. Brite.

When The Sandman, also known as Lord Morpheus - the immortal king of dreams, stories and the imagination - is pulled from his realm and imprisoned on Earth by a nefarious cult, he languishes for decades before finally escaping. Once free, he must retrieve the three “tools” that will restore his power and help him to rebuild his dominion, which has deteriorated in his absence.

Reidon Ward will become a god. He doesn't know it yet, of course. Reidon was born weak, sickly, and small. Afflicted with a painful disease and abandoned by his parents because of it, he has had to fight tooth and nail for every minor advantage life has allowed him. However, his perseverance has not gone unnoticed, and when the most powerful artificial intelligence in human history takes an interest in him, things began to change quickly.

When Michael Moorcock began chronicling the adventures of the albino sorcerer Elric, last king of decadent Melniboné, and his sentient vampiric sword, Stormbringer, he set out to create a new kind of fantasy adventure, one that broke with tradition and reflected a more up-to-date sophistication of theme and style. The result was a bold and unique hero: a rock-and-roll antihero who would channel all the violent excesses of the '60s into one enduring archetype.

From New York Times best-selling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American-Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American-Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a vengeful way.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.