In the tiny English village of Fardles, a practitioner of black magic has located the Holy Graal in the sacristy of the local Anglican church. Intent on possessing it so as to amplify his own nefarious powers, he tries to trick its guardian into donating it. When that fails, he resorts to theft. Thus begins a tug-of-war between powers infernal and celestial, between a magician who would use the Sacred as an instrument of his own will, and an Archdeacon who seeks to protect and preserve what is sacramental and holy.

The good people of Battle Hill are getting ready to put on a play by the renowned playwright, Peter Stanhope. As the rehearsals continue and the date of the premier draws closer, many things that are hidden are revealed.

A magician has caused a rift in the fabric of the universe, and platonic ideals are now roaming the English countryside, taking the form of giant animals and generally wreaking havoc on the small town of Smetham. While others flee, a young student named Anthony Durrant realizes that it is up to him to face the monstrous powers before they destroy the world. The Place of the Lion is one of Charles Williams' most beloved novels.

When occult enthusiast Sir Giles Tumulty comes into possession of a stone known as the Crown of Solomon, he is amazed at its startling powers. It can replicate itself infinitely, and can transport its holder to any place or time. Sir Giles and his nephew Reginald, an opportunistic businessman, conspire to exploit their new treasure. Seeking to enlist honest Lord Arglay in their plans, Arglay quickly realizes what is at stake. Unlimited power should not fall into the wrong hands...and it already had....

But these are no ordinary cards. This is the original tarot deck, from which all other tarot decks have sprung. Their fate is entwined with a set of gold figurines representing the Major Arcana, which continually dance around a tabletop much like a chess board—the archetypal forces of the universe in miniature. Whoever can bring the deck and the figurines together will wield power over heaven and earth.

C. S. Lewis offers a magisterial take on the literature and poetry of one of the most consequential periods in world history, providing deep insight into some of the greatest writers of the age, including Edmund Spenser, William Shakespeare, William Tyndale, John Knox, Dr. Johnson, Richard Hooker, Hugh Latimer, Christopher Marlowe, John Donne, and Thomas Cranmer.

George MacDonald, described by W.H. Auden as "one of the most remarkable writers of the 19th century", was valued in his own time as an original thinker and spiritual guide. Of all his writing, it is the fairy tales that have retained their fascination, and this collection includes all 11 stories. The fairy tales feature the stock characters of traditional tales—fairies both good and bad, and children undertaking precarious journeys. Often adopting paradox and nonsense as Lewis Carroll did, the stories invite adults to deploy the same open-mindedness as children.

In Preface to Paradise Lost, the Christian apologist and revered scholar and professor of literature closely examines the style, content, structure, and themes of Milton’s masterpiece, a retelling of the biblical story of the Fall of Humankind, Satan’s temptation, and the expulsion of Adam and Eve from the Garden of Eden. Considering the story within the context of the Western literary tradition, Lewis offers invaluable insights into Paradise Lost and the nature of literature itself, unveiling the poem’s beauty and its wisdom.

Colorful Christmas lights dapple the family homes in the idyllic lakeside town of Sweet Haven when Jennifer Dean, a young librarian at the local elementary school, is brutally murdered. There are witnesses and her boyfriend Travis Blake confesses to the crime...but something doesn't quite add up. Blake is a third generation Army Ranger, awarded the Silver Star for his heroism in Afghanistan - how could a beloved son of this tight-knit burgh commit such a grisly deed?

Of all the legends of Western civilization, perhaps the glorious adventures of King Arthur and the Knights of the Round Table are the best known. The Quest for the Holy Grail, and the undying illicit love between Sir Launcelot and Queen Guenevere, have provided inspiration for storytellers and poets down the ages, and sparked so many films and books of our own time.

The classic fantasy that influenced C. S. Lewis and Tolkien, considered one of George MacDonald's most important works, is the story of the young man, Anodos, and his adventures in fairyland which ultimately reveal the human condition. "I write, not for children," wrote George MacDonald, "but for the child-like, whether they be of five, or 50, or 75." All-at-once written with an innocent whimsy and soulful yearning, the heart of Anodos' journey through fairyland reveals a spiritual quest that requires a surrender of the self.

C. S. Lewis's dazzling allegory about Heaven and Hell - and the chasm fixed between them - is one of his most brilliantly imaginative tales, where we discover that the gates of Hell are locked from the inside. In a dream, the narrator boards a bus on a drizzly afternoon in Hell and embarks on an incredible voyage to Heaven. Anyone in Hell is invited on board, and anyone may remain in Heaven if he or she so chooses. But do we really want to live in Heaven?

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

We are in a small room with the vampire, face to face, as he speaks--as he pours out the hypnotic, shocking, moving, and erotically charged confessions of his first two hundred years as one of the living dead. . . He speaks quietly, plainly, even gently . . . carrying us back to the night when he departed human existence as heir--young, romantic, cultivated--to a great Louisiana plantation, and was inducted by the radiant and sinister Lestat into the other, the "endless," life....

A collection of three medieval English poems, translated by Tolkien for the modern-day reader and containing romance, tragedy, love, sex and honour.

A magician has caused a rift in the fabric of the universe, and platonic ideals are now roaming the English countryside, taking the form of giant animals and generally wreaking havoc on the small town of Smetham. While others flee, a young student named Anthony Durrant realizes that it is up to him to face the monstrous powers before they destroy the world. The Place of the Lion is one of Charles Williams' most beloved novels.

But these are no ordinary cards. This is the original tarot deck, from which all other tarot decks have sprung. Their fate is entwined with a set of gold figurines representing the Major Arcana, which continually dance around a tabletop much like a chess board—the archetypal forces of the universe in miniature. Whoever can bring the deck and the figurines together will wield power over heaven and earth.

The good people of Battle Hill are getting ready to put on a play by the renowned playwright, Peter Stanhope. As the rehearsals continue and the date of the premier draws closer, many things that are hidden are revealed.

No one knows quite what to make of Nigel Considine. He calls himself "the High Executive", and he has inspired the entire continent of Africa to revolt and make war upon Europe. Is Considine a magician, a charismatic politician, a divinely annointed prophet, or the antichrist? A small circle of London friends all seem to disagree, even as Considine's influence is tearing England apart....

In the tiny English village of Fardles, a practitioner of black magic has located the Holy Graal in the sacristy of the local Anglican church. Intent on possessing it so as to amplify his own nefarious powers, he tries to trick its guardian into donating it. When that fails, he resorts to theft. Thus begins a tug-of-war between powers infernal and celestial, between a magician who would use the Sacred as an instrument of his own will, and an Archdeacon who seeks to protect and preserve what is sacramental and holy.