Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

John Sackville will soon be dead. Shadows writhe in the corners of his cell as he mourns the death of his secret lover and as the gnawing hunger inside him grows impossible to ignore. He must write his last testament before it is too late. The story he tells will take us to the darkest part of the human soul. It is a tale of otherworldly creatures, ancient cults, and a terrifying journey from the stone circles of Scotland to the icy peaks of Tibet. It is a tale that will take us to the end of the world.

HER: Me and my money-maker are only going to be young once. I give them three months to use my body however they see fit. Then they’ll pay me more cash than I could see in ten lifetimes. Frankly it’s a lot better than ending up on a stripper pole with a coke habit and a broke boyfriend who keeps trying to pimp me out anyway. I’ll take a one-way ticket outta that country song, thank you very much.

Eunice lives her life by three simple rules: One, always refer to Cinderella as family. Two, never let Cinderella gain access to rats or mice. Three, never look upon Cinderella between the hours of twelve and three a.m.

From some of the biggest names in horror comes an Advent calendar of short holiday horror stories perfect for the darkest nights of the year.

The Ladies' Society for the Dead meets once a year. This year, there are eleven ghostly attendees who must work together to pierce the veil between the living and the dead. Each woman has an important message to share if her ghost is ever to find peace. This year, Maude will do everything she can to complete her séance and tell the world who the real axe murderer was on the night of her grisly demise.

One cold December night, sixteen-year-old Abby Lowell and her foster sister are rescued by a mysterious and deadly figure in rags and a large hood. Abby never learns his name and never sees his face, but he’s obviously good with that black-bladed knife of his … very good. Abby dubs him “Rags.” But Rags isn’t done, not by a long shot. With her foster family under threat from the ruthless Bernards, who are determined to tear down their dilapidated hotel in favor of yet another casino, Abby finds herself in desperate need of a defender.

Stay-at-home mom Eloise Williams is PTO president and a respected local philanthropist who sits on the boards of many distinguished charities. In addition to being a doting wife and mother, she is also a serial killer.

Faolan Kelly’s grandfather is dead. She’s alone in the world and suddenly homeless, all because the local powers that be don’t think a young man of seventeen is mature enough to take over his grandfather’s homestead…and that’s with them thinking Faolan is a young man. If she revealed that her grandfather had been disguising her for years, they would marry her off at the first opportunity. The mayor finds a solution that serves everyone but Faolan: He hires a gunslinger to ship her off to the Settlement, a remote fort where outcasts live under the leadership of His Benevolence Gideon Dillard.

It’s 2011 and Deecie Jeffries’s missing person’s case in Austin, Texas, is still cold. New mom Bee, struggling with postpartum depression, is living in Portland, Maine, having left Austin–and those memories–far behind. Until Leo, her childhood crush and her estranged twin Gus’s best friend, suddenly resurfaces, drawing Bee back into their shared past. Bee’s predictable life is upended, pushing her to return to her childhood home and piece together a neighborhood’s shattered history.

Nicola Laughton never expected to see adulthood, being diagnosed with Cystic Fibrosis as a child. Then medical advances let her live into her thirties and she met Anton, who taught her to dream of a future… together. Months after they married, Anton died in a horrible car crash, but lived long enough to utter five words to her, “I’ll be waiting for you.” That final private moment became public when someone from the crash scene took it to the press—the terminally ill woman holding her dying husband as he promised to wait for her on the other side.