Enter Valentino, a mild-mannered UCLA film archivist, who buys a decrepit movie palace and uncovers a skeleton in the secret Prohibition basement. He then makes a second discovery: long-lost, priceless, reels of film: Erich von Stroheim's infamous Greed. The LAPD wants to take the reels as evidence, jeopardizing the precious old film.

It's 1939, in New York City. Joe Kavalier, a young artist who has also been trained in the art of Houdiniesque escape, has just pulled off his greatest feat: smuggling himself out of Hitler's Prague. He's looking to make big money, fast, so that he can bring his family to freedom. His cousin, Brooklyn's own Sammy Clay, is looking for a partner in creating the heroes, stories, and art for the latest novelty to hit the American dreamscape: the comic book. Inspired by their own fantasies, fears, and dreams, they create the Escapist.

Two blood-spattered strangers awake, locked in the trunk of a car - with a murdered cop and the smoking gun. Aside from raging headaches and no idea what's happened, they appear to have nothing in common. Troy thinks it's 2001 and he's still a combat surgeon fighting terrorists in Afghanistan. Emmy believes it's 2002 and she's still grifting a living from the streets of L.A.

Everyone is always telling Stone Barrington that he’s too smart to be a cop, but it’s pure luck that places him on the streets in the dead of night, just in time to witness the horrifying incident that turns his life inside out. Suddenly he is on the front page of every New York newspaper and his life is hopelessly entwined in the increasingly shocking life (and perhaps death) of Sasha Nijinsky, the country’s hottest and most beautiful television anchorwoman.

The murder of Paul Wheeler has all the elements of a blockbuster: family rivalries, incalculable wealth, and a prominent man dying in the arms of his beautiful mistress. It's a case that could earn Derek Mitchell even greater star power. When the Wheeler family approaches him about defending Creighton for his uncle's murder -- even before he's charged -- he jumps at the chance.

Tiffanie has lived a sheltered life in a very strict household with her pastor grandfather and her grandmother in Washington, DC. But when she meets Damon, she falls for the successful entertainment businessman despite his history as a drug dealer. Everyone sees a bright future for the couple - yet when Tiffanie meets Trey, her lustful feelings leave her confused just days before her wedding....

Like many before her, Maria Lagana has come to Hollywood to outrun her past. Born in Rome, where every Sunday her father took her to the cinema instead of church, Maria immigrates with her mother to Los Angeles after a childhood transgression leads to her father’s arrest.

Expert Sherlockians Laurie King and Leslie Klinger put forth the question: What happens when great writers/creators who are not known as Sherlock Holmes devotees admit to being inspired by Conan Doyle stories? While some are highly regarded mystery writers, others are best known for their work in the fields of fantasy or science fiction. All of these talented authors, however, share a great admiration for Arthur Conan Doyle and his greatest creations, Sherlock Holmes and Dr. Watson.

For the Sake of the Game is the latest volume in the award-winning series from New York Times best-selling editors Laurie R. King and Leslie S. Klinger, with stories of Sherlock Holmes, Dr. Watson, and friends in a variety of eras and forms. King and Klinger have a simple formula: Ask some of the world's greatest writers-regardless of genre - to be inspired by the stories of Arthur Conan Doyle. The results are surprising and joyous.

Promoting her latest books brings best-selling mystery writer Jessica Fletcher to New York for Christmas. Her schedule includes book signings, chat-show appearances, department store shopping...and murder. But it all begins with a sidewalk Santa staring at Jessica with fear and recognition.

Detective Superintendent Peter Diamond is the last detective: a genuine gumshoe, committed to door-stopping and deduction rather than fancy computer gadgetry. So when the naked body of a woman is found floating in the weeds in a lake near Bath with no one willing to identify her, no marks, and no murder weapon, his sleuthing abilities are tested to the limit.

Berlin, 1929. Detective Inspector Rath was a successful career officer in the Cologne Homicide Division before a shooting incident in which he inadvertently killed a man. He has been transferred to the vice squad in Berlin, a job he detests even though he finds a new friend in his boss, Chief Inspector Wolter. There is seething unrest in the city, and the Commissioner of Police has ordered the vice squad to ruthlessly enforce the ban on May Day demonstrations.

Lila Mae Watson - the first black female inspector in the world's tallest city - has the highest performance rating of anyone in the Department of Elevator Inspectors. This upsets her superiors, because Lila is an Intuitionist: she inspects elevators simply by the feelings she gets riding in them. When a brand new elevator crashes, Lila becomes caught in the conflict between her Intuitionist methods and the beliefs of the power-holding Empiricists.

Ex-crime reporter Leonard Blaylock spends his days on an unusual hobby, developing strangers’ forgotten and discarded rolls of film. He loves the small mysteries the photographs reveal to him. Then Leonard finds something no one would ever expect, or want, to see captured on film—the murder of a young woman. But that’s impossible, because the woman is already dead. Leonard was there when it happened five years earlier.

It is barely a crime - just the theft of a single pack of gum. But each crime that follows is bigger, and each accompanying note promises the next crime will be even worse. When FBI Special Agent Dagny Gray is asked to investigate the gum thief’s fifth crime, a bank robbery, it seems like an intriguing case. However there is nothing funny about the double murder that follows. Special Agent Gray becomes part of an unlikely trio of three investigators competing to stop the escalation of crimes, often with unconventional tactics.