It started out like any other morning for the Fact Checker. The piece, “Mandeville/Green,” didn’t raise any red flags. There were more pressing stories that week—it being 2004 New York City and all. “Mandeville/Green” was a light, breezy look at a local farm called New Egypt, whose Ramapo tomatoes were quickly becoming the summer’s hottest produce. At first glance, the story seemed straightforward, but one line made the Fact Checker pause: a stray quote from a New Egypt volunteer named Sylvia making a cryptic reference to “nefarious business” at the farmer’s market.

Late one night on a Yorkshire farm, in the midst of an illegal rave, a young man is nearly bludgeoned to death with a solid gold bar. An ambitious young journalist sets out to uncover the truth surrounding the attack, connecting the dots between an amoral banker landlord, an iconoclastic newspaper columnist, and a radical anarchist movement that has taken up residence on the farm. She solves the mystery, but her viral exposé raises more questions than it answers.

Pathemata, Or, The Story of My Mouth is an experiment in interiority written in the pandemic studio. Something of a companion piece to 2009’s Bluets, Pathemata merges a pain diary chronicling a decade of jaw pain with dreams and dailies, eventually blurring the lines between embodied, unconscious, and everyday life.

Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1983. This wry, propulsive story about a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them, is a glorious debut novel from a seasoned playwright with immense empathy and a flair for dialogue.

Born with a congenital muscle disorder, Shaka spends her days in her room in a care home outside Tokyo, relying on an electric wheelchair to get around and a ventilator to breathe. But if Shaka’s physical life is limited, her quick, mischievous mind has no boundaries: She takes e-learning courses on her iPad, publishes explicit fantasies on websites, and anonymously troll-tweets to see if anyone is paying attention (“In another life, I’d like to work as a high-class prostitute”). One day, she tweets into the void an offer of an enormous sum of money for a sperm donor.

Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead.

It's 1986, and "beautiful, radical ideas" are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a "deconstructed relationship." They become lovers, and the narrator's feminism comes up against her jealousy. Meanwhile, an entry in Woolf's diary upends what the narrator knows about her literary idol, and throws her own work into disarray.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

From “the great German-language writer of his generation” (Joshua Cohen) comes the second novel of Christian Kracht’s career narrated by an eponymous “Christian”. Eurotrash begins in Zurich, where Christian has returned to care for his 80-year-old mother after her discharge from a psychiatric institution. Confronting the dark shadows of his family’s past—particularly his grandfather’s strong ties with the Nazi regime—and struggling to navigate the emotionally wrenching terrain of his relationship with his mother, he sets off on a road trip with her.

Four years after their bitter divorce, Claire and Aaron Litvak get a phone call no parent is prepared for: their 22-year-old daughter Lindsey, teaching English in China during a college gap year, has been critically injured in a hit and run accident. At a Shanghai hospital they wait at her bedside, hoping for the best and preparing for the worst.

Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence—words, images, transactions, memes, voices, viruses—travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth.

The year is 2038, and the formerly bustling town of Three Rivers, Texas, is a surreal wasteland. Under the authoritarian thumb of its tech industrialist mayor, Pablo Henry Crick, the town has outlawed reading and forced most of the town’s mothers to work as indentured laborers at the Big Tex Fish Cannery, which poisons the atmosphere and lines Crick’s pockets. Scraping by in this godforsaken landscape are best friends Prosperina and Neftalí—the latter of whom, one of the town’s last literate citizens, hides and reads the books of the mysterious renegade author Jazzmin Monelle Rivas.

The tale begins with Agnes. After losing her baby, Agnes is called to the great manor house to nurse the local lord’s baby boy. But something is wrong with the child: his nails grow too fast, his skin smells of soil, and his eyes remind her of the dark forest. As he grows into a boy, then into man, a plague seems to follow him everywhere. Trees wither at the roots, fruits rot on their branches, and the town turns against him

Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success. In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas. At the age of twenty-two, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries.

From Pulitzer finalist, MacArthur Fellowship recipient, and bestselling author of Swamplandia! and Vampires in the Lemon Grove Karen Russell comes a gripping dust bowl epic about five characters whose fates become entangled after a storm ravages their small Nebraskan town The Antidote opens on Black Sunday, as a historic dust storm ravages the fictional town of Uz, Nebraska. But Uz is already collapsing—not just under the weight of the Great Depression and the dust bowl drought, but beneath its own violent histories.

An interpreter has come to The Hague to escape New York and work at the International Court. A woman of many languages and identities, she is looking for a place to finally call home. She's drawn into simmering personal dramas: Her lover, Adriaan, is separated from his wife but still entangled in his marriage. Her friend Jana witnesses a seemingly random act of violence, a crime the interpreter becomes increasingly obsessed with as she befriends the victim's sister. And she's pulled into controversy when she’s asked to interpret for a former president accused of war crimes.

A young woman has agreed with her faithless husband: It's time for them to separate. For the moment it's a private matter, a secret between the two of them. As she begins her new life, she gets word that Christopher has gone missing in a remote region in the rugged south of Greece; she reluctantly agrees to go look for him, still keeping their split to herself. In her heart she's not even sure if she wants to find him.

Four years after Rivera knocked Cal from dominance in the sport of mixed martial arts, Cal's coach has set up a rematch. Knowing he's going to face Rivera again, Cal gets his focus and energy back. But Rivera has never lost a fight, and in the final days before the match, both Cal and his coach secretly begin to have doubts. In taut, rhythmic language, Katie Kitamura renders the urgency, discipline, and mutual affection of athlete and coach with depth and subtlety.

Set on a struggling farm in a colonial country teetering on the brink of civil war, Gone to the Forest is a tale of family drama and political turmoil in which fiery storytelling melds with daring, original prose. Since his mother’s death, Tom and his father have fashioned a strained domestic peace, where everything is frozen under the old man’s vicious control. But when a young woman named Carine arrives at the farm, the tension between the two men escalates to the breaking point.

The Kenner siblings are at odds. Jenn is a harried mom struggling under the weight of family obligations. Fred is a novelist who can’t write, maybe because she’s lost faith in storytelling itself. Jude is a recovering corporate lawyer with her own story to tell, and a grudge against her former favorite sister, Fred. George, the baby, is estranged from his wife and harboring both a secret about his former employer and an ill-advised crush on one of his sisters’ friends. Gathered after a major loss, each sibling needs the others more than ever—if only they could trust each other.

Mitch Caddo, a young law school graduate and aspiring political fixer, is an outsider in the homeland of his Anishinaabe ancestors. But alongside his childhood friend, Tribal President Mack Beck, he runs the government of the Passage Rouge Nation, and with it, the tribe’s Golden Eagle Casino and Hotel. On the eve of Mack’s reelection, their tenuous grip on power is threatened by a nationally known activist and politician, Gloria Hawkins, and her young aide, Layla Beck, none other than Mack’s estranged sister and Mitch’s former love.

Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead.

Duc Tran, the eccentric founder of the Vietnamese sandwich chain Duc’s Sandwiches, has decided to retire. No one has heard from his wife, Evelyn, in two decades. She abandoned the family without a trace, and clearly doesn’t want anything to do with Duc, the business, or their kids. But the money has to go to someone. With the help of the shady family lawyer, Duc informs his five estranged adult children that to receive their inheritance, his four daughters must revitalize run-down shops in old-school Little Saigon locations across America: Houston, San Jose, New Orleans, and Philadelphia.

It’s an autumn weekend at a comfortable New York country house where two deeply intertwined families have gathered to mark the host’s fifty-second birthday. Together, the group forms an enviable portrait of middle age. The wives and husbands have been friends for over thirty years, their teenage daughters have grown up together, and the dinners, games, and rituals forming their days all reflect the rich bonds between them.

Told from three intimate points of view, The Bright Years is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.

Informed by real-life events, from Japanese incarceration to the Vietnam War and modern-day immigrant detention, Kevin Nguyen’s novel gives us a version of reality only a few degrees away from our own. Moving and finely attuned to both the brutalities and mundanities of racism, Mỹ Documents is a strangely funny and touching portrait of American ambition, fear, and family. The story of the Nguyens is one of resilience and how we return to one another, and to ourselves, after tragedy.

Julie Chan, a supermarket cashier with nothing to lose, finds herself thrust into the glamorous yet perilous world of her late twin sister, Chloe VanHuusen, a popular influencer. Separated at a young age, the identical twins were polar opposites and rarely spoke, except for one viral video that Chloe initiated (Finding My Long-Lost Twin And Buying Her A House #EMOTIONAL). When Julie discovers Chloe’s lifeless body under mysterious circumstances, she seizes the chance to live the life she’s always envied.

From Lydia Millet—“the American writer with the funniest, wisest grasp on how we fool ourselves” (Chicago Tribune)—comes an inventive new collection of short fiction. Atavists follows a group of families, couples, and loners in their collisions, confessions, and conflicts in a post-pandemic America of artificially lush lawns, beauty salons, tech-bro mansions, assisted-living facilities, big-box stores, gastropubs, college campuses, and medieval role-playing festivals.

Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence—words, images, transactions, memes, voices, viruses—travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth.

Oxford, 1920. For the first time in its one-thousand-year history, Oxford University officially admits female students. Burning with dreams of equality, four young women move into neighboring rooms in Corridor 8. Beatrice, Dora, Marianne, and Otto—collectively known as The Eights—come from all walks of life, each driven by their own motives, each holding tight to their secrets, and are thrown into an unlikely, unshakable friendship.