It started out like any other morning for the Fact Checker. The piece, “Mandeville/Green,” didn’t raise any red flags. There were more pressing stories that week—it being 2004 New York City and all. “Mandeville/Green” was a light, breezy look at a local farm called New Egypt, whose Ramapo tomatoes were quickly becoming the summer’s hottest produce. At first glance, the story seemed straightforward, but one line made the Fact Checker pause: a stray quote from a New Egypt volunteer named Sylvia making a cryptic reference to “nefarious business” at the farmer’s market.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

Ever since her dad left them twenty years ago, it’s just been Madeline Hill and her mom on their farm in Coalfield, Tennessee. While she sometimes admits it’s a bit lonely and a less exciting life than she imagined for herself, it’s mostly OK. Mostly. Then one day Reuben Hill pulls up in a PT Cruiser and informs Madeline that he believes she’s his half sister.

In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping. At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground.

No one appears more surprised than Hailey Gelman when she comes under suspicion for the murder of her soon-to-be ex-husband Jonah. Hailey—nicknamed Sunshine by her mother for her bright outlook and ever-present smile—has always tried to do what is expected of her and is regarded as the family peacemaker. But is anyone, including Hailey, who she has always seemed to be? The months leading up to Jonah’s death have been fraught, including a bitter separation and a messy custody battle over their young daughter, Maya.

Widow Mimi lives on idyllic Mackinac Island, where cars are not allowed and a Gibson martini with three onions at the witching hour is compulsory. Her estranged granddaughter, Addie, is getting over the heartbreak of not only being dumped by her fiancé, Brian, but also being cut out of the deal for the brilliantly successful video game Murderscape they invented together (with Addie doing most of the heavy lifting).

Four years after their bitter divorce, Claire and Aaron Litvak get a phone call no parent is prepared for: their 22-year-old daughter Lindsey, teaching English in China during a college gap year, has been critically injured in a hit and run accident. At a Shanghai hospital they wait at her bedside, hoping for the best and preparing for the worst.

Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead.

Two people meet for lunch in a Manhattan restaurant. She’s an accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, young—young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day–partner, parent, creator, muse–and the truths every performance masks, especially from those who think they know us most intimately.

Before Anna Delvey, before the Tinder Swindler, there was Kari Ferrell. Adopted at a young age by a Mormon family in Utah, Kari struggled with questions of self-worth and identity as one of the few Asian Americans in her insulated community, leading her to run with the “bad crowd” in an effort to fit in. Soon, stealing from superstores turned into picking up men (and picking their pockets), and before she knew it, Kari had graduated from petty theft to Utah’s most wanted list. Though Kari was able to escape the Southwest, she couldn’t outrun her new moniker: the Hipster Grifter.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

As a girl, Amane realizes with horror that her parents “copulated” in order to bring her into the world, rather than using artificial insemination, which became the norm in the mid-twentieth century. Amane strives to get away from what she considers an indoctrination in this strange “system” by her mother, but her infatuations with both anime characters and real people have a sexual force that is undeniable.

In this riveting true story, Kate Summerscale mines the archives to uncover the lives of Christie’s victims, the tabloid frenzy that their deaths inspired, and the truth about what happened inside the house. What she finds sheds fascinating light on the origins of our fixation with true crime—and suggests a new solution to one of the most notorious cases of the century.

Rough-around-the-edges Harriet Morrow has long been drawn to the idea of whizzing around the city on her bicycle as a professional detective, solving crimes for a living without having to take a husband. She seizes the chance when the prestigious Prescott Agency hires her as its first woman operative. The move sparks controversy—with skeptical male colleagues, a high-strung office secretary, and her boss, Mr. Theodore Prescott, all waiting for her to unravel under the pressure.

Shattered by the loss of her twins, software engineer Viji becomes the prime suspect in a chilling crime—the drowning of her best friend Neha’s baby. ASP Kanika, haunted by her own personal loss, is pulled into an investigation that quickly spirals into a nightmarish descent. Viji's eerie silence only deepens the enigma, and as Kanika digs further, her instincts sense something far more sinister lurking beneath the surface. The evidence hints at Viji’s involvement in black magic to resurrect her twins, but the scene defies logic.

Marina gave up her career as a chef to raise her children, but her divorce has left her harried, lonely, and the black sheep of her family. It’s also left her in dire financial straits. Opal is a post-menopausal fitness guru who spends her days chasing likes and followers in an industry that worships youth. Even her glossy online persona can’t mask her checkered past. Lilah is a shy and optimistic librarian who spends her days tending to the stacks, until she wins an unbelievable sum in the lottery. With a growing bank account and a dashing fiancé, life seems too good to be true.

From the instant New York Times bestselling author of The Writing Retreat, a white-knuckled locked-room thriller about a social worker who, after coming face-to-face with her dark past, must infiltrate a mysterious wellness center in the deserts of New Mexico.

When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States.

Four years after their bitter divorce, Claire and Aaron Litvak get a phone call no parent is prepared for: their 22-year-old daughter Lindsey, teaching English in China during a college gap year, has been critically injured in a hit and run accident. At a Shanghai hospital they wait at her bedside, hoping for the best and preparing for the worst.

Mitch Caddo, a young law school graduate and aspiring political fixer, is an outsider in the homeland of his Anishinaabe ancestors. But alongside his childhood friend, Tribal President Mack Beck, he runs the government of the Passage Rouge Nation, and with it, the tribe’s Golden Eagle Casino and Hotel. On the eve of Mack’s reelection, their tenuous grip on power is threatened by a nationally known activist and politician, Gloria Hawkins, and her young aide, Layla Beck, none other than Mack’s estranged sister and Mitch’s former love.

Set in a remote village in the north of England, Open, Heaven unfolds over the course of one year in which two teenage boys meet and transform each other’s lives. James—a sheltered, shy sixteen-year-old—is alone in his newly discovered sexuality, full of an unruly desire but entirely inexperienced. As he is beginning to understand himself and his longings, he also realizes how his feelings threaten to separate him from his family and the rural community he has grown up in. He dreams of another life, fantasizing about what lies beyond the village’s leaf-ribboned boundaries.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

The Kenner siblings are at odds. Jenn is a harried mom struggling under the weight of family obligations. Fred is a novelist who can’t write, maybe because she’s lost faith in storytelling itself. Jude is a recovering corporate lawyer with her own story to tell, and a grudge against her former favorite sister, Fred. George, the baby, is estranged from his wife and harboring both a secret about his former employer and an ill-advised crush on one of his sisters’ friends. Gathered after a major loss, each sibling needs the others more than ever—if only they could trust each other.

Teenaged István lives with his mother in a quiet apartment complex in Hungary. Shy and new in town, he is a stranger to the social rituals practiced by his classmates and soon becomes isolated, with his neighbor—a married woman close to his mother’s age, whom he begrudgingly helps with errands—as his only companion. But as these periodical encounters shift into a clandestine relationship that István himself can barely understand, his life soon spirals out of control, ending in a violent accident that leaves a man dead.

In a windowless building in a remote part of town, the newly employed Josephine inputs an endless string of numbers into something known only as The Database. After a long period of joblessness, she's not inclined to question her fortune, but as the days inch by and the files stack up, Josephine feels increasingly anxious in her surroundings - the office's scarred, pinkish walls take on a living quality, the drone of keyboards echo eerily down the long halls.

In vivid, poetic prose, Nancy Kricorian’s The Burning Heart of the World tells the story of a Beirut Armenian family before, during, and after the Lebanese Civil War. Returning to the fabular tone of Zabelle, her popular first novel, Kricorian conjures up the lost worlds and intergenerational traumas that haunt a family in permanent exile. Leavened with humor and imbued with the timelessness of a folktale, The Burning Heart of the World is a sweeping saga that takes listeners on an epic journey from the mountains of Cilicia to contemporary New York City.

It is the summer of ‘97 and the repressed Scottish town of Pitlaw is itching for change. Enter the Freakslaw―a travelling carnival of deviant queers and architects of mayhem. There’s Gloria, fortune teller and worm charmer; her daughter Nancy, a contortionist witch; big-hearted tightrope walker, Werewolf Louie; not to mention illusionists and conjoined twins, Cass and Henry, and tattooed human pincushion, Pin Gal.

When Dorothy’s obnoxious date is found dead in a hotel freezer, it not only ruins a gorgeous cheesecake but threatens the elaborate St. Olaf-themed wedding Rose is hosting.

Alex has all but given up on her dreams of becoming a published author when she receives a once-in-a-lifetime opportunity: attend an exclusive, month-long writing retreat at the estate of feminist horror writer Roza Vallo. Even the knowledge that Wren, her former best friend and current rival, is attending doesn’t dampen her excitement.