At 40, Lena Baker is at a steady and stable moment in life—between wine nights with her two best friends and her wedding just weeks away, she’s happy in love and in friendship—until a confession on her wedding day shifts her world.

With a newborn in tow, Bubbles Jones escapes a brutal sanctuary for “wayward girls” to confront the hypocritical shame of her pastor father and the betrayal of a lover. But Bubbles is accompanied by a woman who offers her shelter and a dream. Forging an unpredictable path ahead, Bubbles will not yield and will not hide in her unwavering commitment to make a big life real in a world determined to keep her small.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

This Valentine’s Day, Daisy Murray has her heart set on binge-watching rom-coms. Instead, an earthquake traps her inside a bakery with its impossibly rude and insufferably handsome owner and head baker. They already have a history: she’s always smiled, he’s always scowled. Where better to finally get to know each other than amid the disaster? Then again, they have no choice. Besides, it could have its sweet, undeniable, and unpredictable perks.

There have been countless books, articles, and televised reports in recent years about the almost mythic "white working class," a tide of commentary that has obscured the labor, and even the very existence, of entire groups of working people, including everyday Black workers. In this brilliant corrective, Black Folk, acclaimed historian Blair LM Kelley restores the Black working class to the center of the American story.

At 40, Lena Baker is at a steady and stable moment in life—between wine nights with her two best friends and her wedding just weeks away, she’s happy in love and in friendship—until a confession on her wedding day shifts her world.

This unforgettable novel tells a universal coming-of-age story about Taja Brown, a young African American girl growing up in Houston, Texas, and deftly and beautifully explores the universal struggles of growing up, battling family expectations, discovering a sense of self, and finding a unique voice and purpose. Told in 53 short, episodic, moving, and iridescent chapters, Calling My Name follows Taja on her journey from middle school to high school.

Anuri Chinasa has had enough. And really, who can blame her? She was the unwilling star of her stepmother’s social media empire before “momfluencers” were even a thing. For years, Ophelia documented every birthday, every skinned knee, every milestone and meltdown for millions of strangers to fawn over and pick apart. Now, at twenty-five, Anuri is desperate to put her way-too-public past behind her and start living on her own terms.

Jade believes she must get out of her neighborhood if she's ever going to succeed. Her mother says she has to take every opportunity. She has. She accepted a scholarship to a mostly-white private school and even Saturday morning test prep opportunities. But some opportunities feel more demeaning than helpful. Like an invitation to join Women to Women, a mentorship program for "at-risk" girls. Except really, it's for black girls. From "bad" neighborhoods. But maybe there are some things Jade could show these successful women about the real world and finding ways to make a real difference.

All Amara wants for her birthday is to visit her father’s family in New York City - Harlem, to be exact. She can’t wait to finally meet her Grandpa Earl and cousins in person and to stay in the brownstone where her father grew up. Maybe this will help her understand her family - and herself - in new way. But New York City is not exactly what Amara thought it would be. It’s crowded, with confusing subways and suffocating sidewalks, and her father is too busy with work to spend time with her and too angry to spend time with Grandpa Earl.

Jasmine and Chelsea are best friends on a mission - they’re sick of the way women are treated even at their progressive NYC high school, so they decide to start a Women's Rights Club. They post their work online - poems, essays, videos of Chelsea performing her poetry, and Jasmine's response to the racial microaggressions she experiences - and soon go viral. But with such positive support, the club is also targeted by trolls. When things escalate, the principal shuts the club down. Not willing to be silenced, Jasmine and Chelsea will risk everything for their voices to be heard.

Nicole Oruwari has the perfect life: a handsome husband, a palatial house in the heart of Lagos, and a glamorous group of friends. She left gloomy London and a troubled family past behind for sunny Lagos, becoming part of the Nigerwives—a community of foreign women married to Nigerian men. But when Nicole disappears without a trace after a boat trip, the cracks in her alleged perfect life start to show. As the investigation turns up nothing but dead ends, her auntie Claudine decides to take matters into her own hands.

With a newborn in tow, Bubbles Jones escapes a brutal sanctuary for “wayward girls” to confront the hypocritical shame of her pastor father and the betrayal of a lover. But Bubbles is accompanied by a woman who offers her shelter and a dream. Forging an unpredictable path ahead, Bubbles will not yield and will not hide in her unwavering commitment to make a big life real in a world determined to keep her small.

Ariel is afraid of her own mind. She already feels like she is too big, too queer, too rough to live up to her parents' exacting expectations, or to fit into what the world expects of a “good girl.” And as violent fantasies she can’t control take over every aspect of her life, she is convinced something much deeper is wrong with her. Ever since her older sister escaped to college, Ariel isn't sure if her careful rituals and practiced distance will be enough to keep those around her safe anymore.

Adina Walker has known this the entire time she’s been on scholarship at the prestigious Edgewater Academy—a school for the rich (and mostly white) upper class of New England. It’s why she works so hard to be perfect and above reproach, no matter what she must force beneath the surface. Even one slip can cost you everything.

Pumkin Patterson is a thirteen-year-old girl living in a tiny two-room house in Kingston, Jamaica, with her grandmother (who wants to improve the family’s social standing), her Aunt Sophie (who dreams of a new life in Paris for her and Pumkin), and her mother Paulette (who’s rarely home). When Sophie is offered the chance to move to France for work, she seizes the opportunity, and promises to send for her niece in one year’s time....

Tony dreams about life after high school, where his poetic voice can find freedom on the stage and page. But the Boogeyman has been following Tony since he was six years old. First, the Boogeyman was after his Blackness, but Tony has learned It knows more than that: Tony wants to be the first in his family to attend college, but there’s no path to follow. He also has feelings for boys, desires that don’t align with the script he thinks is set for him and his girlfriend, Blu. Despite a supportive network of family and friends, Tony doesn’t breathe a word to anyone about his feelings.

A fire is set ablaze when Yazmin enters the Saintil Household. She's offered an opportunity that would greatly benefit her but soon realizes that the work may be too strenuous. Matters are made worse when a larger-than-life personality enters her existence. He's everything Yazmin imagined, but she knows he's no good for her. However, his presence is way too commanding for her to ignore, and she soon finds herself confined in his web of chaos.

Olive Cobin Zang has . . . issues. And they mostly aren’t her fault. (No, really!) Though she often slips under the radar, problems have a knack for finding her. So, imagine her doubts when she’s suddenly dropped off at the strangest boarding school ever: a former castle turned prison that's now a “reforming arts school”!

Since Grandpa died, Dally’s days are dull and restricted. She’s eleven and a half years old, and her exacting single mother is already preparing her to take over the family business. Starved for adventure and release, Dally rescues a mysterious envelope from her mother’s clutches, an envelope Grandpa had earmarked for her. The map she finds inside leads straight to an ancient vault, a library of secrets where each book is a portal to a precise moment in time. As Dally “checks out” adventure after adventure she begins to dive deep into her family’s hidden history.