Broadway Is My Beat was a dark, gritty radio crime drama that ran on CBS from 1949 until 1954. The series was originally broadcast from New York with Anthony Ross portraying Times Square Police Detective Danny Clover. Produced by Lester Gottlieb, it was directed by John Dietz. By the thirteenth episode, the series moved to Hollywood (still set in NYC) with producer Elliott Lewis directing a new cast with scripts by Morton Fine and David Friedkin (the duo that would later write and develop TV’s popular secret-agent series I Spy).

The detective character, Sam Spade, was created by Dashiell Hammett for his crime novel The Maltese Falcon. Spade was a hard-boiled detective with cold detachment, a keen eye for detail and unflinching determination to achieve his own justice. The character is most closely associated with Humphrey Bogart who played Sam Spade in the third and most famous film version of The Maltese Falcon. In 1946, one of radio’s top producers (William Spier) brought “Sam Spade” to CBS radio starring newcomer Howard Duff with Lurene Tuttle.

Imagine radio noir in the grand tradition - the mystery, excitement, and adventure of the medium's Golden Age. Now imagine that this has been combined with all of the technical polish that 21st century audio theatre techniques have to offer. That's The Adventures of Harry Nile. Produced by modern-radio legend Jim French, this collection features cases set in the 1940s. A hard-boiled but gentle-souled private investigator takes to the rain-swept streets of the Pacific Northwest.

Nero Wolfe is a fictional detective, created in 1934 by the American mystery writer Rex Stout. Wolfe's confidential assistant Archie Goodwin narrates the cases of the overweight detective genius. In total, Stout wrote 33 novels and 39 short stories from 1934 to 1974, with most of them set in New York City. Wolfe's residence, a luxurious brownstone on West 35th Street, features prominently in the series. Many radio, television and film adaptations were made from Stout's stories.

Welcome to Broadway! Your tour guide: homicide detective Danny Clover (Larry Thor). He holds his exhaustion in check, knowing full well that his dangerous dealings with the underbelly of the Great White Way will begin again come the dawn.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.