NYPD detective Danny Clover, poignantly portrayed by Larry Thor, patrols The Great White Way. With each block he bears witness to regret and redemption, to desperation and debauchery, to wealth and want. Each leaves its mark on this poetic policeman. At Clover’s side, and covering his back, are Sgt. Tartaglia (Charles Calvert) and Sgt. Muggavan (Jack Kruschen). The unhappy endings of hard luck stories drive Danny to search for justice - pounding the pavement to track down an eye witness, find that one scrap of evidence, or just to walk until it all makes sense.

For Detective Danny Clover, Broadway is more than just a street - it’s a living, breathing creature with a mood and a style all its own. Radio’s most lyrical crime drama comes to life in this collection, Broadway’s My Beat, featuring 16 unique tales of murder along the main stem. The series’ purple prose is counterbalanced by the gritty realism that was a specialty of the 16th Precinct and its endearingly eccentric characters. Larry Thor stars as Clover, with Charles Calvert as Sgt. Tartaglia and Jack Kruschen as Detective Muggavan.

A newspaperman of the people, by the people, and for the people - that's Randy Stone of the Chicago Star, pounding the city streets night after night on the trail of crime, corruption, and haunting human interest stories! Frank Lovejoy stars as Stone in these 16 digitally restored and remastered episodes from 1950. Sheldon Leonard, Joan Banks, William Conrad, Lurene Tuttle, Gerald Mohr, Betty Lou Gerson, Bill Johnstone, and more portray the complex characters in his intriguing adventures.

Welcome to Broadway! Your tour guide: homicide detective Danny Clover (Larry Thor). He holds his exhaustion in check, knowing full well that his dangerous dealings with the underbelly of the Great White Way will begin again come the dawn.

Broadway Is My Beat was a dark, gritty radio crime drama that ran on CBS from 1949 until 1954. The series was originally broadcast from New York, with Anthony Ross portraying Times Square Police Detective Danny Clover. Produced by Lester Gottlieb, it was directed by John Dietz. But by the 13th episode, the series moved to Hollywood (still set in NYC) with producer Elliott Lewis directing a new cast, with scripts by Morton Fine and David Friedkin (the duo that would later write and develop TV's popular secret-agent series I Spy).

Broadway Is My Beat was a dark, gritty radio crime drama that ran on CBS from 1949 until 1954. The series was originally broadcast from New York with Anthony Ross portraying Times Square Police Detective Danny Clover. Produced by Lester Gottlieb, it was directed by John Dietz. By the thirteenth episode, the series moved to Hollywood (still set in NYC) with producer Elliott Lewis directing a new cast with scripts by Morton Fine and David Friedkin (the duo that would later write and develop TV’s popular secret-agent series I Spy).

No bigger fad swept across postwar radio than that of the hard-boiled private detective - and nobody had more fun with their wink-and-nudge take on the genre than the producers, writers, and cast of The Adventures of Sam Spade. Dashiell Hammett's legendary private eye had a sardonic sense of humor, which wavy-haired, rugged-voiced Howard Duff played to perfection.

Out of the rain and fog of the teeming Pacific Northwest he comes - the tough, methodical, incorruptible private eye Harry Nile. He's the foe of corruption, enemy of gangland, and the best friend you'll ever have when you're up against the wall. Harry gives as good as he gets in this collection of powerful radio adventures, produced, written, and directed by Jim French. Larry Albert takes over the role of Nile from the late Phil Harper, with Pat French back as the detective's assistant Murphy, for 16 cases of back streets and bad news.

When Howard Duff, radio’s regular Sam Spade, was dropped from the show, Steven Dunne donned the trench coat. Finding his own brash and boyish style with the role, Dunne’s Spade was much like creator Dashiell Hammett himself - a grown-up teenager who loved a put-on, but could be depended on to be loyal and true despite his own troubles. In these digitally remastered capers, Hammett’s hard-boiled hero delves in to the domains of daytime serials, journalism, the waterfront, and international intrigue.

He's tall. He's tough. He's the king of the hardboiled private eyes, and he's stalking the rain-swept streets of postwar Los Angeles. He's Philip Marlowe, here with 20 thrill-a-minute episodes produced and directed by Norman Macdonnell. Tough-voiced Gerald Mohr plays Raymond Chandler's Marlowe as a man who has been burned by the world a little too often for his own good. He finds mysteries among valuables and the violent, facing down false witnesses and frame-ups.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.