At rock bottom following her daughter’s death, ex-Chicago detective Carrie Starr has nowhere to go but back to her roots. Starr’s father never talked much about the reservation where he was raised, but the tribe needs a new marshal as much as Starr needs a place to call home. In the past decade, too many young women have disappeared from the rez. Some have ended up dead, others just…gone. Now local college student Chenoa Cloud is missing, and Starr falls into an investigation that leaves her drowning in memories of her daughter—the girl she failed to save.

In Berlin’s artistic underground, where techno and drugs fill warehouses still pockmarked from the wars of the twentieth century, nineteen-year-old Nila at last finds her tribe. Born in Germany to Afghan parents, raised in public housing graffitied with swastikas, drawn to philosophy, photography, and sex, Nila has spent her adolescence disappointing her family while searching for her voice as a young woman and artist. Then in the haze of Berlin’s legendary nightlife, Nila meets Marlowe, an American writer whose fading literary celebrity opens her eyes to a life of freedom.

It’s a dream assignment. Former Senator Dorothy Gibson, aka that woman, is the most talked-about person in the country right now, though largely for the wrong reasons. As an independent candidate for President of the United States, Dorothy split the vote and is being blamed for the shocking result. After her very public defeat, she’s retreated to her home in rural Maine, inviting her ghostwriter to join her.

In Roman-occupied Britain, the Iceni tribe crowns an extraordinary new queen. Tall and flame-haired, Boudicca is devoted to Andraste, the Iceni’s patron goddess, known for her raven familiar, her fierceness and her swirling blue tattoos. Boudicca and her two young daughters will carry the tribe forward in dangerous times. Roman tax collector Catus Decianus, expecting weakness in a female ruler, launches a devastating attack on the tribe’s stronghold. Boudicca and her family barely survive—but they refuse to bend the knee.

Away from her home in India to study Spanish, Bonita sits on a bench in El Jardin de San Miguel, Mexico, basking in the park’s lush beauty, when she slowly becomes aware that she is being watched. An elderly woman approaches her, claiming that she knew Bonita’s mother—that they had been friends when Bonita’s mother had lived in Mexico as a talented young artist. Bonita tells the stranger that she must be mistaken; her mother was not a painter and had never travelled to Mexico. Though the stranger leaves, Bonita cannot shake the feeling that she is being followed.

1898. Quinn le Blanc, London’s most talented con woman, has five days to pull off her most ambitious plot yet: trap a highly eligible duke into marriage and lift a fortune from the richest family in England. Masquerading as the season’s most enviable debutante, Quinn puts on a brilliant act that earns her entrance into the grand drawing rooms and lavish balls of high society—and propels her straight into the inner circle of her target: the charismatic Kendals.

It’s about time roommates Alejandro and Kenny get married. Or at least, that’s what all their close friends and family think when they announce their engagement. The kicker? The two are faking their whole relationship so Alejandro can get a green card. But if Han was going to marry anyone, it would be his ride or die since second grade. Han has never been able to put down roots, and the only one who truly breaks through his walls is Kenny.

Thirty-five-year-old Arabella, a New York theatre director whose dating and career prospects are drying up, is offered an opportunity to direct a risqué cross-dressing interpretation of a Shakespeare classic—that might garner international attention—in the West Bank. Her mother, Naya, and grandmother, Zoya, hatch a plot to match her with Aziz, a Palestinian American doctor volunteering in Gaza. Arabella agrees to meet Aziz, since her growing feelings for Yoav, a celebrated Israeli American theatre designer, seem destined for disaster.

In this exhilarating tale by New York Times bestselling and award-winning author Nnedi Okorafor, a disabled Nigerian American woman pens a wildly successful Sci-Fi novel, but as her fame rises, she loses control of the narrative—a surprisingly cutting, yet heartfelt drama about art and love, identity and connection, and, ultimately, what makes us human. This is a story unlike anything you’ve seen before.

When Ruth Handler walks into the boardroom of the toy company she co-founded and pitches her idea for a doll unlike any other, she knows what she’s setting in motion. It might just take the world a moment to catch up. In 1956, the only dolls on the market for little girls let them pretend to be mothers. Ruth’s vision for a doll shaped like a grown woman and outfitted in an enviable wardrobe will let them dream they can be anything.