Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

A high-end wedding on a private island off the coast of Seattle sounds like something out of a magazine. But for bestselling mystery author Kate Valentine, it’s more like a nightmare. Why Kate agreed to attend her ex-fiancé’s wedding is its own enigma, but she’ll plaster on a fake smile for two nights, with the aid of free champagne, naturally. But when the bride is poisoned and Kate stumbles across a dead body, she finds herself in a real-life mystery that eerily echoes the plot of her latest novel.

Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow (“I forgot the parsley!” is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded.

Oxford, 1920. For the first time in its one-thousand-year history, Oxford University officially admits female students. Burning with dreams of equality, four young women move into neighboring rooms in Corridor 8. Beatrice, Dora, Marianne, and Otto—collectively known as The Eights—come from all walks of life, each driven by their own motives, each holding tight to their secrets, and are thrown into an unlikely, unshakable friendship.

September 1943: German forces occupy Rome. Gestapo boss Obersturmbannführer Paul Hauptmann rules with terror. Hunger is widespread. Rumors fester. The war’s outcome is far from certain. Diplomats, refugees, and escaped Allied prisoners flee for protection into Vatican City; at one fifth of a square mile, it's the world’s smallest state, a neutral, independent country within Rome. A small band of unlikely friends led by a courageous Irish priest is drawn into deadly danger as they seek to help those seeking refuge.

Mrs. King is no ordinary housekeeper. Born into a world of con artists and thieves, she’s made herself respectable, running the grandest home in Mayfair. The place is packed with treasures, a glittering symbol of wealth and power, but dark secrets lurk in the shadows.

Heir to a fortune, Marguerite is destined for a life of prosperity and gentility. Then she is orphaned, and her guardian—an enigmatic and volatile man—spends her inheritance and insists she accompany him on an expedition to New France. Isolated and afraid, Marguerite befriends her guardian’s servant and the two develop an intense attraction. But when their relationship is discovered, they are brutally punished and abandoned on a small island with no hope for rescue.

Those who can, do. Those who can’t, teach. So goes the adage, but sometimes, even a first-rate ghostwriter and successful mystery author needs to make a buck. Even if that means setting foot on a cruise ship, something she vowed she’d never do. To top it off, the “Get Lit Cruise” is being organized by Payton Garrett, a very popular, bestselling author—and the ghostwriter’s long-time frenemy from back in their MFA days.

For fifty years, Abe and Jane have been coming to Central Park, as starry-eyed young lovers, as frustrated and exhausted parents, as artists watching their careers take flight. They came alone when they needed to get away from each other, and together when they had something important to discuss. The Park has been their witness for half a century of love. Until now. Jane is dying, and Abe is recounting their life together as a way of keeping them going: the parts they knew.

The descendant of adventuring-dead-aristocrats, Clarissa Knightley supplements a modest inheritance by penning gothic novels that cost more than they earn. Upon learning that she has mysteriously inherited a share of an earl's estate, she rashly packs up her household. In remote Gravesyde Priory, she hopes to find a safe haven and family who will welcome her and her young nephew. Instead, she discovers a drunken American army captain, his African servant, and ancient, surly caretakers.

It is 1628, Charles 1 is on the throne, and the British Crown is finally taking control of Ulster. Returning to his rooms one night, Alexander Seaton is shocked to find a stranger standing there - a man who could be his double. His name is Sean O'Neill, and he carries a plea for help from Maeve O'Neill, forbidding matriarch of Alexander's mother's family in Ireland. All those who bear their blood have been placed under a poet's curse: one by one they are going to die.

It’s 1932: Scottish adventuress and plant-hunter (and surviving twin) Emily Blackwood, now living in Australia, accepts a commission from Heinrich Vogel, a former dealer of exotic animals in Manhattan. Vogel now lives with his macabre collection of taxidermy in a remote Scottish castle. Emily is tasked with finding a long-lost treasure that Heinrich believes has been hidden within the castle walls. But instead, she discovers the pages of a diary written by Hester Vogel, who died after falling from the Brooklyn Bridge on the eve of its opening in 1883.

When renowned anonymous author J. R. Alastor hires former aspiring writer Mila del Angél to host a writing retreat at his private manor off the coast of Maine, she jumps at the chance—particularly since she has an axe to grind with one of the invitees. The guest list? Six thriller authors, all masters of deceit, misdirection, and mayhem. Alastor and Mila have masterminded a week of games, trope-fueled riddles, and maybe a jump scare or two—the perfect cover for Mila to plot a murder of her own.

Drew thought she was destined to rise above her small New Jersey hometown and make it as a serious journalist in New York City. But now she’s back in Clearfield, pushing thirty, newly single, and living with her father. After a chance encounter at the grocery store, she reconnects with her ex-best friend, Steph, who married young and never left their hometown. But Steph looks … good. She’s tanned, clear-skinned, and glowing. She drives an expensive car and wears only name-brands. What’s her secret?

FBI Agent Gardner Camden is an analytical genius with an affinity for puzzles. He also has a blind spot on the human side of investigations, a blindness that sometimes even includes people in his own life, like his beloved seven-year-old daughter Camila. Gardner and his squad of brilliant yet quirky agents make up the Patterns and Recognition (PAR) unit, the FBI’s hidden edge, brought in for cases that no one else can solve. When DNA links a murder victim to a serial killer long presumed dead, the team springs into action.

Kerry’s life is in shambles: Her husband has left her, her drinking habit has officially become a problem, and though the deadline for her big book deal—the one that was supposed to change everything—is looming, she can’t write a word. When she sees an ad for a caretaker position at a revitalized roadside motel in the Catskills, she jumps at the chance. It's the perfect getaway to finish her book and start fresh. But as she hunkers down in a blizzard, she spots something through the window: a pale arm peeking out from a heap of snow.