Ex-police officer Rileigh Bishop never wanted to come back to her hometown. But when a body is found dead with her tongue cut out, she must return. After all, that's the same way Rileigh's sister died. Reluctantly, she joins forces with the county sheriff to solve the brutal murder. The locals maintain a strict code of silence. The narrow mountain roads winding through Appalachia are fraught with peril. As Rileigh dives deeper into the case, she not only unearths connections between this murder and her sister's death but also dark family secrets. Secrets that should've remained buried.

After a series of tragedies turned her world upside down, FBI Agent Spenser Song felt like a woman adrift in a sea of chaos. Her brush with death and the tragic murder of her husband left her questioning everything in her life. And when it became clear that Bureau politics will trump justice, Spenser realized she needed a fresh start.

Following the incident that brought justice to her parents’ killers but ended her career, former FBI Special Agent Rebecca West needs a fresh start. Hoping to find peace, she decides to spend a few months in the sleepy beach town of Shadow Island, where she spent idyllic summers as a kid. However, her vacation is cut short when a seventeen-year-old goes missing with no leads or clues. When the girl’s body is found in a nearby marsh with strangulation marks around her neck, Rebecca can’t say no when the overworked sheriff asks her to help investigate.

Across the Pacific Northwest, a twisted killer stalks victims representing ancient archetypes: The Ruler. The Warrior. The Scholar. The Priest. Four are dead, leaving FBI investigators puzzled by the macabre, color-coded shrines the killer left behind. And clues now point to a fifth victim.

When a man is shot in the head, Bree Taggert and her new partner, veteran detective Dana Romano, respond to the call. They break the news to the victim’s ex-wife and learn the estranged couple’s five-year-old daughter was supposed to have been with him. What starts as a murder investigation quickly morphs into a desperate search for a missing child. The case stirs memories of Bree’s own traumatizing childhood. To find the little girl, Bree will have to relive her own terrifying past.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.