When Louis Trevelyan's young wife meets an old family acquaintance, his unreasonable jealousy of their friendship sparks a quarrel that leads to a brutal and tragic estrangement.

At the opening of The Claverings (1866) the beautiful Julia Brabazon jilts her lover Harry Clavering in order to make a marriage of convenience with a wealthy but dissolute earl. Harry licks his wounds, leaves London to train as a civil engineer, and falls in love with his employer's daughter, to whom he soon becomes engaged. But when Julia returns unexpectedly as a wealthy widow, the flame of Harry's old love is rekindled.

This comprehensive novel consists of three subplots which interlink to form the whole and supply a trio of targets at which Trollope aims his proselytising pen. The first treats on the courtship of a woman by a man whom she does not love and with whom she is not compatible. Mary Lowther will not accept such a marriage of dishonesty. The second deals with the plight of a young woman who has fallen prey to the wiles of an evil seducer and subsequently adopts a life of prostitution.

Lady Mason's trial for forgery and perjury shocks the neighborhood. A cast of unforgettable characters views her with disdain, compassion, and disbelief. And then there are the love stories....

Bound together by dreams of success, three clerks Harry Norman, Alaric Tudor, and Charley Tudor navigate the ranks of the Civil Service, each of them drawn into a web of temptation and moral dilemmas.

"Ayala's Angel" (1878) is a novel by Anthony Trollope. The story focuses on two orphaned sisters, Ayala and Lucy Dormer, and their trials, first with their relatives, then of the heart. As in most Trollope novels, pages are given over to subplots related to the main plot. Excerpt from the book: "It was now the beginning of February. As Tom and his uncle had walked from Somerset House the streets were dry and the weather fine; but, as Mr. Dosett had remarked, the wind was changing a little out of the east and threatened rain.

Loved and appreciated by all with whom he works, Harding lives an ordered, regular life in his protected religious environment. Then one day, a young reformer feels he has uncovered a mismanagement of funds and Harding is held to blame. The accusation comes as a shock not only to Harding himself but also to the cathedral community. It then comes to wider notice when the cause is taken up by a national newspaper.

The Way We Live Now is a complex and compulsive tale that traces the career of Augustus Melmotte, a strange and mysterious financier who bursts into London society like a guided missile. In setting up a dubious scheme based on speculative money and stock market gambles, Melmotte manages to lure in several members of the English aristocracy, for whom money is the summum bonum. The world is at his feet - until the corruption catches up with him.

Originally published in 1878, Is He Popenjoy? is a delightful comic novel written late in the career of author Anthony Trollope. The plot revolves around the themes of property and inheritance, as the relatives of the Marquis of Brotherton question the legitimacy of a foreign-born heir to the family estate.

Dr Wortle's School introduces the unassuming Mr. Peacocke and his polite, newly-wed bride, as they join the teaching staff of an elite and exclusive Christian boys' school. Dr. Wortle, a devoted English scholar and the headmaster of the seminary academy, welcomes his two new teachers, confident that they will uphold the high standards of education at the school.

"Castle Richmond" (1860) is a novel by Anthony Trollope. It is set in southwestern Ireland at beginning of the Irish famine. Castle Richmond is situated on the banks of the Blackwater River in County Cork. The plot features the competition of two Protestant cousins of English origin, Owen and Herbert Fitzgerald, for the hand of Clara Desmond, the noble but impoverished daughter of the widowed Countess of Desmond, providing the novel’s principal dramatic interest.

A sinister masterpiece, Our Mutual Friend was Dickens' last completed novel. It is perhaps his ultimate vision of a dark, macabre London and the corrupting power of money.

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

Wealthy Maggie Verver has everything she could ever ask for - except a husband and a title. While in Italy, acquiring art for his museum back in the States, Maggie’s millionaire father, Adam, decides to remedy this and acquire a husband for Maggie. Enter Prince Amerigo, of a titled but now poor aristocratic Florentine family. Amerigo is the perfect candidate.

Mourning the death of his father and gravely injured at the hands of the English, Jamie Fraser finds himself running with a band of mercenaries in the French countryside, where he reconnects with his old friend, Ian Murray. Both are nursing wounds, both have good reason to stay out of Scotland, and both are still virgins despite several opportunities to remedy that deplorable situation with ladies of easy virtue.