Retired police captain Waverly Underhill and his sidekick, Doctor Scofield, uncover the truth in a story of greed and suspense. Heard on public radio, this is a contemporary tale in the classic tradition of The Shadow, with a full cast, original music, and sound effects.

Retired police captain Waverly Underhill and his sidekick, Doctor Scofield, unlock the enigma in two edge-of-your-seat thrillers. Heard on public radio, each is a contemporary tale in the classic tradition of The Shadow, with a full cast, original music, and sound effects.

The unforgettable villain from “The Caller on Line One” returns. A serial killer records his murders and sends the tapes to the police. A young detective takes charge and enlists the help of a beautiful FBI agent — with a great set of ears — whose specialty is analyzing audio recordings. But will that lead them to the killer before he strikes again?

For years an anonymous Cape Cod mural painter has been adorning the underpass to the Barnstable Village railroad bridge with images of scantily clad nudes in Classical poses. An activity which, although many in the Village enjoy them and approve, is also illegal and a source of irritation—particularly to nearby neighbor, Otis Narwhal, who feels the paintings go too far. With night-vision binoculars he sits on his porch at night, hoping to spy the Phantom Artist at work and report her to the local police.

A premonition of murder leading to violent death…voodoo, séances, automatic writing and psychic messages from the dead are all elements in a strange case that turns criminal. A worried Doctor Scofield calls in his friend, Captain Waverly Underhill, to unravel the mystery.

Tanya Macklin is the host of Talk Line, the weekly, advice-on-the-air radio program. Tonight, however, the problems of her listeners are about to take a back seat to one of her own ... a problem so large, it will transform her normally sane world into a nightmarish world of terror.

A real-time suspense thriller in the tradition of Sorry, Wrong Number.

About “The Final Case,” Doctor Scofield, Captain Underhill’s personal physician, comments, “A most interesting case study. It is both sad and ironic that the mental affliction Captain Underhill used to pretend to suffer from: that of being senile, was ultimately the very thing that laid him low. And yet, in the annals of crime solving, if this final case does nothing else, it proves the kind of natural-born sleuth my good friend, Waverly, was.”

When little Anna Gale Storm is abducted by a stranger in a white van, the police — and the media — spring into action. Bulletins are issued. The police swarm. News and police helicopters hover near the twin bridges. Anna Gale’s mother, Betsy Storm, is hysterical but must be questioned. The police are desperate, frustrated by the fact that the only eyewitness is a frightened, easily confused, five year old named Jody Higgins.

Retired police captain Waverly Underhill and his sidekick, Doctor Scofield, unmask the murderer in two spine-tingling mysteries. Heard on public radio, each is a contemporary tale in the classic tradition of The Shadow, with a full cast, original music, and sound effects.

With his black hat, huge umbrella, unworldly simplicity and 'beaming but breathless geniality', Father Brown is one of fiction's best-loved amateur detectives. Short and tatty, but with the wisdom and insight to unravel the most wayward of criminal minds, he has entertained generations. In this collection of 13 full-cast dramatisations, the high priest of detection becomes involved in seven intriguing cases that will tax even his mental powers to the limit.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.