Pat Novak, for Hire began in 1946 as a regional radio show produced at KGO in San Francisco and starred Jack Webb in the title role, with scripts by Webb's friend Richard L. Breen. When Webb moved to Los Angeles in 1947, Ben Morris replaced Webb as Novak. In a later network version, Jack Webb resumed the role along with Breen as scriptwriter. Pat Novak, for Hire lasted until 1949, when Jack Webb turned his attention to the series that would make him a star, Dragnet.

Insurance investigator Johnny Dollar was a man of contradictions. He was tough and compassionate, sardonic and thoughtful. You never knew quite what he might do to solve a case - but you always knew he'd get it done! You also knew that he'd be supported by many of the greatest radio performers ever to haunt "Radio Row": Virginia Gregg, Howard McNear, Lurene Tuttle, Joseph Kearns, John Dehner, Stacy Harris…even Vincent Price! Bob Bailey stars as Johnny for five fascinating five-part serial adventures, and a collection of harrowing half-hour tales! Prepare the expense report!

Like its predecessor Dragnet, Tales of the Texas Rangers adapted actual police case files for its broadcasts. Leading each week’s investigation of an actual Texas Ranger case was the same Texas Ranger, Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in the present day, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn’t have a regular partner, typically working with the local sheriff instead (who was usually portrayed by Parley Baer).

Thrill to the hardboiled adventures of Ellery Queen, Philip Marlow, Dragnet, The Man called X, Philo Vance, Rocky Fortune and so many more as heroes fight the bad guys. 100 great detective classics in one collection.

Set in Los Angeles and starring Jack Webb as the stoic Sergeant Joe Friday, Dragnet is perhaps the most famous and influential police procedural drama of all time, having made extensive runs on both radio and television. Webb, also the producer of the show, took the series to new highs, insisting on realism in every facet of the program. The dialogue was clipped and sparse, taking its cue from hard-boiled crime fiction à la Raymond Chandler and Dashiell Hammett.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.