Fibber McGee & Molly had a long and successful run on radio from 1935 to 1959, featuring its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern city of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife, Molly, who tried to keep him out of trouble.

The Whistler was one of radio's top mystery programs airing from May 16, 1942 until September 22, 1955. The Whistler was an ominous narrator who opened each episode with, "I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men andwomen who have stepped into the shadows. I know the nameless terrors of which they dare not speak."

Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC's Blue Network in January 1941. It featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned, and the famous "creaking door" slowly began to open. Every week, Inner Sanctum Mysteries told stories of ghosts, murderers, and lunatics.

Many of these episodes, which included both original stories and adaptations, centered on a protagonist facing a life-or-death situation. Numerous actors made appearances on the show, including Elvia Allman, Eleanor Audley, Parley Baer, Harry Bartell, William Conrad, Ted de Corsia, John Dehner, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jeanette Nolan, Alan Reed, Bill Johnstone, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Jack Webb, Peggy Webber, and Will Wright.

There were several newspaper-based dramas during radio's golden age, including Box 13, Let George Do It, and Casey, Crime Photographer, but Night Beat was a cut above. It was the story of Randy Stone, hard-nosed Chicago Star newsman, and his quest for the human-interest story behind the headlines.

Pat Novak, for Hire began in 1946 as a regional radio show produced at KGO in San Francisco and starred Jack Webb in the title role, with scripts by Webb's friend Richard L. Breen. When Webb moved to Los Angeles in 1947, Ben Morris replaced Webb as Novak. In a later network version, Jack Webb resumed the role along with Breen as scriptwriter. Pat Novak, for Hire lasted until 1949, when Jack Webb turned his attention to the series that would make him a star, Dragnet.

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery drama series of the golden age. Often referred to as "Radio's Outstanding Theater of Thrills", it focused on suspenseful thrillers starring the biggest names in Hollywood.

Radio westerns were strictly for kids until 1952, when Gunsmoke hit the radio airwaves. The stories were grim, the deaths brutal, and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke, and they made it the number one western on the radio.

Dimension X was one of radio's first adult science fiction series, and made its mark by adapting short stories by acknowledged masters in the field, including Isaac Asimov, Clifford D. Simak, and William Tenn. Scriptwriters Ernest Kinoy and George Lefferts, who also contributed their own original scripts, adapted the original stories. At the start of every broadcast, host Norman Rose promised us "adventures in time and space, told in future tense" and you knew you were about to be transported from your everyday existence.

During the height of its popularity, almost the entire country listened to the fifteen-minute, Monday-through-Friday adventures of Amos and Andy. Department stores open in the evening piped in the broadcasts so shoppers wouldn't miss an episode; movie theaters scheduled their features to end just prior to the start of Amos 'n' Andy so they too could pipe it in. The characters were members of the Mystic Knights of the Sea Lodge, of which George Stevens was "the Kingfish."

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962, and is considered by many to be the best mystery/drama series of the golden age. Often referred to as "Radio's Outstanding Theater of Thrills" it focused on suspenseful thrillers starring the biggest names in Hollywood.

Radio westerns were aimed at kids until 1952 when Gunsmoke hit the radio airwaves. Produced for adult listeners, the stories were grim, the deaths brutal, and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke, and they made it the number-one western on radio. It soon made a successful transition to television, becoming the longest-running dramatic series in TV history. Join William Conrad (US Marshal Matt Dillon), Parley Baer (Deputy Chester Proudfoot), Georgia Ellis (Kitty Russell), and Howard McNear (Doc Adams) in these 16 episodes.

This collection contains 12 of the greatest radio shows ever broadcast during the golden age of radio. You'll hear Freeman Gosden and Charles Correll in Amos 'n' Andy; Bob Bailey in Yours Truly, Johnny Dollar; Jim and Marian Jordan in Fibber McGee and Molly; William Bendix as Chester A. Riley in The Life of Riley; Eve Arden as Connie Brooks in Our Miss Brooks; William Conrad as Marshal Matt Dillon in Gunsmoke; and many more.

Created by Frances and Richard Lockridge, Mr. & Mrs. North were fictional amateur detectives appearing in novels, motion pictures, radio, and television. The Norths were not professional detectives but simply a well-to-do New York couple who stumbled across a murder or two every week and felt compelled to solve the crimes. A 1942 MGM movie starred William Post, Jr. and George Burns' wife, Gracie Allen.

Like its predecessor Dragnet, Tales of the Texas Rangers adapted actual police case files for its broadcasts. Leading each week’s investigation of an actual Texas Ranger case was the same Texas Ranger, Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in the present day, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn’t have a regular partner, typically working with the local sheriff instead (who was usually portrayed by Parley Baer).