Detective John Coffin must find out who killed the man belonging to the severed human head found in an urn on the church steps.

Student Amy Dean has disappeared with her boyfriend Martin - a year after Martin's former girlfriend Virginia was found beaten to death. The connection between the two incidents seems clear - but John Coffin, Commander of the police, discovers that both girls worked at Star Court House.

Inspector Coffin decides to investigate some strange goings-on on Murder Street - the most violent street in town - when a man who thrives on reporting and even predicting murder disappears himself. By the author of Coffin and The Paper Man.

Seton was a detective doing undercover work on the sale of illegal pharmaceuticals. No one, including John Coffin, Commander of London's Second City, knows what the note means, but it appears that Seton was secretly investigating internal police corruption.

John Coffin takes on the case of a man who claims his father was a serial killer and that as a boy he helped his father bury a victim. Coffin agrees to try to find the body, but then a woman reporter is found dead after digging into the man's past.

London's Second City is shaken by a terrorist's bomb and a woman's body is found in a damaged building. The face is unrecognizable, the fingertips have been removed, but the handbag by the corpse appears to belong to Stella Pinero, the wife of John Coffin, Chief Commander of the Second City Police.

With his wife, the acclaimed actress Stella Pinero, away on a movie shoot in Scotland, Chief Commander John Coffin is at a bit of a loose end with just the cat and dog for company. But one morning, as he checks through the mail for his wife, he gets a rather unpleasant surprise: Horrific pictures of badly abused children sent anonymously to Stella. Rather than worry his wife, he vows to track down the culprit and calls in a trusted colleague, DCI Phoebe Astley, to assist him in his inquiries.

British writer Butler has crafted a grim tale that unsuccessfully blends murder with social commentary. In 1946, newly promoted detective-constable John Coffin arrives in Greenwich to take up his post. Soon after, the body of a young woman floats down the Thames to South London. It quickly becomes clear that this is no ordinary murder: the victim has been strangled, stabbed and mutilated.

Scotland Yard's eminent Detective John Coffin was a mere sergeant. Anticipating a promotion, he buys a house that needs repairs and proves a catalyst to dire events. Workmen find the body of an adolescent boy under the floor - and Coffin, though it's not his case, keeps up with an investigation that comes to center on his own neighbors. Attracted to Rose Hilaire, the sergeant learns that her son was a friend of the murder victim and of other missing boys.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

Coming from scandalous Florida treasure hunters and drug smugglers, Sloan McPherson is forging her own path, for herself and for her daughter, out from under her family’s shadow. An auxiliary officer for Lauderdale Shores PD, she’s the go-to diver for evidence recovery. Then Sloan finds a fresh kill floating in a canal - a woman whose murky history collides with Sloan’s. Their troubling ties are making Sloan less a potential witness than a suspect. And her colleagues aren’t the only ones following every move she makes. So is the killer.

Two years ago, a hostile Prime Minister launched the Monochrome inquiry, investigating "historical over-reaching" by the British Secret Service “to investigate historical over-reaching.” Monochrome’s mission was to ferret out any hint of misconduct by any MI5 officer—and allowed Griselda Fleet and Malcolm Kyle, the two civil servants seconded to the project, unfettered access to any and all confidential information in the Service archives in order to do so. But MI5’s formidable First Desk did not become Britain’s top spy by accident, and she has successfully thwarted the inquiry at every turn.

During the election of a new Pope in the mid-18th century, famed violinist Antonio Vivaldi learns of a ring of art forgers who are replacing the Vatican’s priceless treasures with expertly-painted fakes. Desperate, the composer hides a message in a special melody, hoping someone, someday, will take down the culprits....

Lady Emily Hardcastle is an eccentric widow with a secret past. Florence Armstrong, her maid and confidante, is an expert in martial arts. The year is 1908 and they've just moved from London to the country, hoping for a quiet life. But it is not long before Lady Hardcastle is forced out of her self-imposed retirement. There's a dead body in the woods, and the police are on the wrong scent. Lady Hardcastle makes some enquiries of her own, and it seems she knows a surprising amount about crime investigation...

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

They were madly in love. The perfect couple. That was the story everyone in South River believed...until Gin Talcott and Adam Archer are found shot in their bed. Adam is dead at the scene. Gin is fighting for her life. Detectives Greta Jessup and Finn Pate are assigned to the case. Greta has a long history with Gin’s first husband, Eddie, and is determined to protect his 18-year-old twins. Piper discovered the bodies. Daniel is missing—and so is Adam’s gun.

Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.

Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.