At 23, Carol Schlanger was an insecure upper-middle-class radical. Her parents spoiled her, and she expected the universe to follow. It didn't. After being expelled from Yale, losing a coveted Broadway lead, and seeing a suicide splatter at her feet, she left NYC for the Great Northwest, to live in nature with a man "who made everything beautiful with his hands". At that time she chose love and nature over art and career...until she didn't.

Vlad, a stranger from Eastern Europe masquerading as a healer, settles in a small Irish village where the locals fall under his spell. One woman, Fidelma McBride, becomes so enamored that she begs him for a child. All that world is shattered when Vlad is arrested, and his identity as a war criminal is revealed.

"I was a girl once, but not anymore." So begins Girl, Edna O’Brien’s harrowing portrayal of the young women abducted by Boko Haram. Set in the deep countryside of northeast Nigeria, this is a brutal story of incarceration, horror, and hunger; a hair-raising escape into the manifold terrors of the forest; and a descent into the labyrinthine bureaucracy and hostility awaiting a victim who returns home with a child blighted by enemy blood.

When Ada Calhoun stumbled upon old cassette tapes of interviews her father, celebrated art critic Peter Schjeldahl, had conducted for his never-completed biography of poet Frank O’Hara, she set out to finish the book her father had started 40 years earlier. As a lifelong O’Hara fan who grew up amid his bohemian cohort in the East Village, Calhoun thought the project would be easy, even fun, but the deeper she dove, the more she had to face not just O’Hara’s past, but also her father’s and her own.

It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa, a large silent house now bereft of brothers, husband, and even servants, life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers.

I Am, I Am, I Am is Maggie O'Farrell's astonishing memoir of the near-death experiences that have punctuated and defined her life. The childhood illness that left her bedridden for a year, which she was not expected to survive. A teenage yearning to escape that nearly ended in disaster. An encounter with a disturbed man on a remote path. And, most terrifying of all, an ongoing, daily struggle to protect her daughter - for whom this book was written - from a condition that leaves her unimaginably vulnerable to life's myriad dangers.

Father Greg Lockwood is unlike any Catholic priest you have ever met - a man who lounges in boxer shorts, who loves action movies, and whose constant jamming on the guitar reverberates "like a whole band dying in a plane crash in 1972". His daughter is an irreverent poet who long ago left the church's country. When an unexpected crisis leads her and her husband to move back into her parents' rectory, their two worlds collide.

The Barnes family is in trouble. Dickie’s once-lucrative car business is going under—but Dickie is spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman. His wife, Imelda, is selling off her jewelry on eBay and half-heartedly dodging the attention of fast-talking cattle farmer Big Mike, while their teenage daughter, Cass, formerly top of her class, seems determined to binge drink her way through her final exams. As for twelve-year-old PJ, he’s on the brink of running away.

It is impossible to overstate the cultural significance of the four men described in Don Lattin's The Harvard Psychedelic Club. Huston Smith, tirelessly working to promote cross-cultural religious and spiritual tolerance. Richard Alpert, aka Ram Dass, inspiring generations with his mantra "be here now". Andrew Weil, undisputed leader of the holistic medicine revolution. And, of course, Timothy Leary, the charismatic, rebellious counterculture icon and LSD guru.

When Pulitzer Prize-winning journalist Bill Dedman noticed in 2009 a grand home for sale, unoccupied for nearly 60 years, he stumbled through a surprising portal into American history. Empty Mansions is a rich mystery of wealth and loss, connecting the Gilded Age opulence of the 19th century with a 21st-century battle over a $300 million inheritance. At its heart is a reclusive heiress named Huguette Clark, a woman so secretive that, at the time of her death at age 104, no new photograph of her had been seen in decades.

Some 500 years ago, Sandro Botticelli, a painter of humble origin, created work of unearthly beauty. An intimate associate of Florence’s unofficial rulers, the Medici, he was commissioned by a member of their family to execute a near-impossible project: to illustrate all 100 cantos of The Divine Comedy by the city’s greatest poet, Dante Alighieri. A powerful encounter between poet and artist, sacred and secular, earthly and evanescent, these drawings produced a wealth of stunning images but were never finished.

In the tradition of The Glass Castle, Educated, and Heartland, Neal Wooten traces five decades of his dirt-poor, Alabama mountain family as the years and secrets coalesce.

Hi'i is proud to be a Naupaka, a family renowned for its contributions to hula and her hometown of Hilo, Hawaii, but there’s a lot she doesn’t understand. She’s never met her legendary grandmother and her mother has never revealed the identity of her father. Worse, unspoken divides within her tight-knit community have started to grow, creating fractures whose origins are somehow entangled with her own family history.

Claire Keegan continues her outstanding work with this new collection of quietly wrenching stories of despair and desire in modern-day Ireland. A writer awarded a stay to work in Heinrich Böll's old cottage has her peace interrupted by an unwelcome intruder whose ulterior motives emerge as the night progresses. A priest waits at the altar to perform a marriage—and battles his memories of a love affair that led him to question all to which he has dedicated his life. And a man seeks solace at the bottom of a bottle as he mourns both his empty life and his lost love.

Alexandra Auder’s life began at the Chelsea Hotel—New York City’s infamous bohemian hangout—when her mother, Viva, a longtime resident of the hotel and one of Andy Warhol’s superstars, went into labor in the lobby. These first moments of Alexandra’s life, documented by her filmmaker father, Michel Auder, portended the whirlwind childhood and teen years that she would go on to have. At the center of it all is Viva: a glamorous, larger-than-life woman with mercurial moods.

It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.

Owls Do Cry is Janet Frame's first novel. She describes her idea behind it in the second volume of her autobiography: 'Pictures of great treasure in the midst of sadness and waste haunted me and I began to think, in fiction, of a childhood, home life, hospital life, using people known to me as a base for main characters, and inventing minor characters.'

For the past twenty-five years, Margaret Atwood has written works of striking originality and imagination. In The Blind Assassin, she stretches the limits of her accomplishments as never before, creating a novel that is entertaining and profoundly serious. The novel opens with these simple, resonant words: "Ten days after the war ended, my sister drove a car off the bridge." They are spoken by Iris, whose terse account of her sister Laura's death in 1945 is followed by an inquest report proclaiming the death accidental.

In East Prussia, January 1945, the German forces are in retreat, and the Red Army is approaching. The von Globig family's manor house, the Georgenhof, is falling into disrepair. Auntie runs the estate as best she can since Eberhard von Globig, a special officer in the German army, went to war, leaving behind his beautiful but vague wife, Katharina, and her bookish 12-year-old son, Peter. As the road fills with Germans fleeing the occupied territories, the Georgenhof begins to receive strange visitors - a Nazi violinist, a dissident painter, a Baltic baron, even a Jewish refugee.

From the Man Booker Prize-nominated author of Sleeping on Jupiter, The Folded Earth, and An Atlas of Impossible Longing, a poignant and sweeping novel set in India during World War II and the present day about a son’s quest to uncover the truth about his mother....

Fate has not been kind to Gemma Hardy. Orphaned then neglected, young Gemma seemed destined for a life of hardship and loneliness. Yet her bright spirit burns strong. Fiercely intelligent, singularly determined, Gemma overcomes each challenge and setback, growing stronger and more certain of her path. Now an independent young woman, she accepts a position as an au pair on the remote and beautiful Orkney Islands. But Gemma’s biggest trial is about to begin....

Ruby Lennox begins narrating her life at the moment of conception, and from there takes us on a whirlwind tour of the 20th century as seen through the eyes of an English girl determined to learn about her family and its secrets.

On a balmy midsummer's evening in 1923, a young woman - foreign, dishevelled and heavily pregnant - is found unconscious just off the railway tracks in the tiny logging community of Woody Creek. The town midwife, Gertrude Foote, is roused from her bed when the woman is brought to her door. Try as she might, Gertrude is unable to save her, but the baby lives.

In 1896, in a pilgrim church in the Alps, an abandoned baby girl is found by a cook and a housemaid. They take her home, and Annika grows up in the servants' quarters of a house belonging to three eccentric Viennese professors. She is happy there but dreams of the day when her real mother will come to find her. One day a glamorous stranger arrives at the door.

>i>Mosaic is compelling storytelling at its best - from the fascinating details of Polish-Jewish culture and the rivalries and dramas of family life, to its moving account of lives torn apart by war and persecution, this an extraordinary true story of a family, and of one woman's journey to reclaim her heritage.

After almost 20 years of caring for elderly parents - first for their senile father and then for their cantankerous 93-year-old mother - author Plum Johnson and her three younger brothers have finally fallen to their middle-aged knees with conflicted feelings of grief and relief. Now they must empty and sell the beloved family home, 23 rooms bulging with history, antiques, and oxygen tanks. Plum thought, How tough will that be? I know how to buy garbage bags. But the task turns out to be much harder and more rewarding than she ever imagined.

In fear for their lives after the sudden death of their mother, Adéla and Klára must flee Prague to find refuge with their uncle in Australia. Later, Adéla becomes a film director at a time when the local industry is starting to feel the competition from Hollywood. But even while success is imminent, the issues of family and an impossible love are never far away.

Ralph and Anna Eldred are an exemplary couple, devoting themselves to doing good. 30 years ago as missionaries in Africa, the worst that could happen did. Shattered by their encounter with inexplicable evil, they returned to England, never to speak of it again. But when Ralph falls into an affair, Anna finds no forgiveness in her heart, and 30 years of repressed rage and grief explode, destroying not only a marriage but also their love, their faith, and everything they thought they were.

It is 1959 in Wicklow, Ireland, and Annie and her cousin Sarah are living and working together to keep Sarah’s small farm running. Suddenly, Annie’s young niece and nephew are left in their care. Unprepared for the chaos that two children inevitably bring, but nervously excited nonetheless, Annie finds the interruption of her normal life and her last chance at happiness complicated further by the attention being paid to Sarah by a local man with his eye on the farm.

Autumn 1928. Three young women are on their way to India, each with a new life in mind. Rose, a beautiful but naive bride-to-be, is anxious about leaving her family and marrying a man she hardly knows. Victoria, her bridesmaid couldn't be happier to get away from her overbearing mother, and is determined to find herself a husband. And Viva, their inexperienced chaperone, is in search of the India of her childhood, ghosts from the past and freedom.

It is the early 1960s in a country village in Ireland. Caithleen Brady and her attractive friend, Baba, are on the verge of womanhood and dreaming of spreading their wings in a wider world - of discovering love and luxury and liquor and above all, fun. With bawdy innocence, shrewd for all their inexperience, the girls romp their way through convent school to the bright lights of Dublin – where Caithleen finds that suave, idealised lovers rarely survive the real world.

Vlad, a stranger from Eastern Europe masquerading as a healer, settles in a small Irish village where the locals fall under his spell. One woman, Fidelma McBride, becomes so enamored that she begs him for a child. All that world is shattered when Vlad is arrested, and his identity as a war criminal is revealed.

Now a much-loved modern classic, the Country Girls Trilogy was fiercely controversial when first published in the 1960s. Banned by the Irish censors and burned by the church, the books nonetheless achieved widespread acclaim and international success and launched Edna O’Brien’s literary career. These three BBC radio adaptations follow the lives and loves of best friends Kate and Baba, two teenage girls growing up in repressive rural Ireland in the years before the sexual revolution.

"I was a girl once, but not anymore." So begins Girl, Edna O’Brien’s harrowing portrayal of the young women abducted by Boko Haram. Set in the deep countryside of northeast Nigeria, this is a brutal story of incarceration, horror, and hunger; a hair-raising escape into the manifold terrors of the forest; and a descent into the labyrinthine bureaucracy and hostility awaiting a victim who returns home with a child blighted by enemy blood.

Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked, and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York", the single-mindedness of love dramatically derails the relationship between a girl and her mother while in "Sister Imelda" and "The Creature", the strong ties between teacher and student and mother and son are ultimately broken.

One of Ireland's best current novelists provides a thumbnail sketch of Ireland's greatest writer. A passionate and sensuous portrait, James Joyce is a return to the land of politics, history, saints, and scholars that shaped the creator of the 20th century's groundbreaking novel, Ulysses.

This is the story of a woman's life, her marriage and the bonds that tie her to her two boys. When the marriage ends she battles to keep her children, while trying to sustain an emotional life of her own and to earn a living. Her boys grow older, but they are still the centre of her life.

Set in a Spanish seaside enclave this is a passionate account of lost love and the return to loving, where currents of regret and loneliness clash with a fiery instinct for survival. The author also wrote The Country Girl's Trilogy, August is a Wicked Month and Johnny I Hardly Knew You.

On the morning of December 26, 2004, on the southern coast of Sri Lanka, Sonali Deraniyagala lost her parents, her husband, and her two young sons in the tsunami she miraculously survived. In this brave and searingly frank memoir, she describes those first horrifying moments and her long journey since. She has written an engrossing, unsentimental, beautifully poised account: as she struggles through the first months following the tragedy, furiously clenched against a reality that she cannot face and cannot deny....

From her hospital bed in Dublin, the elderly Dilly awaits the visit of her daughter, Eleanora, from London. The epochs of her life pass before her; she also retraces Eleanora's precipitate marriage to a foreigner, which alienated mother and daughter, and Dilly's heart-rending letters sent over the years in a determination to reclaim her daughter. But Eleanora's visit does not prove to be the glad reunion Dilly prayed for. And in her hasty departure, Eleanora leaves behind a secret journal of their stormy relationship.