Lurking in the dark corners of J. P. Beaumont's bizarre case was not just a demented mind obsessed with murder, but secrets so deadly that even a street-tough cop could die guessing.

Chuck Brewster, the former business partner of Ali Reynolds’s husband B. Simpson, once carried on an affair with Clarice, B.’s first wife. So when he’s found murdered with Clarice standing nearby covered in blood, it seems an open and shut case. But Clarice swears she’s innocent and begs for Ali’s help. At the same time, someone is targeting Camille Lee while she’s on the road for High Noon. Ali is swiftly running out of time to find the real killer and keep her employee safe in this high-octane thrill ride.

Years ago, when he was a homicide detective with the Seattle PD, J. P. Beaumont’s partner, Sue Danielson, was murdered. Volatile and angry, Danielson’s ex-husband came after her in her home and, with nowhere else to turn, Jared, Sue’s teenage son, frantically called Beau for help. As Beau rushed to the scene, he urged Jared to grab his younger brother and flee the house. In the end, Beaumont’s plea and Jared’s quick action saved the two boys from their father’s murderous rage.

A cop lies dying beneath the blistering Arizona sun - a local lawman who may well have become the next sheriff of Cochise County. The police brass claim that Andy Brady was dirty, and that his shooting was a suicide attempt. Joanna Brady, his devoted wife and mother of their nine-year-old daughter, knows a cover-up when she hears one...and murder when she sees it.

Jonas Piedmont Beaumont has had a hard life and learned at a young age how hard life can be. Two marriages, a treacherous battle with the bottle, assorted midlife and moral dilemmas, and a few decades as a homicide detective haven't convinced him otherwise. When Beau and his new partner Sue Danielson are assigned the murder of an elderly woman torched to death in her bed, Beau finds himself distracted by Sue's difficulties at home.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Years ago, when he was a homicide detective with the Seattle PD, J. P. Beaumont’s partner, Sue Danielson, was murdered. Volatile and angry, Danielson’s ex-husband came after her in her home and, with nowhere else to turn, Jared, Sue’s teenage son, frantically called Beau for help. As Beau rushed to the scene, he urged Jared to grab his younger brother and flee the house. In the end, Beaumont’s plea and Jared’s quick action saved the two boys from their father’s murderous rage.

A cop lies dying beneath the blistering Arizona sun - a local lawman who may well have become the next sheriff of Cochise County. The police brass claim that Andy Brady was dirty, and that his shooting was a suicide attempt. Joanna Brady, his devoted wife and mother of their nine-year-old daughter, knows a cover-up when she hears one...and murder when she sees it.

Chuck Brewster, the former business partner of Ali Reynolds’s husband B. Simpson, once carried on an affair with Clarice, B.’s first wife. So when he’s found murdered with Clarice standing nearby covered in blood, it seems an open and shut case. But Clarice swears she’s innocent and begs for Ali’s help. At the same time, someone is targeting Camille Lee while she’s on the road for High Noon. Ali is swiftly running out of time to find the real killer and keep her employee safe in this high-octane thrill ride.

Lurking in the dark corners of J. P. Beaumont's bizarre case was not just a demented mind obsessed with murder, but secrets so deadly that even a street-tough cop could die guessing.

Jonas Piedmont Beaumont has had a hard life and learned at a young age how hard life can be. Two marriages, a treacherous battle with the bottle, assorted midlife and moral dilemmas, and a few decades as a homicide detective haven't convinced him otherwise. When Beau and his new partner Sue Danielson are assigned the murder of an elderly woman torched to death in her bed, Beau finds himself distracted by Sue's difficulties at home.

Successful TV journalist Alison Reynolds' career comes to an abrupt end when top executives decide they need a "younger face". As if that's not enough, Ali discovers her media mogul husband is cheating on her: and her best friend from high school is missing.

For Sheriff Joanna Brady and her 12-year-old daughter Jenny, an innocent Girl Scout campout turns into a lethal game when Jenny and her tentmate, Dora Matthews, discover a murdered Phoenix woman.

Ten years ago, legendary author Riley Cannon produced three of the best-selling thriller novels of all-time. Then, she vanished, leaving the final three books of the saga unfinished and producing the biggest mystery in the history of publishing. Now, a decade later, there is word from her mega-agent, the glamorous and powerful Topaz Kennedy, that a new Cannon novel is all-but-finished. But, Topaz knows the truth: Riley Cannon hasn’t even started the book. With the clock counting down to the publication date, desperate measures are needed.

By the time playwright and actor Shawn Frost had won two Tony Awards by his late 20s, he was seen as a theater prodigy—a meteoric rise that the performing arts community had not witnessed in almost a hundred years. His work? Shakespearean in scope, character, and popularity—boundless and beautiful. His own character? Flawed. And in a place like New York City, where failings get magnified, Shawn Frost finds that, even from the heights of artistic sublimity, no one is insulated from the demons that have caused the best of entertainers to fall from grace.

Ex-St. Paul cop Rushmore McKenzie has more time, and more money, than he knows what to do with. In fact, when he’s willing to admit it to himself (and he usually isn’t), Mac is downright bored. Until he decides to do a favor for a friend facing a family tragedy: Nine-year-old Stacy Carlson has been diagnosed with leukemia, and the only one with the matching bone marrow that can save her is her older sister, Jamie. Trouble is, Jamie ran away from home years ago.