From New York Times best-selling author Stephen Graham Jones comes a novel that is equal parts psychological horror and cutting social commentary on identity politics and the American-Indian experience. Fans of Jordan Peele and Tommy Orange will love this story as it follows the lives of four American-Indian men and their families, all haunted by a disturbing, deadly event that took place in their youth. Years later, they find themselves tracked by an entity bent on revenge, totally helpless as the culture and traditions they left behind catch up to them in a vengeful way.

When COVID-19 sweeps through New York City, Jamie Gray is stuck as a dead-end driver for food-delivery apps. That is, until Jamie makes a delivery to an old acquaintance, Tom, who works at what he calls “an animal rights organization”. Tom’s team needs a last-minute grunt to handle things on their next field visit. Jamie, eager to do anything, immediately signs on. What Tom doesn't tell Jamie is that the animals his team cares for are not here on Earth. Not our Earth, at at least. In an alternate dimension, dinosaur-like creatures named Kaiju roam a warm and human-free world.

It’s Halloween night, 1984, in Coventry, Massachusetts, and two families are unraveling. Up and down the street, horrifying secrets are being revealed, and all the while, mixed in with the trick-or-treaters of all ages, four children who do not belong are walking door to door, merging with the kids of Parmenter Road. Children in vintage costumes with faded, eerie makeup. They seem terrified, and beg the neighborhood kids to hide them away, to keep them safe from The Cunning Man.

Blackwood mansion looms, surrounded by nightmare pines, atop the hill over the small town of New Haven. Ben Bookman, bestselling novelist and heir to the Blackwood estate, spent a weekend at the ancestral home to finish writing his latest horror novel, The Scarecrow. Now, on the eve of the book’s release, the terrible story within begins to unfold in real life.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

1647: A small group of Parliamentarian soldiers are ambushed in an isolated part of Northern England. Their only hope for survival is to flee into the nearby Moresby Wood...unwise though that may seem. For Moresby Wood is known to be an unnatural place, the realm of witchcraft and shadows, where the devil is said to go walking by moonlight. Seventeen men enter the wood. Only two are ever seen again, and the stories they tell of what happened make no sense. Stories of shifting landscapes, of trees that appear and disappear at will...and of something else.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

During the overthrow of the Mexican government, Beatriz’s father was executed and her home destroyed. When handsome Don Rodolfo Solórzano proposes, Beatriz ignores the rumors surrounding his first wife’s sudden demise, choosing instead to seize the security that his estate in the countryside provides. She will have her own home again, no matter the cost. But Hacienda San Isidro is not the sanctuary she imagined. Something is wrong with the hacienda. And no one there will save her. Far from a refuge, San Isidro may be Beatriz’s doom.

Thomas Ligotti’s debut collection, Songs of a Dead Dreamer, and his second, Grimscribe, permanently inscribed a new name in the pantheon of horror fiction. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.

In an isolated chateau, as far north as north goes, the baron’s doctor has died. The doctor’s replacement has a mystery to solve: discovering how the Institute lost track of one of its many bodies. For hundreds of years the Interprovincial Medical Institute has grown by taking root in young minds and shaping them into doctors, replacing every human practitioner of medicine. The Institute is here to help humanity, to cure and to cut, to cradle and protect the species from the apocalyptic horrors their ancestors unleashed.

Ten years after the collapse, Huxley has built a good life again. He has a loving wife, a farm with fields of golden barley, and a daughter with a strange and wonderful gift. Then the slavers come. Working out in the fields during the attack, Huxley returns too late. His daughter has been taken, and his wife is bleeding out, her last whispered words about a man with a scorpion tattoo on his neck. Where do the slavers go? Huxley has no idea. He knows only that they head east, and so will he, setting out on foot across the desert of the Wastelands.

Del Wensley, wife of the most celebrated preacher in Harlan County, tries to mind her place. Until her husband’s infidelity pushes an already strained marriage to a breaking point. Clinging to her last hope for self-respect, Del turns her back on the rigid life she’s known. A coal train is rolling through the valley. With her eyes wide open to the unfamiliar, and to the freedom she craves, Del takes to the rails.

It's the Arizona Territory. The year, 1848. The year the Mexican War ended. Fate and blazing pistols have just thrown together reporter and part-time drunk Marion T. Bell and the very nearly legendary John Charles Hart, mustanger and scout, in the Little Fanny Saloon. Plying the river-trade across the Colorado to the gold fields of California in the north, and war-torn Mexico to the south, the town of Gable's Ferry has sprung up overnight-lacking only a church, a schoolhouse and a jail.

Half Apache and all man, Jake Redman was more than a match for the wild Arizona Territory. Sarah Conway, on the other hand, was an Eastern lady who belonged anywhere else but on the rugged land Jake loved. But beneath Sarah's ladylike demeanor beat the heart of a true pioneer, a woman he yearned to make his own.

It is 1913, and 12-year-old Petra Luna’s mamá has died while the revolution rages in Mexico. Before her papá is dragged away by soldiers, Petra vows to him that she will care for the family she has left — her abuelita, her little sister, Amelia, and her baby brother, Luisito — until they can be reunited.

Ten years after the collapse, Huxley has built a good life again. He has a loving wife, a farm with fields of golden barley, and a daughter with a strange and wonderful gift. Then the slavers come. Working out in the fields during the attack, Huxley returns too late. His daughter has been taken, and his wife is bleeding out, her last whispered words about a man with a scorpion tattoo on his neck. Where do the slavers go? Huxley has no idea. He knows only that they head east, and so will he, setting out on foot across the desert of the Wastelands.

Nevada, 1869: Beyond the pitiless 40-Mile Desert lies Golgotha, a cattle town that hides more than its share of unnatural secrets. The sheriff bears the mark of the noose around his neck; some say he is a dead man whose time has not yet come. His half-human deputy is kin to coyotes. The mayor guards a hoard of mythical treasures. A banker's wife belongs to a secret order of assassins. And a shady saloon owner, whose fingers are in everyone's business, may know more about the town's true origins than he's letting on.

It is 1913, and 12-year-old Petra Luna’s mamá has died while the revolution rages in Mexico. Before her papá is dragged away by soldiers, Petra vows to him that she will care for the family she has left — her abuelita, her little sister, Amelia, and her baby brother, Luisito — until they can be reunited.

In the beginning, the gods destroyed the world. Five hundred years later, things haven’t gotten much better for humans. The demigods that were left behind to guard over humanity have been using them as fodder for an endless civil war between themselves, and the humans just go on dutifully slaughtering each other, battle after battle. It’s not all bad, though. Perry McGown makes his living off those bloody, stinking battlefields. He works on a crew that reclaims all the spent shell casings. But if anyone found out that he was a deserter from the war, he’d be executed for heresy.

The Civil War made him a man. The battle of Shiloh made him a hero and gave him a nickname that stuck. The notorious Union prisoner of war camp made him a killer of his fellow prisoners in "Gladiator" contests in order to survive. But the killings brought haunting nightmares that wouldn't end until he settled an old score with a Union Colonel determined to see Shiloh dead.

In a world where vampires have conquered mankind, Turner West is the only thing they fear. Threaded with silver through his body, he is a Bonemaker - a rare human who can Unmake vampires with a single cut of his blade. Crossing the prairie of what was once the United States, Turner will face a blood-crazed cult, a governor who wants power more than life itself, and a trio of beautiful women who will help him toward his ultimate goal: ridding the world of bloodsuckers. But Turner's exploits have attracted a vampire so old, his very existence threatens what remains of the human race.

Mike Mignola's award-winning series Hellboy has earned fans all over the world, among them some of the most respected horror, fantasy, and mystery novelists in the field as well as some of Hollywood's most talented writers and directors. Now a who's who list of these writers are drawn together to tell their own tales of Hellboy, to play with the characters and worlds Mignola has created. As part of Dark Horse's celebration of Hellboy in 2004, Christopher Golden has brought together a stellar array of talents.

A troubled World War I veteran races across the frozen steppe of 1930's Ukraine to save a child from a shadowy killer with unthinkable plans. Luka is a war veteran who now wants nothing more than to have a quiet life with his family. His village has, so far, remained hidden from the advancing Soviet brutality. But everything changes the day a stranger arrives, pulling a sled bearing a terrible cargo. In the chaos, a little girl has vanished, and Luka is the only man with the skills to find the stolen child and her kidnapper.

My father had an expression for a thing that turned out bad. He'd say it had gone west. But going west always sounded pretty good to me. After all, westwards is the path of the sun. And through as much history as I know of, people have moved west to settle and find freedom. But our world had gone north, truly gone north, and just how far north I was beginning to learn.

For 25 years, civilization has survived in meager enclaves, guarded against a plague of the dead. Temple wanders this blighted landscape, keeping to herself and keeping her demons inside her heart. She can’t remember a time before the zombies, but she does remember an old man who took her in and the younger brother she cared for until the tragedy that set her off on her personal journey toward redemption.

The award-winning and critically-acclaimed master of horror returns with a pair of chilling tales - both never-before-published in print or audio - that examine the violence and depravity of the human condition. Bringing together his acclaimed novella The Sea Dreams It Is the Sky and an all-new short novel My Heart Struck Sorrow, John Hornor Jacobs turns his fertile imagination to the evil that breeds within the human soul.

Hope County, Montana. Land of the free and the brave, but also home to a fanatical doomsday cult known as The Church of Eden’s Gate that has slowly been infiltrating the residents’ daily lives in the past years. Mary May Fairgrave, a local barkeep, has lost almost everything to the Church: her parents died in suspicious conditions and her brother, entranced by the cult leader’s charismatic words, has vanished. When the authorities refuse to investigate further, she decides to take matters in to her own hands.

Fifteen-year-old Benny Imura lives in a world infested with zombies where, when a kid turns 15, he must get a job to continue receiving food rations. Benny has no interest in the family business of zombie killing, but figures he doesn’t have much of a choice. He’s tried out a bunch of other jobs, and hasn’t found anything he likes. But as Benny starts training with his brother, he learns things about being human that he never expected.

Robert Jackson Bennett makes a stunning debut with this deliciously dark tale sure to hold readers in its menacing thrall. The grinding poverty brought on by the Great Depression is nowhere more apparent than in the untold thousands looking for work along America’s railroad system. But one man haunting the rail camps has been moved by an entirely different brand of desperation: revenge.

Assyria, in the reign of Ashurbanipal. For Aurya and her daydreaming brother, Sharo, every day is a struggle for survival, as they dodge the beatings of their drunken father and scrabble for scraps of food. One violent evening, everything changes. Soon, they are on the barge of King Ashurbanipal, bound for the beautiful, near-mythical city of Nineveh.

Since time immemorial, the Haddesley family has tended the cranberry bog. In exchange, the bog sustains them. The staunch seasons of their lives are governed by a strict covenant that is renewed each generation with the ritual sacrifice of their patriarch, and in return, the bog produces a “bog-wife.” Brought to life from vegetation, this woman is meant to carry on the family line. But when the bog fails—or refuses—to honor the bargain, the Haddesleys, a group of discordant siblings still grieving the mother who mysteriously disappeared years earlier, face an unknown future.

Thrift fashionista Dez Lane doesn't want to date Patrick Ruskin; she just wants to meet his mother, the editor-in-chief of Nouveau magazine. When he invites her to his family's big Easter reunion at their ancestral home, she's certain she can put up with his arrogance and fend off his advances long enough to ask Marie Caulfield-Ruskin for an internship someone with her pedigree could never nab through the regular submission route. But once all the family members are on the island and the ferry has departed, things take a dark turn.

Red Solo cups? Check. Snacks? Check. Abandoned mansion full of countless horrors that won’t let you leave? Check. The Deinhart Manor has been a looming shadow over town for as long as anyone can remember, and it's been abandoned for even longer. When the final Deinhart descendent passes, the huge gothic manor is up for sale for the first time ever. Which means Arden can steal the keys from her mom’s real estate office...It’s time for a graduation party that no one will ever forget.

In the fall of 1962, twenty-seven-year-old Jemma Barker is desperate to escape her life in Chicago—and the spirits she has always been able to see. When she receives an unexpected job offer from the Duchon family in New Orleans, she accepts, thinking it is her chance to start over. But Jemma discovers that the Duchon family isn’t what it seems. Light enough to pass as white, the Black family members look down on brown-skinned Jemma.

Nicola Laughton never expected to see adulthood, being diagnosed with Cystic Fibrosis as a child. Then medical advances let her live into her thirties and she met Anton, who taught her to dream of a future… together. Months after they married, Anton died in a horrible car crash, but lived long enough to utter five words to her, “I’ll be waiting for you.” That final private moment became public when someone from the crash scene took it to the press—the terminally ill woman holding her dying husband as he promised to wait for her on the other side.