Diana Wood has a job she likes and a husband, Oliver, she loves. Together, they have a daughter they adore. She and Oliver spend so much time together that they even carpool to work in the same office. They’re in married love, which isn’t exactly the same as love love, but it’s fine. Or is it? Is fine good enough?

Diana Wood’s escape to Paris has ended. She’s traded her international sexual escapades for sharing a couch in therapy with her husband, Oliver. Dedicated to rekindling the spark they lost, Diana and Oliver are determined to follow whatever directives their therapist issues. But then they’re told, “absolutely no sex.” Diana begins dating the man who was once her husband. Much to her surprise, the therapist’s advice seems to be working: The emotional connection between Diana and Oliver deepens and their physical attraction becomes all-consuming.

Cate Kay knows how to craft a story. As the creator of a bestselling book trilogy that struck box office gold as a film series, she’s one of the most successful authors of her generation. The thing is, Cate Kay doesn’t really exist. She’s never attended author events or granted any interviews. Her real identity had been a closely guarded secret, until now.

Aiden Valentine has a secret: he’s fallen out of love with love. And as the host of Baltimore’s romance hotline, that’s a bit of a problem. But when a young girl calls in to the station asking for dating advice for her mom, the interview goes viral, thrusting Aiden and Heartstrings into the limelight. Lucie Stone thought she was doing just fine. She has a good job; an incredible family; and a smart, slightly devious kid. But when all of Baltimore is suddenly scrutinizing her love life—or lack thereof—she begins to question if she’s as happy as she believed.

All newly minted pediatrician Jamie Malek wants is to borrow a roasting pan for Christmas dinner. Unfortunately, that requires her to interact with Marc—her best friend’s troublemaking brother, who’s now a tech billionaire. He’s the one who got away. She’s the one who broke his heart. Outside, a howling blizzard. Inside, a crackling fire. Suddenly, being snowbound with the man she never expected to see again might not be such a bad way to spend a winter’s night.

Timothy and Jonah, wealthy entrepreneurs with a spoiled son, hide sins from their past—one involving a death on a cruise, the other a crime in Bali. Nathan and Samantha, the hot ex-nanny turned trophy wife, grapple with infertility and a shocking paternity secret. Bartosz and Angelika (he’s a chef, she’s a former sex worker) carry debts to the other couples they don’t even realize they owe. Over fourteen days, the couples bond—but their pasts are too deeply intertwined to stay hidden. The sly concierge, Putu, knows more than he lets on.

Annie has always had high hopes for her future. But the reality of her life just isn’t measuring up. She loves her fiancé, Greg–doesn’t she? She’s going to get her degree and open her own business–won’t she? Then, a strange old woman shows up outside her house, and she seems to know a lot about Annie. An awful lot. Annie could tell the old woman to get lost. Yet there’s something about her Annie just can’t shake. And what she learns could change her life forever–but is it the life she envisioned?

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.

Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Diana Wood has a job she likes and a husband, Oliver, she loves. Together, they have a daughter they adore. She and Oliver spend so much time together that they even carpool to work in the same office. They’re in married love, which isn’t exactly the same as love love, but it’s fine. Or is it? Is fine good enough?

Diana Wood’s escape to Paris has ended. She’s traded her international sexual escapades for sharing a couch in therapy with her husband, Oliver. Dedicated to rekindling the spark they lost, Diana and Oliver are determined to follow whatever directives their therapist issues. But then they’re told, “absolutely no sex.” Diana begins dating the man who was once her husband. Much to her surprise, the therapist’s advice seems to be working: The emotional connection between Diana and Oliver deepens and their physical attraction becomes all-consuming.

Presley Ayers is not the woman you bring on a camping trip. An accomplished concierge at an exclusive hotel in Great Falls, MI, she knows more about the top ten places for champagne and caviar than she does about the best hiking boots to go stomping around near Lake Michigan. But when she surprises her boyfriend of eight months with a vacation to the Get Lost Lodge and he dumps her instead, Presley decides to rough it solo and take the trip herself.

Every summer, Vivian Levy and Lucy Webster spend a month with their father at his lake house — separately. Raised in New York City, Vivian is an ambitious sommelier with a secret that could derail her future. Lucy grew up in a tiny Maine town, where she now teaches high school English while watching her marriage unravel. They’ve never met. While Lucy envied her half-sister from afar, their father kept Vivian in the dark. When Vivian arrives at the lake to spread his ashes and sell his cabin, she's shocked to find Lucy there, awaiting his return.

Kim and Grant are at a turning point. A couple for thirty years, their "separate but together" partnership is running up against the realities of late middle age: Grant’s mother has died, the college where he taught philosophy was shuttered, and their twin girls are grown and gone. Escaping the bitter cold of a Midwestern winter for the hot desert sun of Palm Springs seems as good a solution as any to the more intractable problems they face.

London, 1848—For four hundred years, England has been under the control of an immortal fae queen who tricked her way onto the throne. To maintain an illusion of benevolence, Queen Mor grants each of her subjects one opportunity to bargain for their deepest desire. As Ivy Benton prepares to make her debut, she knows that not even a deal with the queen could fix what has gone wrong: Her family’s social standing is in shambles, her sister is a shadow of her former self, and Ivy’s marriage prospects are nonexistent.

Birdie’s keeping it together; of course she is. So she’s a little hungover, sometimes, and she has to bring her daughter, Emaleen, to her job waiting tables at an Alaskan roadside lodge, but she’s getting by as a single mother in a tough town. Still, Birdie can remember happier times from her youth, when she was free in the wilds of nature. Arthur Neilsen, a soft-spoken and scarred recluse who appears in town only at the change of seasons, brings Emaleen back to safety when she gets lost in the woods. Most people avoid him, but to Birdie, he represents everything she’s ever longed for.

Detroit, 1960. Lila Pereira is two years old when her angry, abusive father has her mother committed to an asylum. Lila never sees her mother again. Three decades later, having mustered everything she has—brains, charm, talent, blond hair—Lila rises to the pinnacle of American media as the powerful, brilliant executive editor of The Washington Globe. Lila unapologetically prioritizes her career, leaving the rearing of her daughters to her generous husband, Joe. He doesn’t mind—until he does.

Cecily Foster loves to make podcasts. She fiercely protects her colleagues, dearly adores her friends, and never misses dinner with her sister. But after a disastrous relationship with a colleague who stole her heart and her ideas, she’s put romantic love on hold. When the boss who’s disappointed her again and again finally offers her the chance to host her own show, she wants to be thrilled. But there’s a catch—actually, two catches. First, the show will be about Cecily’s dating life.

Sixteen years old and enslaved since she was born, Junie has spent her life on Bellereine Plantation in Alabama, cooking and cleaning alongside her family, and tending to the white master’s daughter, Violet. Her daydreams are filled with poetry and faraway worlds, while she spends her nights secretly roaming through the forest, consumed with grief over the sudden death of her older sister, Minnie. When wealthy guests arrive from New Orleans, hinting at marriage for Violet and upending Junie’s life, she commits a desperate act.

Lenny’s a bit of a mess at the moment. Ever since cancer stole away her best friend, she has been completely lost. She’s avoiding her concerned parents, the apartment she shared with her best friend, and the ever-laminated “live again” list of things she’s promised to do to survive her grief. But maybe if she acts like she has it all together, no one will notice she’s falling apart. The only gigs she can handle right now are temporary babysitting jobs, and she just landed a great one, helping overworked, single mom Reese and her precocious daughter, Ainsley.

Aiden Valentine has a secret: he’s fallen out of love with love. And as the host of Baltimore’s romance hotline, that’s a bit of a problem. But when a young girl calls in to the station asking for dating advice for her mom, the interview goes viral, thrusting Aiden and Heartstrings into the limelight. Lucie Stone thought she was doing just fine. She has a good job; an incredible family; and a smart, slightly devious kid. But when all of Baltimore is suddenly scrutinizing her love life—or lack thereof—she begins to question if she’s as happy as she believed.

Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years—or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century.

Heir to a fortune, Marguerite is destined for a life of prosperity and gentility. Then she is orphaned, and her guardian—an enigmatic and volatile man—spends her inheritance and insists she accompany him on an expedition to New France. That journey takes a unexpected turn when Marguerite, accused of betrayal, is brutally punished and abandoned on a small island.

Lila Kennedy has a lot on her plate. A broken marriage, two wayward daughters, a house that is falling apart, and an elderly stepfather who seems to have quietly moved in. Her career is in freefall and her love life is . . . complicated. So when her real dad—a man she has barely seen since he ran off to Hollywood thirty-five years ago—suddenly appears on her doorstep, it feels like the final straw. But it turns out even the family you thought you could never forgive might have something to teach you: about love, and what it actually means to be family.